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Big Hat Tours

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Half Price Fantastic Munich City Tour

Inside the Third Reich (Private Tour)

In Depth Dachau Concentration Camp Tour (Private Tour)

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Detailed Reviews: Reviews ordered by recency and descriptiveness of user-identified themes such as waiting time, length of visit, general tips, and location information.

BIG HAT TOURS: All You Need to Know BEFORE You Go (with Photos)

Big Hat Tours

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Half Price Fantastic Munich City Tour

Inside the Third Reich (Private Tour)

In Depth Dachau Concentration Camp Tour (Private Tour)

Most Recent: Reviews ordered by most recent publish date in descending order.

Detailed Reviews: Reviews ordered by recency and descriptiveness of user-identified themes such as waiting time, length of visit, general tips, and location information.

Big Hat Tours - All You MUST Know Before You Go (2024)

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Three separate Big Hat Tours with Curt... - Big Hat Tours

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Three separate Big Hat Tours with Curt Milburn

We engaged Curt for three separate tours in Munich. The first tour was a small group walking tour of Munich. There were five of us. The second tour was private that covered the architecture of Munich plus the Nymphenburg Castle. The third tour was also private to Dachau. We travel a great deal and have hired many guides. We found Curt to be very engaging and solicitous but most importantly, provided options. Curt understood that while we may not know Munich if he provided options within our tour, he could craft the tour to meet our requirements. Curt did not just follow a rote itinerary, but listened to what we wanted to do. Of course, Curt covered the major sights, but threw in a number of additions to make the tour even better. It is clear that Curt has done his research and continues to improve on his knowledge. We had a great three days and highly recommend him.

Curt was kind to meet us in the lobby of our hotel in Munich for a Dachau tour. We thought that the pace of the tour was perfect! Curt has a wealth of knowledge yet presents it in a very conversational manner. We felt like we were on a tour with a friend rather than a “tour guide”. We liked that Curt not only presented interesting information, but also gave us time to explore on our own. A most memorable day in Germany!

Curt did a great job customizing the tour for what we (four adults) wanted to see and hear about. This was my second tour with Curt. My first a year ago was with another couple and 7 children (ages 7 to 13) where his tour kept the children entertained while informative. I highly recommend Big Hat Tours.

Had a blast on this walking tour with Curt as our guide. My buddy set this up for our group and I'm so glad that he did. This tour reinvigorated my interest in ww2 and I have been geeking out on it ever since. Curt provides such great information and has an excellent delivery of the info. You will not regret doing this tour, there are a lot of things you could easily just walk on by if you were on your own but Curt points them all out in a fun and enjoyable way. Curt also comes along with his iPad, showing pics of what the area looked like during the lead up and through the war. It's a great way to familiarize yourself with the city as well, making getting around easier.

My wife and I spent a day touring with Curt and it was the highlight of our time in Munich. We did the 3rd Reich Tour and a tour of Dachau. Curt made the tours very interesting and entertaining. He has literally written history books and is very knowledgeable.

You will have no regrets touring with Curt. He was the best tour guide I ever had. Curt showed us around Munich and explained all the history within the streets. Thanks for making our trip a special one! Laura from NY

Big Hat Tours

• See all photos

Half Price Fantastic Munich City Tour

Inside the Third Reich (Private Tour)

In Depth Dachau Concentration Camp Tour (Private Tour)

Most Recent: Reviews ordered by most recent publish date in descending order.

Detailed Reviews: Reviews ordered by recency and descriptiveness of user-identified themes such as waiting time, length of visit, general tips, and location information.

Big Hat Tours - All You Need to Know BEFORE You Go (2024)

Review: The Big Bus Tour in New York City

I absolutely loved the Big Bus Tour in New York City. It’s the best way to go sightseeing in an open-top, hop-on hop-off, top-rated tour and explore the best New York attractions !

If this is your first-time visiting New York and you want to see all the top landmarks, this double-decker tour bus will take you there.

The Big Bus Tour in New York

You may be wondering if a hop-on hop-off bus is worth it. Absolutely, yes!

If you consider the time and money spent on transportation costs, waiting for buses, navigating the subway (which can be confusing for visitors), and getting from one point of interest to another, it is worth every dollar!

