omar uk tour

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Omar Lye-fook MBE

Omar Lyefook MBE is without doubt, one of the greatest soul music talents the United Kingdom has produced in the last 40 years. If anyone has doubts about that, then they might want to consider the list of legendary artists who happily line up to collaborate with him musically, or simply sing his praises – from Stevie Wonder, the late Leon Ware, Erykah Badu, Common, through to Carleen Anderson, D’Angelo, and Soul II Soul’s Caron Wheeler, Angie Stone and U.K. artists Courtney Pine, Rodney P, Kele LeRoc, Natasha Watts and Estelle, all appreciate his truly original and unique voice, musicianship and songwriting talent.

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Love in beats, sing (if you want it), best by far, this is not a love song, for pleasure, there’s nothing like this, view more music, latest news, omar joins the cast of eastenders, omar & qcba ‘live at last’ album, out on february 11, pass it on – new video, new website, usa tour update, exclusive interview with omar on bets soul train awards, follow omar on instagram.

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Omar Friday 31 May - Thursday 31 October 2024 Boisdale of Canary Wharf Restaurant

Boisdale of Canary Wharf Restaurant - Cabot Place, Canary Wharf, London, E14 4QT

 about boisdale, tables available from 6pm | the show starts at 9.15 -30pm and ends approx 11pm , saturday & sunday lunch from 12pm | performace 1pm , boisdale dinner & show is on the 2nd floor and we recommend arriving between 6.30pm and 7.00pm, the hine bar & garden terrace on the 1st floor is open from 5.00pm for pre / post-show cocktails and presents fabulous djs 7.00 pm – late (thursday – saturday). mi-soul radio djs every friday & saxon sound system djs every saturday., boisdale was awarded best spirits list in the world 2022 by the world of fine wine, boisdale yamaha stage powered by nexo the best sound system in the world., to see our great british menus, stunning cocktails, award-winning wine and whisky lists.  click here , dress code smart casual., the uk’s greatest live music restaurant & bar, boisdale.co.uk.

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Boisdale of Canary Wharf

Description

• Live Music, Food & Drink and VIP Party
• Tickets from £39.00 - £169.00

Canary Wharf

• Live Music and Funk & Soul
• Eating & Dancing, Entertainment and Something a Little Different
• Wed, 16th Aug 2023 @ 21:30 - 23:00
• 21:30 - 23:00

“When I grow up I wanna be like Omar” , Stevie Wonder

Omar awarded an MBE in the Queen’s Birthday Honours 2012

We are thrilled to announce that the UK soul legend, Omar, will be returning to Boisdale. The list of Omar's achievements is extensive. He has had a career spanning four decades, produced a hit song, released eight unique solo albums, collaborated with music legends such as Stevie Wonder, Lamont Dozier, Leon Ware, Erykah Badu, and others, and has an array of side projects. In addition, he has performed a one-man stage show and received an MBE from Prince Charles.

Hine Bar and Heated Garden Terrace available on the first floor for pre/post-show drinks!

BOISDALE of Canary wharf

https://youtu.be/KDdutzlPljU

Jools Holland is Boisdale’s Patron of Music presenting the very best in jazz, blues, reggae and soul and occasionally rock’n’roll. Described as “London’s No 1 jazz venue” by Tatler Magazine, Boisdale of Canary Wharf is a two-floor venue overlooking the fountains of Cabot Square, which comprises an award-winning restaurant, four private dining rooms, Hine Bar , Heated Terrace, the world’s most extensive whisky bar over 1000 malt whiskies!, and a stunning walk-in cigar humidor & shop.

