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61 Best Concert Movies of All Time
So you’re determined to somehow catch Taylor Swift and Talking Heads in concert in the same week. We hope you’re not thinking about shattering the fabric of time, when instead you can simply experience the power of the concert film with theatrical releases of Taylor Swift: The Eras Tour and Stop Making Sense , on the big screen one after the other.
This concert-hopping was possible in the fall of 2023 when the two films were released in close succession, with Stop Making Sense on its 40th anniversary victory reunion and The Eras Tour bringing audiences together globally for Swift’s nearly 3-hour extravagant show. Both represent the musicians at the peak of their powers, and show off the concert film’s special ability to bring like-minded audiences for communal intimacy in theaters.
With that said, we’re ranking the best concert movies of all time, ranked by Tomatometer, with Certified Fresh films first. Here, you’ll find arena pop extravaganzas (with a little emotion – thanks Katy Perry: Part of Me ); more intimate – but no less rousing – moments of music history (witness Aretha Franklin in Amazing Grace ); an epic street party (remember those? Dave Chappelle does…); and some of the biggest festival events out there (from Beychella to Woodstock).
You’ll also find some of the biggest names in music: Bob Dylan, David Bowie, Lady Gaga, Janis Joplin, Springsteen, Wu-Tang Clan, and more. The majority of films included are pure concert docs – recordings of live shows with little fuss and extraneous material – but a handful do take a more traditional documentary format, with interviews and behind-the-scenes tour footage. We included those because of the amount of live concert footage they feature, Marley and Madonna: Truth or Dare among them.
Stop Making Sense (1984) 100%
Amazing Grace (2018) 99%
TAYLOR SWIFT | THE ERAS TOUR (2023) 99%
Homecoming: A Film by Beyoncé (2019) 98%
The Last Waltz (1978) 98%
David Byrne's American Utopia (2020) 97%
Marley (2012) 95%
Festival Express (2003) 96%
Springsteen on Broadway (2018) 96%
Dave Chappelle's Block Party (2005) 93%
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019) 92%
Buena Vista Social Club (1999) 92%
Neil Young: Heart of Gold (2006) 90%
Beats, Rhymes & Life: The Travels of A Tribe Called Quest (2011) 90%
Wattstax (1973) 90%
Neil Young Journeys (2011) 89%
Shine a Light (2008) 86%
Soul Power (2008) 84%
Michael Jackson's This Is It (2009) 81%
Metallica: Through the Never (2013) 82%
Katy Perry: Part of Me (2012) 75%
Woodstock (1970) 100%
Justin timberlake + the tennessee kids (2016) 100%.
Folklore: The Long Pond Studio Sessions (2020) 100%
The Kids Are Alright (1979) 100%
The Cure: Anniversary 1978-2018 Live in Hyde Park (2019) 100%
Depeche Mode: Spirits in the Forest (2019) 100%
Jazz on a Summer's Day (1959) 97%
Monterey Pop (1969) 96%
Gimme Shelter (1970) 94%
Elvis: That's the Way It Is (1970) 92%
The White Stripes Under Great White Northern Lights (2009) 91%
Heima (2007) 90%
Coachella (2006) 89%
Chuck Berry Hail! Hail! Rock 'n' Roll (1987) 89%
BLACKPINK: Light Up the Sky (2020) 88%
Madonna: Truth or Dare (1991) 86%
Shut Up and Play the Hits (2012) 86%
Queen: Live in Budapest (1987) 86%
Rock the Bells (2006) 83%
Jesus Is King (2019) 83%
Sign 'o' the Times (1987) 82%
The Show (1995) 80%
Björk: Biophilia Live (2014) 77%
Awesome; I F... Shot That! (2006) 76%
Gaga: Five Foot Two (2017) 72%
Let It Be (1970) 81%
The Song Remains the Same (1976) 75%
Ziggy Stardust and the Spiders From Mars (1973) 73%
Hannah Montana and Miley Cyrus: Best of Both Worlds Concert (2008) 71%
Madame X (2021) 67%
Justin Bieber: Never Say Never (2011) 66%
One Direction: This Is Us (2013) 64%
U2 Rattle and Hum (1988) 62%
Glee the Concert Movie (2011) 60%
Justin Bieber: Our World (2021) 57%
Justin Bieber's Believe (2013) 53%
ariana grande: excuse me, i love you (2020) 50%
Coldplay: A Head Full of Dreams (2018) 50%
Year of the Horse (1997) 48%
9 Songs (2004) 23%
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The 30 greatest concert films of all time, ranked
As taylor swift: the eras tour storms into theaters, we decided to take a look back at the best concert films ever seen on the big screen.
Concert films are suddenly back in the news in a big way, with Taylor Swift: The Eras Tour cranking up headlines and driving huge revenue at the box office, selling over $100 million in advance tickets before its October 13, 2023 premiere. Those are eye-popping numbers for a concert film, a niche traditionally reserved for titles that play only to hardcore fans of a particular act.