I had a great visit to New York City on Big Bus Tour. My goal was to show the city to some friends from Italy who were visiting the US for the first time.

Since we only had about two days to spend together, the hop-on hop-off was undoubtedly the best decision.

From our experience, we’ll answer commonly asked questions about the Hop-on Hop-off bus while visiting New York City.

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Why take the big bus tour in new york.

While seeing New York from the open-top deck of the double-decker bus, the city unfolded block by block with panoramic views from every angle.

As we traveled through the streets, the sights were unobstructed and new visual backdrops were revealed.

The towering skyscrapers and colorful billboards filled the air with excitement and as the cityscape continued to change, it gave a grand feeling to the experience.

I especially enjoyed being able to relax from the upper deck of the bus while taking in the energy of city scenes.

Because I also live in a large city, the rhythm felt familiar from the elevated vantage point .

Car horns were honking, crowds traversed through the streets and there was an endless hum of activity.

Best of all, the tour gave me the chance to interact with other travelers who were seeing New York while waiting for the tour to began.

We struck up conversations and exchanged stories, insights, and recommendations during our stay in New York.

How Much is the Big Bus Tour in New York

The regular price of an adult and child ticket is $60.00 and $50.00, respectively. However, you can use the link below for discounted fares.

Get discounts for the Big Bus Tour NYC  here .

How Long is the Big Bus Tour in New York

The round-trip New York City Big Bus Tour takes about two hours from start to finish.

The bus is the perfect solution for visitors worldwide because they offer pre-recorded audio narratives and translations in five languages — French, German, Spanish, Italian, and English.

Are There Toilets on the Big Bus

No. Unlike charter buses, you won’t travel long between stops. So the best thing to do is exit at a stop, find a public restroom, see an attraction, if desired, and then catch the next bus.

If you are not sure where to find one, ask a Big Bus guide on the street. The driver may also have some suggestions.

Charter buses come equipped with a bathroom because travel is expected to be for a much longer period.

How Does the Big Bus Tour Work in New York City

The tour offers three options for purchase — 1-day, 2-day, and 3-day.

When you decide the number of days of your tour and purchase your ticket, the clock starts when your ticket is scanned while boarding the bus for the first time.

The ticket is good for 24, 48, or 72 hours. So, if you have a 1-day ticket and board the bus at 11:00 AM on Monday, it can still be used until 11:00 AM on Tuesday.

We found a ton of touring options for sightseeing in New York.

Aside from the extended period, the 2 and 3-day tickets also offer discounted bike rentals.

The buses run every 20 minutes on average. However, the first stop at the M&M store can be a long wait during peak season.

You can exit or board at any of the designated stops as much as you want.

The only exclusion is the one-loop tour Night Tour which is a panoramic non-stop tour.

Where to Catch the Big Bus Tour in New York City

During the tour, the buses only stop at designated stops.

Your ticket is good for as long as the buses operate during the day and it may be used on both the red and blue routes.

When you board, make sure you get a hop-on hop-off New York bus route map!

Big Bus NYC Red Route

The red route sightseeing tour covers lower Manhattan and you’ll see many landmarks like St. Patrick’s Cathedral, Wall Street, the Chrysler Building, and General Grant’s Tomb.

You can catch a tour at any one of the following bus stops and you can get your tickets in advance of boarding.

1 – M&M’s World – 7th Ave & W 48th St (Outside M&M World & Majestic Deli)

2 – Times Square East – W 42nd St & Broadway (at Knickerbocker Hotel)

3 – Empire State Building / Korea Town – 5th Ave & W 32nd St (at CVS Pharmacy)

4 – Flatiron District – 5th Ave & W 23rd St (at Eisenberg’s Sandwich Shop)

5 – SoHo – Broadway and Spring Street (at Nike Store)

6 – Chinatown / Little Italy – 100 Lafayette Street (near the corner at Walker St)

7 – Brooklyn Bridge – Park Row & Beekman St (across from 33 Park Row)

8 – Wall Street / Charging Bull – Broadway & Wall St (Southwest corner near Rector St)

9 – Statue of Liberty / Battery Park – State St and Bridge St (at Subway Entrance)

10 – Circle Line Sightseeing – 12th Ave & 40th St (opposite Pier 81)

11 – Times Square North – 7th Ave & W 50th St (at Majestic Deli)

Big Bus NYC Blue Route

The blue route covers upper Manhattan, and half of the ride is mostly views of Central Park. You can switch to the blue route at red stop #2.