  "London's number one jazz venue"  Tatler "Best Whisky Bar in the World"  Whisky Magazine   "A carnivore's dream"  Evening Standard  "Aged steaks are deemed incredible"  Square Meal  "The world's most individualistic style bar & restaurant"  Hot Tickets

FOLLOW US: Facebook:  https://www.facebook.com/BoisdaleRestaurants Instagram:  https://www.instagram.com/boisdale_restaurants  Website:  http://www.boisdale.co.uk

Tickets/Times

Cabot Place, Canary Wharf, E14 4QT

Nearest Station

Canary Wharf (Tube)

Getting there

Boisdale of Canary Wharf Ltd

• View Website

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Boisdale of Canary Wharf opened in summer 2011. The two-floor venue overlooking Cabot Square comprises restaurant, oyster bar and grill, whisky bar, Cuban cigar library and shop and live music venue. The second floor restaurant is decorated in the instantly recognisable Boisdale signature look of lacquer…

1. The ticket holder voluntarily assumes all risks and danger incidental to the event for which the ticket is issued, whether occurring prior, during or after the event. The ticket holder voluntarily agrees that the management, venue, event participants, DesignMyNight WFL Media Ltd and all of their respective agents, officers, directors, owners and employers are expressly released by the ticket holder from any claims arising from such causes. 2. Tickets are issued subject to the rules and regulations of the venue. 3. Please check your tickets, as mistakes cannot always be rectified. 4. Occasionally, events are cancelled or postponed by the promoter, team, performer or venue for a variety of reasons. If the event is cancelled, please contact us for information on receiving a refund from the responsible party. If the event was moved or rescheduled, the venue or promoter may set refund limitations. It is your responsibility to ascertain the date and time of any rearranged event. 5. The venue reserves the right to refuse admission and may on occasion have to conduct security searches to ensure the safety of the patrons. 6. Every effort to admit latecomers will be made at a suitable break in the event, but admission cannot always be guaranteed. 7. We regret that tickets cannot be exchanged or refunded after purchase. 8. Tickets are sold subject to the venue or promoter's right to alter or vary the programme due to events or circumstances beyond its control without being obliged to refund monies or exchange tickets. 9. If this ticket is re-sold or transferred for profit or commercial gain by anyone other than the promoter, venue management, DesignMyNight or one of their authorised sub-agents, it will become voidable and the holder may be refused entry to or ejected from the venue. 10. The venue may operate a No Smoking Policy. 11. The promoter, venue management and DesignMyNight accept no responsibility for any personal property. 12. The event listed on the purchased ticket is strictly for ticket holders who are over 18 years of age. Identification may be required.

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World Music Central

Omar Sosa & Seckou Keita Announce UK Tour and New Album “Suba’

Acclaimed Cuban keyboardist Omar Sosa and Senegalese kora maestro Seckou Keita have announced the release of a new album titled ‘Suba” and a UK tour in the fall.

The band will also feature Gustavo Ovalles on percussion; Jaques Morelenbaum on cello; and Dramane Dembélé on flute. Suba means ‘sunrise’ in Mandinka, one of Seckou’s languages from Senegal. The album gives a message of hope and unity for a post-COVID world.

Music from an earlier collaboration:

U.K. Tour Dates November 2021

November 17 Howard Assembly Room • Leeds www.operanorth.co.uk

November 18 SJE Arts • Oxford www.ocmevents.org

November 19 EFG London Jazz Festival Queen Elizabeth Hall www.efglondonjazzfestival.org.uk

November 20 Galeri • Caernarfon www.galericaernarfon.com

November 21 The Stoller Hall • Manchester www.stollerhall.com

November 22 Liverpool Philharmonic Music Room www.liverpoolphil.com

November 23 The Apex • Bury St. Edmunds www.theapex.co.uk

November 24 Lakeside Arts • Nottingham www.lakesidearts.org.uk

November 25 St. George’s • Bristol www.stgeorgesbristol.co.uk

(headline image: Omar Sosa, Seckou Keita, Gustavo Ovalles: SUBA Trio — photo by Andrés Pino)

Author: World Music Central News Room

One Reply to “Omar Sosa & Seckou Keita Announce UK Tour and New Album “Suba’”

Th tour is also at Taliesin Swansea on 27/11/21

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Past Events

Here are the most recent UK tour dates we had listed for Omar S. Were you there?