The best concert films—and Taylor Swift: The Eras Tour may wind up in this league—play beyond their respective target audiences by capturing the essence of either a specific time or artist. That’s true of the other concert film that’s been creating a lot of buzz this fall: the restored version of Stop Making Sense , the 1984 Jonathan Demme film that’s proven to be the definitive filmed document of Talking Heads. To some extent, the following 30 films all do something similar and they prove that a good concert film can be a transcendent experience, with music and images powerful enough to offer a bridge between bygone eras.
The granddaddy of all benefit shows, served to raise awareness for refugees from the Bangladesh Liberation War of 1971. Alarmed by their plight, George Harrison first recorded a charity single (“Bangla Desh,” released in the summer of ’71), then teamed with his friend Ravi Shankar for a pair of star-studded shows at Madison Square Garden that August. There were problems during the filming, as perhaps should be expected for one of the first large-scale concert films, but seeing Harrison at his solo 1970s prime, performing with a band featuring Leon Russell, Billy Preston, Eric Clapton and Badfinger, makes The Concert For Bangladesh worth seeking out, as does the surprise four-song set by Bob Dylan.
Released over 30 years after the initial footage was shot, documents a tour that, by that point, had been largely forgotten: a traveling festival featuring the Grateful Dead, the Band, Janis Joplin, and the Flying Burrito Brothers, who traversed three Canadian cities on a train during the summer of 1970. Director Bob Smeaton intersperses the original footage from director Frank Cvitanovich and cinematographer Peter Biziou with talking heads that tell the story. But the highlights are the candid, sometimes soused, jam sessions between a bunch of kindred spirits. The birth of jam rock can be heard here.
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High on the massive breakthrough of The Joshua Tree , U2 wanted to document their journey through the heart of America during the supporting tour for the album in 1987, and decided to record a new album for good measure. That’s a lot to take on at once, so it’s little wonder that as an album and film is a mess, but its sprawl is visceral and compelling. At a peak of their powers, U2 sounds mighty onstage, and hearing them navigate the distance between their continental post-punk heritage and American roots-rock is compelling, especially when the group chooses to collaborate with a musical titan like B.B. King on their original “When Love Comes To Town.”
Long before they transformed into the millennial version of the Who, seizing every opportunity to reunite that came their way, LCD Soundsystem offered an ideal punctuation mark on their career with , a 2012 film preserving the band’s farewell gig at Madison Square Garden in 2011. There is a documentary aspect to the film, including interviews with the band’s leader, James Murphy, but it’s best seen as a document of the moment when LCD Soundsystem seemed invincible, a group who tapped into the empathy and anxieties of a new millennium flush with possibilities.
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Never intended for public consumption, the footage that comprises Michael Jackson’s consists of behind-the-scenes film of Michael Jackson preparing for what was planned to be his 2009 comeback tour. Jackson died during these rehearsals, so this is less a concert film than a suggestion of what might’ve been. Turns out, that’s plenty exciting. Jackson may not move with the grace he did at the height of Thriller, but he’s still a magnetic performer and it’s fascinating to watch him at work.
A sequel of sorts to Stop Making Sense , David Byrne: American Utopia is Spike Lee’s document of Byrne’s Broadway show, which itself was an adaptation of the supporting tour for his 2018 album, American Utopia . Designed so the musicians showed no apparent connecting cords to amplifiers—everything was transmitted wirelessly, allowing the performers full freedom of movement on stage— American Utopia is fluid and electric in its flow, a quality Lee captures by staying focused on the intimacy of the performance. Few concert films feel as complete as American Utopia : the thought and craft from stage to screen is evident.
offers something a bit different from the standard Rolling Stones concert film, of which there are many. Where Gimme Shelter and Let’s Spend The Night Together capture extravaganzas, this Martin Scorsese-directed film documents a performance at the Beacon Theatre in 2006. A smaller venue doesn’t mean there’s not a sense of spectacle. The crowd is filled with famous people, as is the stage: Jack White, Buddy Guy, and Christina Aguilera all have guest spots. While Scorsese’s roving camera gives the film a sense of kineticism, what resonates is not the flash but the intimacy. And now that drummer Charlie Watts is gone, it’s poignant to see him drive the Stones through a set as no-nonsense as this.
Completed in 1974 and largely unseen until 2015, when it received a release after the death of its director, Les Blank, documents roots music maverick Leon Russell at his peak. Filmed between 1972 and 1974, Blank’s movie captures Russell just as he eased from the wings into the spotlight, thanks to the hit single “Tight Rope.” Blank surrounds Russell with freewheeling footage of Oklahoma and its residents, but the concert footage and live-in-the-studio performances are astonishing, preserving the power of Russell’s careening worldview in a way his records do not.