We recommend changing routes at stop #11 (the Majestic Deli) where you can take a break and have a nice lunch.

12 – The Metropolitan Museum of Art – 5th Ave & E 83rd St (near 83rd St)

13 – Central Park Zoo – 5th Ave & E 66th St (opposite 845 5th Ave)

14 – Columbus Circle – Central Park & Columbus Circle (SW corner of Central Park)

Tips and Things to Know Before You Go

The bus has two levels, the upper level offers panoramic views of the city but be careful of overhanging traffic lights and trees. Don’t stand while the bus is in motion.

• After you find a seat, check the audio to confirm it is working.
• Snacks are allowed. Bring a frozen bottle of water and protein bites to keep you energized.
• When on the upper deck, cover up with sunscreen to protect your skin on hot sunny days.
• If you are a family of 3 or more, take seats across from one another so you’ll have views and photos from both sides of the bus.

Tourists were lined up at stop #1 at least an hour before departure and the line extended the entire block and rounded the corner.

We decided to see other points of interest and returned around 11:00 AM.

The wait to board the bus was about 20 minutes. It was a relaxing ride and there we saw so much!

By the time we reached stop #9, we were pumped and ready to exit the bus so that we could explore the city! And you probably will be too.

Here’s the secret sauce that really made the experience memorable. Exit at stop #9 and take a FREE ferry to Staten Island.

To see the Statue of Liberty, stand on the left side of the boat. When returning, stand on the right side.

Traveling on a budget? Read my review of the Westside YMCA Hotel !

Final Thoughts About the Big Bus Tour in New York City

Overall, the tour was a pleasant way to see New York city and when you are on the upper deck, you hardly notice the traffic.

Some other advantages of seeing the city by bus include:

• Avoiding parking hassles. I mean, who actually drives in New York?!
• Photo opportunities. With the open-top or large windows, you have excellent photo opportunities as you pass by iconic landmarks and cityscapes.
• Comprehensive sightseeing of major landmarks and attractions within two hours.
• You can get local recommendations from the guides who operate the bus.

I usually opt for a hop-on hop-off bus when I am short on time or to get my bearings in the city before deciding what to do.

Either way, when you take the tour bus, it doesn’t appear impossible to take a bite out of the Big Apple.

Happy Travels!

Third Reich Tour

A historical journey.

• €195 | Private Tour | 3.5h

It was in Munich (not Berlin) where Hitler rose to power. Here Hitler's shrapnel-pocked buildings still stand where you'll see Swastikas, Nazi helmets and the largest Nazi Eagles in Germany. Curt's tours are ongoing discussions of more than "when", but how and why it all began in Munich. He covers the military, economic and social aspects of Hitler's Germany.

You'll see sites of mass rallies, book burnings and the sites of Hitler's most famous speeches. You'll view historic photos on an iPad and see before-and-after pictures of the mass destruction of Allied bombings on the city.

On your tour you will visit the Nazi buildings still standing in Munich and see photographs and films on the iPad that brings these places alive...

• Konigsplatz (Site of the mass rallies and book burnings)
• The Fuhrer Bau (Hitler’s Munich Office)
• Honor Temples (Partially destroyed)
• Nazi Documentation Center
• Odeonsplatz (Site of The Beer Hall Putsch)
• Sterneckerbau (Where Hitler first met the Nazis)
• Hofbrauhaus (The Festhalle, where Hitler ignited the spark that soon sent Europe into flames)
• Alte Rathaus (Where Kristallnacht began)
• Plaza for the Victims of National Socialism

Taylor Swift Renews Her Vows With Heartbreak in Audacious, Transfixing ‘Tortured Poets Department’: Album Review