• Nov 11 2023 London, Ministry of Sound Ministry of Sound presents Omar S
• 2023 Aug 10 Aug 14 2023 Dorset, Wimborne St Giles Church We Out Here Festival 2023 Ezra Collective, Knucks, Nia Archives, Roisin Murphy, Black Star…
• May 13 2023 London, KOKO Omar S
• Apr 08 2023 London, Printworks The Hydra: Plastic People Actress, Artwork, Belief, Benji B, Jamie XX…
• Oct 22 2022 London, KOKO KOKO Electronic Omar S
• Oct 12 2019 London, Printworks The Hydra Presents Outlier Bonobo (DJ Set), Omar S, Leon Vynehall, Mister Saturday Night, Nubya Garcia…
• 2019 Aug 28 Sep 01 2019 Dimensions Festival 2019 Anderson .Paak, Afrodeutsche, Alex T, Alienata, Andrew Weatherall…
• 2019 Aug 22 Aug 25 2019 Lincoln, Secret Location Lost Village Alaskalaska, Arlo Parks, Artwork, Axel Boman, Ben UFO…
• 2019 May 25 May 26 2019 Glasgow, Riverside Museum: Scotland’s Museum of Transport Riverside Festival 2019 Denis Sulta, Helena Hauff, Todd Terje, Eclair Fifi, Fjaak…
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Don Omar Cements His Legacy with ‘Back to Reggaeton’ Show in L.A.

• By Tomás Mier

No one takes the crown from the king. On Wednesday night, Don Omar delivered a high-energy, career-spanning celebration as part of his Back to Reggaeton tour stop in Los Angeles. During a nearly two-hour, 40-song show at the Kia Forum, Don Omar delivered a set filled with old-school perreo while also paying tribute to the artists that paved the way for him.

Don Omar, draped in a leather coat with red fur, hit the stage sitting atop a massive silver skull throne. He was surrounded by a dozen dancers and visuals that presented him as a pirate king. He opened the concert with some of his early 2000s classics, bringing fans to their feet with “Dale Don Dale,” his Héctor El Father collab “Ronca,” and a snippet of his Daddy Yankee collaboration “Sácala.”

The acknowledgments continued in the middle of the show, when he celebrated some of the biggest names in reggaeton, including the ones who played a role shaping the genre with him. He first performed a mashup of his Héctor y Tito collaborations “Baila Morena” and “Amor de Colegio,” sharing how the duo changed his life. “If it weren’t for those men who gave me the chance, I probably wouldn’t have the life I have now,” he said.

He shouted out Luny Tunes, using their track “Reggaetón Latino” to call for unity among Latinos “in a country like this that tries to divide us.” Later, he transported fans back to the MySpace days by performing his Wisín y Yandel collaborations. He ended his tribute segment by celebrating his longtime rival Daddy Yankee.

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Don Omar’s show was filled with fans of all ages — from couples in their mid-20s perreando to every song to solteras yelling the lyrics to “Quien La Vio Llorar to 40-something-year-old ladies in Zumba gear ready for the Brazilian-funk tracks at the end of his set. With colorful lights and confetti raining over the crowd, Don Omar ended his show with “Taboo” and, of course, his classic “ Danza Kuduro ,” featuring Lucenzo.

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NEWS... BUT NOT AS YOU KNOW IT

Hit 80s band announces UK tour with a promise to play songs from all 11 albums

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The Cult has announced that they are set to embark on a new tour in celebration of their 40th anniversary. 

The rock band announced The 8424 tour, a name which references the year they formed in 1984 and the year of this gig, 2024.

Much like Taylor Swift’s Eras Tour , the band is set to perform some of their best hits from across their 11 albums – including She Sells Sanctuary, Rain, and Fire Woman.

The tour will travel across the UK and Europe, kicking off in the UK in October for 10 dates spanning into November. 

While this is an exciting anniversary for the band who are back performing together, it’s not been a plain sailing road to get to this anniversary as the band has actually broken up twice in the past four decades. 

The band first broke up in 1995 after 12 years together after it was reported that there were tensions between the two longest-serving members and main songwriters for the group, Billy Duffy and Ian Astbury.