A vivid portrait of another time and place, captures a concert Dave Chappelle threw in Brooklyn’s Clinton Hill neighborhood on September 18, 2004. At the time, the comedian was riding high on the success of his Comedy Central hit Chappelle’s Show, and he chose another hot commodity of the time as his director: Michel Gondry, who was fresh from Eternal Sunshine Of The Spotless Mind . In the nearly two decades since the film’s release, their careers have waned, Clinton Hill has changed, and the warm, inclusive R&B and hip-hop of the Roots, Erykah Badu, Mos Def, Jill Scott and a reunited Fugees have fallen out of fashion, but a viewing of Dave Chappelle’s Block Party makes this moment seem as alive as ever.
Designed to preserve the entire carnival surrounding the Grateful Dead in 1974, draws from five shows the band held at San Francisco’s Winterland in October 1974. With the Dead planning an extensive hiatus in the mid-1970s, the film was intended to satiate the needs of Deadheads jonesing for a long, strange trip. The immense cost of the film, especially its opening animated sequence, forced the group to return to the road in 1976, a year before The Grateful Dead Movie ’s release. By that point, the group had changed so much—drummer Mickey Hart had returned to the fold, the overwhelming “Wall of Sound” PA system had been replaced—that the film already seemed like a tantalizing artifact from another time, which is how it plays today: a suitably mind-bending voyage back to one of the Dead’s weird, wooly peaks.
captures the moment David Bowie surprised the public and his band by claiming at the end of his July 3, 1973 show at London’s Hammersmith Odeon that this was “the last show we’ll ever do.” Whether director D.A. Pennebaker had knowledge of this proclamation is unclear. There’s some suggestion that Pennebaker’s very presence means Bowie and his label realized this would be a show worth preserving, but the footage has a decidedly DIY spirit that suggests the filmmaker was working on the fly. The result is a gritty, exciting film that seems designed to be shown at midnight movies: it’s simultaneously grand and grimy.
documents Beyonce’s triumphant headlining spot at the 2018 Coachella Festival. Those concerts happened a year later than originally planned: she was slated to perform in 2017, not long after the release of Lemonade , but doctors advised her not to perform until after the birth of her twins that summer. When she appeared in 2018, there was a sense that a pin had been removed from a grenade. What impresses about Beyonce: Homecoming isn’t only the energy, but its sense of personal and public history. She shared the stage with her husband Jay-Z and sister Solange, as well as her former Destiny’s Child bandmates Michelle Williams and Kelly Rowland, their presence conveying the scope of Beyonce’s career. But her emphasis on Black culture and feminism is what gives the film not only its depth but its kinetic power.
Not quite a concert, not quite a documentary, offers an astonishing array of live performances from the Who, all recorded between 1964 and 1978. A long-time collector of vintage Who footage at a time it was not so easy to amass a library of rare clips, director Jeff Stein assembled a film that demands to be played loud. Opening with a clip of the Who destroying the set at the Smothers Brothers Comedy Hour, the film swiftly ping-pongs between eras, offering the last live (in the studio) film of original drummer Keith Moon, along with such classic Who moments as their spot at Woodstock and their mini-rock opera “A Quick One, While He’s Away,” delivered during The Rolling Stones Rock And Roll Circus, a performance so good that the Stones pulled the plug on their own project so they wouldn’t be upstaged by their guests. Taken in total, it’s a glorious testament to the Who’s sheer power.
Shot at Madison Square Garden in the middle of the Beastie Boys’ supporting tour for 2004’s To the 5 Boroughs , is comprised of footage entirely shot by audience members. Fifty attendees were given a camcorder and instructions to shoot the entire show, then director Adam Yauch—operating under his nom de plume Nathaniel Hornblower; in the film, the character is personified by David Cross—stitched together the clips into an unusually exciting concert film. Where most concert films rightly showcase the performer on stage, this replicates the feeling of being part of the crowd.
A staple of midnight movies and late-night viewing for decades, The Song Remains The Same is anchored by footage shot during Led Zeppelin’s three-night residency at Madison Square Garden in 1973. While the flights of fantasy sequences surrounding the basic concert footage can be absurd, the live performances—including a handful re-created in the studio—go a long way in preserving the might and majesty of Zeppelin at the peak of their powers.
Using outtakes from Bob Dylan’s four-hour film Renaldo And Clara along with the film itself, Martin Scorsese conjured the mischievous out of a mess of live footage, play acting, and documentary footage. Scorsese extended Dylan’s impish humor with a series of new interviews, and while these jokes and japes are amusing what astounds is the full roar of the careening Rolling Thunder Revue , an ungainly outfit that barely could be contained on stage and seems even wilder on film.