By Chris Willman

Chris Willman

Senior Music Writer and Chief Music Critic

• Taylor Swift’s Record-Breaking First Day at Spotify With ‘Tortured Poets’ Didn’t Stop at 200 Million Streams — It Actually Surpassed 300 Million 4 hours ago
• Which New Taylor Swift Songs Are About Matty Healy, Joe Alwyn or Travis Kelce? Breaking Down ‘Tortured Poets Department’ Lyric Clues 23 hours ago
• Taylor Swift’s Best ‘Tortured Poets Department’ Lyrics: ‘So Long, London,’ ‘The Smallest Man Who Ever Lived,’ ‘LOML,’ ‘The Black Dog’ and More 2 days ago

Popular on Variety

For where it sits in her catalog musically, it feels like the synth-pop of “Midnights,” with most of the feel-good buzz stripped out; or like the less acoustic based moments of “Folklore” and “Evermore,” with her penchant for pure autobiography stripped back in. It feels bracing, and wounded, and cocky, and — not to be undervalued in this age — handmade, however many times she stacks her own vocals for an ironic or real choral effect. Occasionally the music gets stripped down all the way to a piano, but it has the effect of feeling naked even when she goes for a bop that feels big enough to join the setlist in her stadium tour resumption, like “I Can Do It With a Broken Heart.”

The first time you listen to the album, you may be stricken by the “Wait, did she really just say that?” moments. (And no, we’re not referring to the already famous Charlie Puth shout-out, though that probably counts, too.) Whatever feeling you might have had hearing “Dear John” for the first time, if you’re old enough to go back that far with her, that may be the feeling you have here listening to the eviscerating “The Smallest Man Who Ever Lived,” or a few other tracks that don’t take much in the way of prisoners. Going back to it, on second, fifth and tenth listens, it’s easier to keep track of the fact that the entire album is not that emotionally intense, and that there are romantic, fun and even silly numbers strewn throughout it, if those aren’t necessarily the most striking ones on first blush. Yes, it’s a pop album as much as a vein-opening album, although it may not produce the biggest number of Top 10 hits of anything in her catalog. It doesn’t seem designed not to produce those, either; returning co-producers Jack Antonoff and Aaron Dessner aren’t exactly looking to keep her off the radio. But it’s easily among her most lyrics-forward efforts, rife with a language lover’s wordplay, tumults of sequential similes and — her best weapon — moments of sheer bluntness.

Who is the worst man that she delights in writing about through the majority of the album? Perhaps not the one you were guessing, weeks ago. There are archetypal good guy and bad boy figures who have been part of her life, whom everyone will transpose onto this material. Coming into “Tortured Poets,” the joke was that someone should keep Joe Alwyn, publicly identified as her steady for six-plus years, under mental health watch when the album comes out. As it turns out, he will probably be able to sleep just fine. The other bloke, the one everyone assumed might be too inconsequential to trouble her or write about — let’s put another name to that archetype: Matty Healy of the 1975 — might lose a little sleep instead, if the fans decide that the cutting “The Smallest Man Who Ever Lived” and other lacerating songs are about him, instead. He might also have cause to feel flattered, because there are plenty of songs extolling him as an object of abject passion and the love of her life — in, literally, the song title “LOML” — before the figure who animated all this gets sliced down to size.

The older love, he gets all of one song, as far as can be ascertained: the not so subtly titled “So Long, London,” a dour sequel to 2019’s effusive “London Boy.” Well, he gets a bit more than that: The amusingly titled “Fresh Out the Slammer” devotes some verses to a man she paints as her longtime jailer (“Handcuffed to the spell I was under / For just one hour of sunshine / Years of labor, locks and ceilings / In the shade of how he was feeling.” But ultimately it’s really devoted to the “pretty baby” who’s her first phone call once she’s been sprung from the relationship she considered her prison.

It’s complicated, as they say. For most of the album, Swift seesaws between songs about being in thrall to never-before-experienced passion and personal compatibility with a guy from the wrong side of the tracks. She feels “Guilty as Sin?” for imagining a consummation that at first seems un-actionable, if far from unthinkable; she swears “But Daddy I Love Him” in the face of family disapproval; she thinks “I Can Fix Him (No Really I Can),” before an epiphany slips out in the song’s hilariously anticlimactic final line: “Woah, maybe I can’t.” Then the most devastating songs about being ghosted pop up in the album’s later going.