In 1999 the band regrouped and released a seventh album Beyond Good and Evil in 2001. This was reportedly somewhat of a commercial flop which is what perhaps led to their second breakup.

In 2002 the band broke up again and didn’t reunite until 2006. Since then the band has released four albums with the latest, Under the Midnight Sun, being released just two years ago in 2022.

Before settling on their current name, The Cult, the band also performed under the name Death Cult from 1983–1984.

In 2023, performing under the name Death Cult, guitarist Duffy and frontman Astbury, went on tour performing some of their best hits under the name Death Cult 8323.

Guitarist Billy Duffy referenced the tour last year, which included a series of sold out shows at the Brixton Electric, as inspiration for the whole band coming together for this new tour. 

‘Following up from the great energy of Death Cult 8323 shows, I’m looking forward to bringing that sense of celebration of the band’s music, and the communion with our fans, to Cult 8424. CFFC. Let the ceremony commence!’

Fans who want to get their hands on tickets to see the band won’t have to wait too long as tickets go on general sale this Friday at 10am.

https://www.instagram.com/p/C500KH0rDdg/?img_index=1

The band appears to be following a popular trend among 80s hit artists as many other beloved bands from this era have announced comeback tours for 2024.

In March, Fairground attraction announced their return and that their four original members are reuniting not just for a tour, but for a brand new album to boot!

Similarly, the New Kids on the Block announced their return with their first album in over a decade.

Singer-songwriter Sananda Maitreya is also set to perform this summer . Formerly known as Terence Trent D’Arby, the 80s artist will be giving a rare performance at the Love Supreme Jazz Festival.

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The Cult announce 40th anniversary UK tour for winter 2024

The dates conclude with a stop at London’s Royal Albert Hall

The Cult have announced details of a UK tour, which will celebrate their 40th year as a band. Find upcoming dates and ticket details below.

Announced today (April 16), the shows are set for later this year and will see the iconic ‘80s rock group perform in 10 cities across the country. The dates come in celebration of a huge milestone for Ian Astbury and co., as this year marks four decades since the band formed as we recognise them today – swapping their name from the original title ‘Death Cult’ into ‘The Cult’.

“Following up from the great energy of Death Cult 8323 shows, I’m looking forward to bringing that sense of celebration of the band’s music, and the communion with our fans, to Cult 8424,” guitarist Billy Duffy said of the new announcement. “CFFC. Let the ceremony commence!”

The shows all take place this winter, and kick off on October 21 with an opening night at the De Montfort Hall in Leicester. This is followed the next night with a gig at Swansea Arena (22), followed by stops in Edinburgh (24), Manchester (25), Bristol (27), York (29) and Newcastle (30).

The final run of the new tour dates will take place in the first week of November; including a slot at Guildhall in Portsmouth on the 1st, and a show at Civic Hall in Wolverhampton the following night. The dates wrap up with a closing show at the prestigious Royal Albert Hall in London on November 4.

Tickets go on sale this Friday (April 19) at 10am BST. Visit here to get tickets and find a full list of tour dates below.

The Cult 2024 tour dates are:

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OCTOBER 21 – Leicester, De Montfort Hall 22– Swansea, Swansea Arena    24 – Edinburgh, Usher Hall  25 – Manchester, O2 Apollo  27 – Bristol, Beacon     29 – York, Barbican 30 – Newcastle, O2 City Hall      

NOVEMBER: 1 – Portsmouth, Guildhall 2 – Wolverhampton, Civic Hall 4 – London, Royal Albert Hall

The dates for 2024 come following a tour the band embarked on last year, celebrating 40 years since their first formation under the name ‘Death Cult’ .

Taking place around the UK, Ireland and the US, the tour was called ‘Death Cult 8323’ and saw Duffy and Astbury return to play iconic venues they previously performed in at the start of their career.

The live shows focused on Death Cult and their eponymous EPs, and also boasted a setlist that spanned “the three phases of the band, from Southern Death Cult, to Death Cult, and The Cult’s first two albums: ‘Dreamtime’ (1984) and ‘Love’ (1985).”