The refers to the six Sundays of arts and culture that comprised the Harlem Cultural Festival, held at Mount Morris Park between June and August 1969. Television producer Hal Tulchin filmed hours of footage of the event but after an initial airing in 1969, the recordings sat unseen until a team of producers approached Questlove with the idea of turning it into a colorful celebration of a point in time when pop singers the 5th Dimension, funk pioneers Sly & the Family Stone, blues guitarist B.B. King, rockers the Chambers Brothers, uptown soul singers Gladys Knight & the Pips, and jazz musicians Max Roach and Nina Simone converged to illustrate the depth and range of Black culture at the end of the 1960s.
Director Adrian Maben approached Pink Floyd with a distinct idea: he wanted to make a film that concentrated entirely on the band, not their interaction with the crowd. After some brainstorming, Floyd and Maben decided to stage a concert at an ancient Roman amphitheater in Pompeii, a setting that proved to be an ideal showcase for the spacey, searching material from Meddle , the newest record from the group that October 1971. Supplementing the Pompeii footage with live studio performances, stock film, and visual art, Maben wound up conveying the mind-altering aspects of Floyd’s music while also capturing the band’s peculiar chemistry.
Chuck Berry’s 60th birthday was no small affair. Stars descended into St. Louis to play a pair of tribute concerts at the Fox Theatre, with a band led by Keith Richards and featuring pianist Johnnie Johnson, who played on most of Chuck’s original hits for Chess. Taylor Hackford’s contains not only highlights from the concerts but interviews with Berry, his peers, and acolytes, plus rehearsals where the tension between Chuck and Keith is evident. All this footage hints at the complexities of Berry’s personality while the film itself is a showcase for his consummate skills as a showman.
Elvis Presley made his return to live performances late in 1969 with a series of concerts at the International Hotel in Las Vegas. Those went so well that Presley’s camp decided not only to extend his run at the International Hotel but to take it on the road, documenting the whole shebang as a feature film. The resulting shows that the jumpsuited Presley was hardly a joke at the dawn of the 1970s: he was a fiery, charismatic performer who clearly thrived being in front of a crowd after a long, long time away from a stage.
A document of Madonna at the absolute zenith of her popularity, combines footage shot by director Alek Keshishian during the 1990 Blond Ambition World Tour. Initially conceived as a strict concert film, Keshishian expanded the scope to capture the madness backstage, including memorable cameos from Kevin Costner and Warren Beatty. Those sequences, all shot in black and white, crackle with barbed humor, but the color concert footage also dazzles: the staging is inventive and the performances are passionate.
Stax Records held their Wattstax festival at the Los Angeles Coliseum on August 20, 1972, pegging the event to the 30th birthday of their biggest star, Isaac Hayes, while also nodding to the seventh anniversary of the Watts Riots. Later dubbed the “Black Woodstock,” wasn’t quite as freewheeling as the three-day blast at Bethel, New York, but it nevertheless was a triumphant expression of Black Power, made all the more impressive by the fact that it showcased the roster of one particular record. Stax had gospel, jazz, blues, harmony soul groups, funk and, in Isaac Hayes, a figure that tied all those strands together. Seeing all this diversity in one film remains stunning.
Intended as a triumphant event to close the Rolling Stones’ 1969 American tour, the Altamont Free Concert turned into a historical disaster culminating with the death of concertgoer Meredith Hunter at the hands of Hell’s Angels. —a film directed by Albert and David Maysles and Charlotte Zwerin—captures the acute bad vibes of the show, a sense of menace that permeates the Stones’ set, culminating in the attack on Hunter during “Under My Thumb.” Watching Gimme Shelter build to this moment, it becomes evident that the movie is why the sentiment that Altamont represented the end of the 1960s became an axiom: it conveys a sense of apocalyptic finality.
It was an event for Aretha Franklin to return to gospel music in 1972, so it’s little wonder that she intended to accompany the release of her double-live-album Amazing Grace with a film documenting its recording. As initially directed by Sydney Pollack, the film never materialized due to technical issues with the audio. It sat in the vault until producer/director Alan Elliott purchased the footage in 2007. He finally brought it to the silver screen 11 years later, after Franklin’s estate agreed to have the film receive a public release. At that point, the power of quickly became one of the great concert films, a document of one of the finest gospel and soul singers of the 20th Century at full flight.
The Monterey International Pop Festival was essentially ground zero for the modern rock festival, the event that invented the idea of an eclectic, multi-day festival that wasn’t constricted by genre. Thanks to ABC’s intention to air highlights as part of its Movie of the Week series, director D.A. Pennebaker was there to chronicle the commotion onstage. When ABC pulled the plug, Pennebaker shaped it into a film titled featuring the Who, Simon & Garfunkel, Jefferson Airplane, Otis Redding, the Mamas & the Papas, and the Jimi Hendrix Experience, turning it into a definitive document about the emerging American counter-culture at the time.