Now, that, friends, is a righteous tirade. And it’s one of the most thrilling single moments in Swift’s recorded career. “But Daddy I Love Him” has a joke for a title (it’s a line borrowed from “The Little Mermaid”), but the song is an ecstatic companion piece to “That’s the Way I Loved You,” from her second album, now with Swift running off with the bad choice instead of just mourning him. It’s the rare song from her Antonoff/Dessner period that sounds like it could be out of the more “organic”-sounding, band-focused Nathan Chapman era, but with a much more matured writing now than then… even if the song is about embracing the immature.

The album gets off to a deceptively benign start with “Fortnight,” the collaboration with Post Malone that is its first single. Both he and the record’s other featured artist, Florence of Florence + the Machine , wrote the lyrics for their own sections, but Posty hangs back more, as opposed to the true duet with Florence; he echoes Swift’s leads before finally settling in with his own lines right at the end. Seemingly unconnected to the subject matter of the rest of the record, “Fortnight” seems a little like “Midnights” Lite. It rues a past quickie romance that the singer can’t quite move on from, even as she and her ex spend time with each other’s families. It’s breezy, and a good choice for pop radio, but not much of an indication of the more visceral, obsessive stuff to come.

The title track follows next and stays in the summer-breeze mode. It’s jangly-guitar-pop in the mode of “Mirrorball,” from “Folklore”… and it actually feels completely un-tortured, despite the ironic title. After the lovers bond over Charlie Puth being underrated (let’s watch those “One Call Away” streams soar), and over how “you’re not Dylan Thomas, I’m not Patti Smith,” an inter-artist romance seems firmly in place. “Who’s gonna hold you like me?” she asks aloud. (She later changes it to “troll you.”) She answers herself: “Nofuckinbody.” Sweet, and If you came to this album for any kind of idyll, enjoy this one while it lasts, which isn’t for long.

From here, the album is kind of all over the map, when it comes to whether she’s in the throes of passion or the throes of despair… with that epic poem in the album booklet to let you know how the pieces all fit together. (The album also includes a separate poem from Stevie Nicks, addressing the same love affair that is the main subject of the album, in a protective way.)

There are detours that don’t have to do with the romantic narrative, but not many. The collaboration with Florence + the Machine, “Florida!!!,” is the album’s funniest track, if maybe its least emotionally inconsequential. It’s literally about escape, and it provides some escapism right in the middle of the record, along with some BAM-BAM-BAM power-chord dynamics in an album that often otherwise trends soft. If you don’t laugh out loud the first time that Taylor’s and Florence’s voices come together in harmony to sing the line “Fuck me up, Florida,” this may not be the album for you.

When the album’s track list was first revealed, it almost seemed like one of those clever fakes that people delight in trolling the web with. Except, who would really believe that, instead of song titles like “Maroon,” Swift would suddenly be coming up with “My Boy Only Breaks His Favorite Toys,” “Fresh Out the Slammer,” “Who’s Afraid of Little Old Me?” and “The Smallest Man Who Ever Lived”? This sounded like a Morrissey track list, not one of Swift’s. But she’s loosened up, in some tonal sense, even as she’s as serious as a heart attack on a lot of these songs. There is blood on the tracks, but also a wit in the way she’s employing language and being willing to make declarations that sound a little outlandish before they make you laugh.

Toward the end of the album, she presents three songs that aren’t “about” anybody else… just about, plainly, Taylor Swift. That’s true of “Who’s Afraid of Little Old Me?,” a song that almost sounds like an outtake from the “Reputation” album, or else a close cousin to “Folklore’s” “Mad Woman,” with Swift embracing the role of vengeful witch, in response to being treated as a circus freak — exact contemporary impetus unknown.

Whatever criticisms anyone will make of “The Tortured Poets Department,” though — not enough bangers? too personal? — “edge”-lessness shouldn’t be one of them. In this album’s most bracing songs, it’s like she brought a knife to a fistfight. There’s blood on the tracks, good blood.