More recently, Billy Duffy joined Johnny Marr on stage in Frome last summer to play tracks by The Smiths and Depeche Mode .

The on-stage appearance was the latest of the multiple times the two musicians have joined forces, as they both have a long history of playing music together – stemming back to their adolescent years.

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TikTok Teams With AXS to Let Artists, Venues and Festivals Sell Concert Tickets in the App

By Todd Spangler

Todd Spangler

NY Digital Editor

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TikTok inked a partnership with ticketing provider AXS to let users of the popular video app discover and buy tickets to live events.

The feature is going live initially in the U.S., U.K., Sweden and Australia, with additional markets to follow at an undetermined date. Now, any certified artist on TikTok can use the in-app ticketing feature to promote their AXS live dates, according to the company.

TikTok has let users in the U.S. purchase live event tickets via a partnership with Ticketmaster since 2022, and last December expanded the Ticketmaster pact to encompass more than 20 new markets, including Canada, Mexico, the U.K., Ireland and Australia.

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“TikTok’s partnership with AXS allows us to connect millions of users with legendary artists, venues and festivals, and allows artists to promote their live dates and reach their audience in a whole new way,” said Michael Kümmerle, global music partnership development lead at TikTok. “We are very excited to start this journey with AXS and look forward to supporting the further growth of ticketing on TikTok in the future.”

AXS chief strategy officer Marc Ruxin commented, “TikTok has become one of the most important global platforms for music content attracting an incredible community of artists and fans. By combining the reach and influence of TikTok artists with AXS’s global ticketing platform, the partnership will provide seamless ticket-buying access to some of the world’s most iconic venues, festivals and tours. This is the perfect example of discovery-driven content and commerce for music fans!”

VIP+ Analysis: TikTok Now an Internet Traffic “Supergiant”

Now dig into a VIP+ subscriber report …

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Public Service Broadcasting announce full UK and European tour for October and November

UK conceptualists Public Service Broadcasting will release a new album later this year

Conceptual pop proggers  Public Service Broadcasting  have announced a full UK and European tour for October and November. These live dates are the band's first full tour since the band toured in support of 2021's Bright Magic album. 

The dates are preceded by a a one-off, sold-out show as part of Durham BRASS Festival on July 5 where they will perform their 2017 album Every Valley in Durham Cathedral with the 38-piece NASUWT Riverside Brass Band, to coincide with the 40th anniversary of the start of the miner's strike.

Public Service Broadcasting have also revealed that they will be releasing new music this summer and a brand new full-length album in time for the new live dates.

Tickets go on sale on Friday April 19 at 10am local time. You can see the full list of tour dates and ticket link below.

Public Service Broadcasting European and UK tour 2024

Oct 11: IRE Cork Cyprus Avenue  Oct 12: UK Belfast The Telegraph Building  Oct 13: IRE Dublin 3Olympia Theatre  Oct 16: UK Glasgow Barrowland  Oct 17: UK Aberdeen Music Hall Aberdeen  Oct 18: UK Manchester Albert Hall  Oct 19: UK Leeds O2 Academy Leeds  Oct 21: UK Gateshead The Glasshouse International Centre for Music  Oct 22: UK Nottingham Rock City  Oct 24: UK Coventry Warwick Arts Centre  Oct 25: UK Cambridge Corn Exchange  Oct 26: UK Bristol Bristol Beacon  Oct 28: UK Cardiff Cardiff University, Great Hall  Oct 29: UK London Roundhouse  Oct 30: UK Brighton Brighton Dome  Oct 31: UK Aylesbury Friars Aylesbury at The Waterside Theatre  Nov 10: NED Amsterdam Melkweg (Oude Zaal)  Nov 11: BEL Brussels Ancienne Belgique Club  Nov 12: GER Cologne Gebäude 9  Nov 13: NED Groningen Vera  Nov 14: GER Hamburg Knust  Nov 16: NOR Oslo Blå  Nov 17: SWE Stockholm Kägelbanan  Nov 18: DEN Copenhagen Vega Nov 19: GER Berlin Columbia Theatre  Nov 20: GER Munich Ampere  Nov 21: SWI Zurich Mascotte  Nov 23: ITA Milan Arci Bellezza   Nov 25: SPA Barcelona La Nau  Nov 26: SPA Madrid Sala Copérnico   Nov 27: SPA San Sebastian Dabadaba Club  Nov 29: FRA ParisPetit Bain 