There had been plenty of cheapo rock and roll movies in the 1960s but exists at an entirely different level than other early concert films. Shot over two days at the Santa Monica Civic Auditorium in late October 1964, The T.A.M.I. Show captures the rise of both Motown and the British Invasion—Marvin Gaye, the Supremes and the Rolling Stones are all on the bill—while also making space for acts like Lesley Gore, Chuck Berry and the Beach Boys. There’s something captivating about every act, but James Brown’s set is so fiery he seems nearly superhuman.
Sign ‘O’ T he Times might now be considered Prince’s greatest album, but it didn’t necessarily tear up the charts upon its release. Because of this, he decided to send out a concert film shot in Europe in June 1987 as a way to muster up enthusiasm for the project. The gambit didn’t work: the film barely made a dent at the box office. But while it wasn’t a hit at the time, the movie, like the album it accompanies, is now seen as a definitive document of Prince at his prime.
The granddaddy of all concert films, Michael Wadleigh’s 1970 documentary, , chronicled the 1969 Woodstock festival, playing a little fast and loose with the timeline of the multi-day concert itself. Bands were presented out of order, some acts chose not to be captured on film, and Wadleigh wound up emphasizing Crosby, Stills & Nash, Richie Havens, and Jimi Hendrix, perhaps to the detriment of others on the bill. The historical record was preserved on Rhino’s 38-disc box Back To The Garden , leaving the film to be what it always has been: an expert exercise in myth-making that helped turn a mud-soaked weekend into a legend.
Tired of the road, the Band decided to deliver a farewell concert at San Francisco’s Winterland Ballroom on Thanksgiving day in 1976. Initially planned as a simple goodbye by the Band, they quickly had the idea of inviting their mentors Ronnie Hawkins and Bob Dylan and, from there, they decided to deliver a grand parting gesture touching upon every aspect of their music. Close to the concert, leader Robbie Robertson asked director Martin Scorsese to film the show and they wound up with the lavish spectacle , a film that romanticized the Band’s idiosyncratic interplay while also letting such guests as Dylan, Van Morrison, Joni Mitchell, Neil Young and Muddy Waters shine. It winds up not only as a tribute to the Band but the times they inhabited.
is the greatest concert film ever made because director Jonathan Demme focused on one particular concert, never breaking away from Talking Heads onstage. Boasting an extended lineup, including the legendary funk keyboardist Bernie Worrell, Talking Heads take advantage of the extra manpower and large canvas by playing a concert that has a genuine narrative thrust. Opening with David Byrne wandering onstage with a boombox, the concert stage fills out, first with bassist Tina Weymouth, then drummer Chris Frantz, and finally guitarist/keyboardist Jerry Harrison, each additional member helping to flesh out Byrne’s songs. Then the auxiliary musicians are added as the staging grows increasingly ambitious. The proceedings become artier but never lose their intimate passion, a combination that somehow grows more thrilling over the years.
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The 40+ Best Concert Movies
Embarking on an exploration of the best concert films invites audiences to experience the mesmerizing allure of live music at its finest. These cinematic treasures not only present legendary artists in their prime but also reveal the sheer power of music and its ability to unite people across generations. From iconic rock bands to groundbreaking pop sensations, concert films capture the magic, energy, and soul-stirring emotions inherent in every captivating live show.
The pantheon of the best concert films celebrates the marriage of outstanding music and evocative storytelling as lively concerts are brilliantly showcased on film. These films often encapsulate defining moments in music history, capturing artists in rare, transformative performances that are etched into the annals of time. The combination of mesmerizing visuals, exceptional audio quality, and unparalleled on-stage chemistry elevates these films to the level of artistic masterpieces in their own right.
For instance, Stop Making Sense revolutionized the concert film genre with its innovative approach to documenting Talking Heads' unforgettable live act. Directed by the legendary Jonathan Demme, this groundbreaking film masterfully amalgamates music, theatrics, and captivating storytelling. Another iconic example is The Last Waltz , which immortalizes The Band's farewell concert as an unforgettable ode to one of rock 'n' roll's most influential groups. Martin Scorsese's documentary prowess shines through as he weaves together interviews, behind-the-scenes footage, and breathtaking performances to create an unparalleled cinematic experience. Lastly, Monterey Pop epitomizes the spirit of the 1960s counterculture movement, capturing the essence of the iconic Monterey International Pop Music Festival. The film features legendary performances from the likes of Jimi Hendrix, Janis Joplin, and Otis Redding, eternally preserving their influence on the musical landscape. These movies represent just a handful of awe-inspiring concert films that resonate across generations.
The best concert films of all time illuminate the rich tapestry of live music performances, ensuring these remarkable moments continue to resonate across ages and cultures. As both visual and auditory feasts, these movies transport audiences to unforgettable moments in music history, encapsulating the raw emotions and sheer talent of the artists who graced the stage. This extraordinary collection of concert films is sure to captivate music enthusiasts and cinephiles alike, leaving them with a profound appreciation for the artistry and dedication that goes into creating these remarkable live experiences.