Sure to be one of the most talked-about and replayed tracks, “I Can Do It With a Broken Heart” has a touch of a Robyn-style dancing-through-tears ethos to it. But it’s clearly about the parts of the Eras Tour when she was at her lowest, and faking her way through it. “I’m so depressed I act like it’s my birthday — every day,” she sings, in the album’s peppiest number — one that recalls a more dance-oriented version of the previous album’s “Mastermind.” It’s not hard to imagine that when she resumes the tour in Paris next month, and has a new era to tag onto the end of the show, “I Can Do It With a Broken Heart” might be the new climax, in place of “Karma.” “You know you’re good when you can do it with a broken heart,” she humble-brags, “and I’m good, ‘cause I’m miserable / And nobody even knows! / Try and come for my job.”

Not many superstars would devote an entire song to confessing that they’ve only pretended to be the super-happy figure fans thought they were seeing pass through their towns, and that they were seeing a illusion. (Presumably she doesn’t have to fake it in the present day, but that’s the story of the next album, maybe.) But that speaks to the dichotomy that has always been Taylor Swift: on record, as good and honest a confessional a singer-songwriter as any who ever passed through the ports of rock credibility; in concert, a great, fulsome entertainer like Cher squared. Fortunately, in Swift, we’ve never had to settle for just one or the other. No one else is coming for either job — our best heartbreak chronicler or our most uplifting popular entertainer. It’s like that woman in the movie theater says: Heartache feels good in a place like that. And it sure feels grand presented in its most distilled, least razzly-dazzly essence in “The Tortured Poets Department.”

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Big Hat Tours

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Half Price Fantastic Munich City Tour

Inside the Third Reich (Private Tour)

In Depth Dachau Concentration Camp Tour (Private Tour)

Most Recent: Reviews ordered by most recent publish date in descending order.

Detailed Reviews: Reviews ordered by recency and descriptiveness of user-identified themes such as waiting time, length of visit, general tips, and location information.

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Taylor Swift’s ‘Poets’ Arrives With a Promotional Blitz (and a Second LP)

The pop superstar’s latest album was preceded by a satellite radio channel, a word game, a return to TikTok and an actual library. For her fans, more is always welcome.

• Share full article

By Ben Sisario

Taylor Swift was already the most ubiquitous pop star in the galaxy, her presence dominating the music charts, the concert calendar, the Super Bowl, the Grammys.

Then it came time for her to promote a new album.

In the days leading up to the release of “The Tortured Poets Department” on Friday, Swift became all but inescapable, online and seemingly everywhere else. Her lyrics were the basis for an Apple Music word game . A Spotify-sponsored, Swift-branded “ library installation ,” in muted pink and gray, popped up in a shopping complex in Los Angeles. In Chicago, a QR code painted on a brick wall directed fans to another Easter egg on YouTube. Videos on Swift’s social media accounts, showing antique typewriters and globes with pins, were dissected for clues about her music. SiriusXM added a Swift radio station; of course it’s called Channel 13 (Taylor’s Version).

About the only thing Swift didn’t do was an interview with a journalist.

At this stage in Swift’s career, an album release is more than just a moment to sell music; it’s all but a given that “The Tortured Poets Department” will open with gigantic sales numbers, many of them for “ghost white,” “phantom clear” and other collector-ready vinyl variants . More than that, the album’s arrival is a test of the celebrity-industrial complex overall, with tech platforms and media outlets racing to capture whatever piece of the fan frenzy they can get.

Threads, the newish social media platform from Meta, primed Swifties for their idol’s arrival there, and offered fans who shared Swift’s first Threads post a custom badge. Swift stunned the music industry last week by breaking ranks with her record label, Universal, and returning her music to TikTok, which Universal and other industry groups have said pays far too little in royalties. Overnight, TikTok unveiled “The Ultimate Taylor Swift In-App Experience,” offering fans digital goodies like a “Tortured Poets-inspired animation” on their feed.

Before the album’s release on Friday, Swift revealed that a music video — for “Fortnight,” the first single, featuring Post Malone — would arrive on Friday at 8 p.m. Eastern time. At 2 a.m., she had another surprise: 15 more songs. “I’d written so much tortured poetry in the past 2 years and wanted to share it all with you,” she wrote in a social media post , bringing “The Anthology” edition of the album to 31 tracks.