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Writer and broadcaster Jerry Ewing is the Editor of Prog Magazine which he founded for Future Publishing in 2009. He grew up in Sydney and began his writing career in London for Metal Forces magazine in 1989. He has since written for Metal Hammer, Maxim, Vox, Stuff and Bizarre magazines, among others. He created and edited Classic Rock Magazine for Dennis Publishing in 1998 and is the author of a variety of books on both music and sport, including Wonderous Stories; A Journey Through The Landscape Of Progressive Rock.

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Omar Rudberg tour dates and tickets 2024-2025 near you

Want to see Omar Rudberg in concert? Find information on all of Omar Rudberg’s upcoming concerts, tour dates and ticket information for 2024-2025.

Omar Rudberg is not due to play near your location currently - but they are scheduled to play 4 concerts across 2 countries in 2024-2025. View all concerts.

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Country star Lainey Wilson on her long road to Grammy glory: ‘Maybe I wasn’t as crazy as people thought!’

After slogging through poverty, indifference and Hannah Montana impersonations, the US singer is an award-winning sensation and selling out a UK tour. She explains why her genre is going mainstream like never before

Y ou get the sense the country music establishment really had no choice but to embrace Lainey Wilson: that she wasn’t going anywhere until they did. When the singer-songwriter arrived in Nashville in 2011, she parked her 20-foot bumper pull trailer on a studio’s lawn and anchored it with rocks. Then 19, she had lived country music all her life. But Nashville is what they call a “10-year town”, rarely a place of instant hits and TikTok fame. Wilson had to do it the old-fashioned way: a decade of graft, rejection, false starts, handing out CDs in the streets, gigs, tours and playing to the same crowds over and over.

Gradually, things started to click (a publishing deal in 2017), then gather momentum (six No 1s on country radio since 2021), then snowball (a record-breaking nine nominations at the 2023 CMA awards, winning five), culminating in February when her 2022 album, Bell Bottom Country , won this year’s Grammy for country album of the year . Wilson is now one of the hottest properties in country music. An overnight sensation 11 years in the making, as she puts it. “It feels great,” says Wilson, 31, over video call, with her irresistible Louisiana twang, “because it makes me feel like maybe I wasn’t as crazy as a lot of people thought I was. Like, I told ya!”

Wilson’s music is rooted in traditional country, but draws heavily from a more mainstream Nashville sound, plus southern rock and pop. There’s also a big Dolly Parton influence – her song WWDD wonders What Would Dolly Do whenever life gets tough. Drawn to the genre’s strong tradition of storytelling, she favours poetic, introspective ballads about typical country staples of hard truths and heartbreak. But for all the tough earnestness she’s got a playful swagger, too, and not just in a clutch of catchy anthems – when we talk, Wilson has just returned to Nashville from touring Australia, where she surprised fans by chugging beer from a boot.

“I never thought somebody on literally the other side of the world would ever be able to relate to my story,” she says, lying on a lounger on her lawn, mildly distracted by her french bulldog Hippy Mae ( an Instagram star in her own right). A feathered cowboy hat shields her from the Tennessee sun. “But it just goes to show you that we’re all a lot more alike than you think and that’s really beautiful.”

The Europe leg of her international tour reaches the UK this week . “I don’t know any other way than hardcore touring,” she says. “I’ve basically been touring for the past 15 years. Even longer than that if you want to add in eighth grade [when] I started impersonating Hannah Montana. That was my job; I did three or four parties a weekend, and I would open up for myself.”