Stop Making Sense
Immersing viewers in an electrifying live performance, Stop Making Sense showcases the Talking Heads at the height of their creative powers. Directed by Jonathan Demme, this groundbreaking concert film broke new ground in its inventive visual style that perfectly complements the band's dynamic stage presence. With innovative lighting techniques, seamless transitions, and captivating visuals, it transcends the traditional concert movie format to create a truly immersive experience. Stop Making Sense remains a benchmark for capturing live music on film and continues to influence filmmakers today.
- Released : 1984
- Directed by : Jonathan Demme
The Last Waltz
In 1976, Martin Scorsese masterfully chronicled The Band's farewell concert in The Last Waltz , which has since become one of the most esteemed examples within the genre. Capturing an all-star roster of guest musicians including Bob Dylan, Neil Young, and Joni Mitchell, Scorsese deftly weaves interviews with members of The Band into the spellbinding performances on stage. Featuring an unrivaled mix of intimate moments and enthralling musical collaborations, The Last Waltz effortlessly captures the spirit of a bygone era while continuing to resonate with audiences worldwide.
- Released : 1978
- Directed by : Martin Scorsese
Pink Floyd: Live at Pompeii
At once haunting and mesmerizingly beautiful, Pink Floyd: Live at Pompeii transports viewers to another time and place through its powerful combination of music and visuals. Directed by Adrian Maben, this unique concert film captures the band performing in the ancient Roman amphitheater of Pompeii amidst eerie echoes and stunning ruins. Combining footage from both live performances and recording sessions at Abbey Road Studios, Pink Floyd: Live at Pompeii offers an intimate glimpse into the creative process behind one of rock's most innovative bands.
- Released : 1972
- Directed by : Adrian Maben
A definitive document of a generation-defining event, Woodstock delves into the monumental 1969 festival that brought together an unparalleled lineup of artists such as Jimi Hendrix, Janis Joplin, The Who, and Crosby, Stills & Nash. Directed by Michael Wadleigh, this Academy Award-winning documentary not only captures electrifying musical moments but also sheds light on the cultural zeitgeist that shaped a generation. With its unflinching look at both the triumphs and challenges of organizing such a massive event, Woodstock stands as an essential historical record for fans and historians alike.
- Released : 1970
- Directed by : Michael Wadleigh
Monterey Pop
A seminal moment in rock history, Monterey Pop documents the iconic 1967 festival that featured legendary performances from Jimi Hendrix, Janis Joplin, Otis Redding and many more artists who would soon define a generation. Directed by D.A. Pennebaker, this compelling concert film offers fans an unparalleled glimpse into these trailblazing acts as they permanently etch themselves into music history. From Hendrix's incendiary guitar playing to Joplin's soul-searing vocals, Monterey Pop remains a vivid testament to these artists' enduring legacies.
- Released : 1969
- Directed by : D.A. Pennebaker
The Song Remains the Same
Intercutting fantasy sequences with concert footage from their legendary 1973 Madison Square Garden performances, Led Zeppelin's The Song Remains the Same offers viewers an unprecedented look at one of rock's most influential bands. Directed by Peter Clifton and Joe Massot, this visually stunning concert film takes fans on a journey through each member's individual imagination while showcasing some of their most iconic songs played live. A testament to Led Zeppelin's enduring impact on popular culture, The Song Remains the Same remains essential viewing for any fan of classic rock.
- Released : 1976
- Directed by : Peter Clifton, Joe Massot
Ziggy Stardust and the Spiders from Mars
Capturing David Bowie during his meteoric rise as Ziggy Stardust – a character who would come to define his career – D.A. Pennebaker’s Ziggy Stardust and the Spiders from Mars transports audiences back to the glam rock heyday of 1973. With dazzling costumes, captivating performances, and an inside look at a pivotal moment in Bowie's career, this concert film is a treasure trove for fans as it intimately documents his final performance as Ziggy Stardust. The film serves as both a celebration of one of music’s most enigmatic icons and a time capsule of a transformative era in popular culture.
- Released : 1973
Gimme Shelter
A chilling account of The Rolling Stones' infamous 1969 Altamont Free Concert , Gimme Shelter delves into the darker side of the counterculture movement that defined the late 1960s. Directed by Albert and David Maysles along with Charlotte Zwerin, this gripping documentary takes audiences behind the scenes as tensions escalate throughout the event. Featuring interviews with band members and footage from their Madison Square Garden shows, Gimme Shelter offers viewers an unforgettable look at how a concert meant to be a celebration turned into chaos.
- Directed by : Albert Maysles, David Maysles, Charlotte Zwerin
A fascinating glimpse into The Beatles' final days together, Let It Be documents their tumultuous recording sessions for what would become their final released album. Directed by Michael Lindsay-Hogg, this fly-on-the-wall portrait captures the creative tensions between band members while still showcasing their undeniable musical prowess. With its candid look at the dissolution of one of the most beloved bands in history and iconic performances such as their famous rooftop concert, Let It Be remains a must-see for any fan of The Beatles.