“The Tortured Poets Department,” which Swift, 34, announced in a Grammy acceptance speech in February — she had the Instagram post ready to go — lands as Swift’s profile continues to rise to ever-higher levels of cultural saturation.

Her Eras Tour , begun last year, has been a global phenomenon, crashing Ticketmaster and lifting local economies ; by some estimates, it might bring in as much as $2 billion in ticket sales — by far a new record — before it ends later this year. Swift’s romance with the Kansas City Chiefs tight end Travis Kelce has been breathlessly tracked from its first flirtations last summer to their smooch on the Super Bowl field in February. The mere thought that Swift might endorse a presidential candidate this year sent conspiracy-minded politicos reeling .

“The Tortured Poets Department” — don’t even ask about the missing apostrophe — arrived accompanied by a poem written by Stevie Nicks that begins, “He was in love with her/Or at least she thought so.” That establishes what many fans correctly anticipated as the album’s theme of heartbreak and relationship rot, Swift’s signature topic. “I love you/It’s ruining my life,” she sings on “Fortnight.”

Fans were especially primed for the fifth track, “So Long, London,” given that (1) Swift has said she often sequences her most vulnerable and emotionally intense songs fifth on an LP, and (2) the title suggested it may be about Joe Alwyn, the English actor who was Swift’s boyfriend for about six years, reportedly until early 2023 . Indeed, “So Long” is an epic breakup tune, with lines like “You left me at the house by the heath” and “I’m pissed off you let me give you all that youth for free.” Tracks from the album leaked on Wednesday, and fans have also interpreted some songs as being about Matty Healy , the frontman of the band the 1975, whom Swift was briefly linked to last year.

The album’s title song starts with a classic Swift detail of a memento from a lost love: “You left your typewriter at my apartment/Straight from the tortured poets department.” It also name-drops Dylan Thomas, Patti Smith and, somewhat surprisingly given that company, Charlie Puth, the singer-songwriter who crooned the hook on Wiz Khalifa’s “See You Again,” a No. 1 hit in 2015. (Swift has praised Wiz Khalifa and that song in the past.)

Other big moments include “Florida!!!,” featuring Florence Welch of Florence + the Machine, in which Swift declares — after seven big percussive bangs — that the state “is one hell of a drug.” Jack Antonoff and Aaron Dessner, the producers and songwriters who have been Swift’s primary collaborators in recent years, both worked on “Tortured Poets,” bringing their signature mix of moody, pulsating electronic tracks and delicate acoustic moments, like a bare piano on “Loml” (as in “love of my life”).

As the ninth LP Swift has released in five years, “Tortured Poets” is the latest entry in a remarkable creative streak. That includes five new studio albums and four rerecordings of her old music — each of which sailed to No. 1. When Swift played SoFi Stadium near Los Angeles in August, she spoke from the stage about her recording spurt, saying that the forced break from touring during the Covid-19 pandemic had spurred her to connect with fans by releasing more music.

“And so I decided, in order to keep that connection going,” she said , “if I couldn’t play live shows with you, I was going to make and release as many albums as humanly possible.”

That was two albums ago.

Ben Sisario covers the music industry. He has been writing for The Times since 1998. More about Ben Sisario

Inside the World of Taylor Swift

A Triumph at the Grammys: Taylor Swift made history  by winning her fourth album of the year at the 2024 edition of the awards, an event that saw women take many of the top awards .

‘The T ortured Poets Department’: Poets reacted to Swift’s new album name , weighing in on the pertinent question: What do the tortured poets think ?  

In the Public Eye: The budding romance between Swift and the football player Travis Kelce created a monocultural vortex that reached its apex  at the Super Bowl in Las Vegas. Ahead of kickoff, we revisited some key moments in their relationship .

Politics (Taylor’s Version): After months of anticipation, Swift made her first foray into the 2024 election for Super Tuesday with a bipartisan message on Instagram . The singer, who some believe has enough influence  to affect the result of the election , has yet to endorse a presidential candidate.

Conspiracy Theories: In recent months, conspiracy theories about Swift and her relationship with Kelce have proliferated , largely driven by supporters of former President Donald Trump . The pop star's fans are shaking them off .