Her ascension comes at a time when country music is surging and broadening in popularity. We speak the day that Beyoncé released Cowboy Carter , while Lana Del Rey has promised a country album for later in the year, and in the UK it is strengthening its embrace – country (or country-ish) songs by Beyoncé, Dasha and Noah Kahan are all currently in the UK Top 10, and Chris Stapleton is selling out arenas for his autumn tour. Wilson acknowledged the genre’s buoyancy with recent single Country’s Cool Again . “I’m very proud to be a part of that moment,” says Wilson. “I truly think it has to do with folks wanting to feel warm and embraced. And I think country music can do that.” She thinks there are many reasons for the renaissance, notably: the fashion returning (cowboy hats, denim, Wilson’s signature bell-bottom jeans), the immensely popular TV show Yellowstone (Wilson had an acting role in the show’s fifth season last year), and, of course, pop artists “going country”.

Does it matter if you don’t have traditional country roots? “There’s no doubt that I’m southern, I’m country, I’m a redneck, I’m whatever you want to call it,” she says. “But I think it goes a lot deeper than that, ya know?”

Wilson was born in 1992 and raised in Baskin, Louisiana – a small town with a population in the hundreds. Her father is a farmer (“corn, wheat, soybeans, oats”) and her mother a teacher. Wilson was a very “emotional kid” and when she wasn’t helping out on the farm she was writing music. At nine, she wrote her first song and got her first paid gig: a family friend paid her $20 to sing a capella at the grand opening of his nearby convenience store. Her dad still has the $20 bill.

After that she dreamed only of Nashville. “And for some crazy reason my parents were like: ‘OK, we’ll help you do whatever you need to do.’ They had a weird sense of peace about it.”

That family friend, Jerry Cupit, was also a songwriter and producer who moved to Nashville and set up a studio with financial help from Wilson’s grandfather. When Wilson was ready to move there, he let her park her trailer on his studio lawn, 10 miles out of town. More importantly, he became her mentor. “He didn’t ask me to pay a dime because of what my grandfather had done for him generations before,” says Wilson. “I was bumming water and wi-fi and electricity.”

It wasn’t without its dangers though. “My TV wouldn’t work at times. And so I never really knew what weather was coming in. All of a sudden my camper trailer would start to rock back and forth. And then tornado sirens were going off. It was scary.”

Nashville was not what she expected. “I was so overwhelmed,” she says, “A fish out of water.”

Then Cupit died. “I had to start over. I wasn’t old enough to go to the bars, and those were the places that you could go to meet people in the industry. So I started just knocking on doors and handing them my CD. I didn’t know what else to do.”

Her eventual breakthrough with that publishing deal came as a result of her finally finding the right collaborators. “For a long time I was running into folks [who were] thinking that maybe if I was just a little bit different than who I am, that would work. I just have a hard time being anything other than myself,” she says.

But part of the delay Wilson experienced is arguably down to the country music establishment’s attitude towards female artists: occasional breakout stars such as Kacey Musgraves, Carrie Underwood and of course Taylor Swift are relatively rare between the men singing about women, trucks and beer. It is, she says, “100%” harder for female country artists to break through. “But the way that I was raised, I keep my head down. It’s a hard pill to swallow. But I’m gonna outwork everybody, I’m gonna roll my sleeves up and damn it, I’m gonna figure out how to do it.

“It’s a boys’ club, but I tell all of my guy artist friends all the time: us girls are coming for ya so you better watch out.”

As for her take on the widening schisms in the genre – “The Culture Wars Are Tearing the Close-Knit Country Music Community Apart” ran a Rolling Stone headline last year – Wilson laments: “I hate that that is happening in country music. I’ve got friends on both sides of the fence. I just see people for people, and you just choose to love them and you know, the way that God loves you. But if you believe something with all your heart, and you want to stand up for it, I’m good with that, too.”

Wilson returns again to the idea that country music is open to all. “If you don’t step outside of the bubble then you’re not going to learn a lot about different types of people,” she says. “And the truth is, we all put our pants on the same way, one leg at a time, and we all bleed red. It just takes so many different kinds of people to make the world go round.”

• Pop and rock
• Grammy awards 2023

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