- Directed by : Michael Lindsay-Hogg
Pink Floyd: Pulse
Directed by David Mallet, Pink Floyd: Pulse showcases the legendary band during their 1994 Division Bell Tour with mesmerizing visuals and awe-inspiring performances. By utilizing state-of-the-art lighting and elaborate stage designs, Mallet creates an immersive experience that brings viewers directly into the heart of Pink Floyd's live show. With songs spanning their illustrious career – including an entire performance of "Dark Side of The Moon" – Pulse remains not only visually stunning but also musically impressive, solidifying its place among the best concert films ever made.
- Released : 1995
- Directed by : David Mallet
Hail! Hail! Rock 'n' Roll
Offering an intimate portrait of pioneering musician Chuck Berry on his 60th birthday, Taylor Hackford's Hail! Hail! Rock 'n' Roll delivers an electrifying tribute to one of rock 'n' roll's founding fathers. In addition to showcasing Berry's masterful guitar playing and undeniable stage presence, the film delves into his personal life and influence on future generations of musicians. Featuring guest appearances from Keith Richards, Eric Clapton, and many more, Hail! Hail! Rock 'n' Roll stands as a loving homage to an artist whose work continues to shape popular music today.
- Released : 1987
- Directed by : Taylor Hackford
The Concert for Bangladesh
As a groundbreaking event in music philanthropy, George Harrison and Ravi Shankar's Concert for Bangladesh was a monumental effort to raise awareness and funds for a humanitarian crisis in 1971. Directed by Saul Swimmer, this documentary film captures the star-studded lineup, which included Bob Dylan, Eric Clapton, Ringo Starr, and more performing in New York City's Madison Square Garden. With stirring performances and behind-the-scenes glimpses at the organization of the concert, The Concert for Bangladesh remains an inspiring example of how musicians can come together to make a difference.
- Released : 1971
- Directed by : Saul Swimmer
Isle of Wight Festival: Message to Love: 1970
Chronicling the landmark 1970 Isle of Wight Festival through stunning visuals and powerful performances, Message to Love offers viewers an unforgettable snapshot of a fleeting moment in music history. Directed by Murray Lerner, this evocative documentary captures iconic acts such as Jimi Hendrix, The Who, Joni Mitchell, and Miles Davis during what would become one of the last great festivals of the 1960s counterculture movement. In addition to showcasing unforgettable musical moments, Message to Love also delves into the logistical challenges and social tensions that surrounded the event – providing a deeper understanding of the era's complex cultural landscape.
Steely Dan's Two Against Nature
As one of the most meticulous and enigmatic acts in rock history, Steely Dan rarely allowed cameras inside their world – making this concert film all the more special for fans. Directed by Chris Donovan and featuring performances from their 2000 tour in support of "Two Against Nature," Steely Dan: Two Against Nature showcases Donald Fagen and Walter Becker at their creative peak. With flawless live renditions of classic tracks alongside insightful interviews with both members, it's a treasure trove for anyone who appreciates Steely Dan's intricate musicianship and wry humor.
- Released : 2000
- Directed by : Earle Sebastian
U2: Rattle and Hum
Blending live concert footage with behind-the-scenes moments, U2: Rattle and Hum offers an intimate look at one of the world's most successful rock bands as they embark on their 1987 Joshua Tree Tour. Directed by Phil Joanou, this engaging film captures the Irish quartet in all their stadium-filling glory while also showcasing quieter, more introspective moments from Bono, The Edge, Adam Clayton, and Larry Mullen Jr. With its combination of sweeping visuals and undeniable musical prowess, U2: Rattle and Hum allows fans to experience the essence of what makes U2 so compelling.
- Released : 1988
- Directed by : Phil Joanou
The Rolling Stones Rock and Roll Circus
A time capsule of late 1960s rock 'n' roll excess, The Rolling Stones Rock and Roll Circus delivers an eclectic lineup of performances from iconic artists such as John Lennon, Eric Clapton, Jethro Tull alongside its titular hosts. Directed by Michael Lindsay-Hogg – who would later helm Let It Be – this once-lost film features each act playing under circus-themed pseudonyms while intercutting their showmanship with surreal visuals evoking the spirit of the era. It's a thrilling ride that showcases these legendary talents at their most playful and powerful.
- Released : 1968
Jeff Lynne's ELO at Hyde Park (2014)
Capturing Electric Light Orchestra frontman Jeff Lynne during his triumphant return to the stage after decades away from touring, Jeff Lynne’s ELO at Hyde Park showcases an energizing performance filled with timeless hits and fan favorites. Directed by Janet Fraser-Crook and featuring guest appearances from Richard Tandy and BBC Concert Orchestra, this vibrant concert film not only highlights Lynne’s undeniable songwriting talents but also demonstrates how his music continues to resonate with new generations of fans.
- Released : 2014
U2 Live at Red Rocks: Under a Blood Red Sky
Filmed amidst a torrential downpour at Colorado's iconic Red Rocks Amphitheatre, U2 Live at Red Rocks: Under a Blood Red Sky captures the future rock icons during their 1983 War Tour – just months before they would achieve global superstardom. Directed by Gavin Taylor, this visually breathtaking concert film showcases Bono's magnetic stage presence alongside the band's now-legendary anthemic sound – making for an unforgettable performance that has since become celebrated among fans and critics alike.
- Released : 1983
- Directed by : Gavin Taylor
T.A.M.I. Show
A groundbreaking event in music history featuring performances from some of the biggest names in 1960s rock 'n' roll and soul, T.A.M.I. (Teenage Awards Music International) Show is a treasure trove for fans of vintage pop culture. Directed by Steve Binder – who would later helm Elvis Presley’s iconic ’68 Comeback Special – this influential concert film boasts an astonishing lineup including James Brown, The Beach Boys, Chuck Berry, Marvin Gaye, Smokey Robinson & The Miracles among others delivering electrifying sets that still dazzle viewers today.
- Released : 1964
- Directed by : Steven D. Binder
Roger Waters The Wall
Bringing Pink Floyd's iconic rock opera to life in a visually stunning and emotionally resonant manner, Roger Waters: The Wall stands as a powerful testament to the enduring impact of this classic album. Directed by Sean Evans and Roger Waters himself, this concert film combines footage from live performances with evocative animation sequences and intimate moments to create an immersive experience unlike any other. A must-see for fans of Pink Floyd or anyone who appreciates a bold, transformative live show – Roger Waters: The Wall delivers on all fronts.
- Directed by : Sean Evans, Roger Waters
Neil Young: Heart of Gold
Combining heartfelt storytelling with electrifying musical performances, Neil Young: Heart of Gold takes viewers on a poignant journey through the legendary songwriter's illustrious career. Directed by Jonathan Demme – who also helmed Stop Making Sense – this concert film showcases Young's captivating stage presence as he performs both classic hits and newer material with his unmistakable folk-rock style. With its intimate look at one of music's most revered storytellers, Neil Young: Heart of Gold remains a must-watch for fans old and new alike.
- Released : 2006
Monty Python Live at the Hollywood Bowl
For fans of absurdist humor and classic British comedy , Monty Python Live at the Hollywood Bowl is an essential viewing experience. Directed by Terry Hughes and Ian MacNaughton, this delightful concert film captures the legendary sketch comedy troupe Monty Python during their 1982 performance at Los Angeles' iconic Hollywood Bowl venue. From reenactments of beloved television sketches to new material created specifically for their live shows, this uproarious film will leave audiences doubled over in laughter while also providing an unmatched glimpse into the brilliance of these comedic titans.
- Released : 1982
- Directed by : Terry Hughes, Ian MacNaughton
David Gilmour in Concert
Filmed during two sold-out shows at London’s Royal Festival Hall in 2001, David Gilmour in Concert offers a rare glimpse into the Pink Floyd guitarist’s solo performances. Directed by David Mallet, this concert film highlights Gilmour's distinctive guitar playing and haunting vocals as he delivers both Floyd classics and selections from his own solo work. A must-see for fans of Pink Floyd or those who appreciate virtuosic musicianship, David Gilmour in Concert is an experience not to be missed.
- Released : 2002
This Is Elvis
A unique blend of documentary footage and dramatic reenactments, This Is Elvis provides an unparalleled look at the life and career of one of music’s most enduring icons - Elvis Presley. Directed by Malcolm Leo and Andrew Solt, this captivating film takes viewers on a journey from Presley’s humble beginnings in Tupelo, Mississippi all the way to his final days as an international superstar – offering rare insights into both his personal struggles and triumphs along the way. With its combination of archival material and expert storytelling techniques, This Is Elvis remains a must-watch for any fan seeking a deeper understanding of the man behind the myth.
- Released : 1981
- Directed by : Malcolm Leo, Andrew Solt
Elvis: That's the Way It Is
A groundbreaking documentary that offered unprecedented access to the King of Rock 'n' Roll during his triumphant return to live performance, Elvis: That's The Way It Is captures Presley at a pivotal moment in his career. Directed by Denis Sanders, this intimate portrait combines electrifying concert footage with behind-the-scenes moments – providing a never-before-seen glimpse into the charisma and vulnerability of one of music's most iconic figures. For anyone who has ever been touched by the power of Elvis Presley's music, this essential documentary is not to be missed.
- Directed by : Denis Sanders
Rush in Rio
Rush fans are treated to an exhilarating live show with Rush: Rush in Rio – filmed during their 2002 Vapor Trails tour stop in Brazil where they performed before more than 40,000 ecstatic fans. Directed by Daniel E. Catullo III, this concert film showcases the Canadian trio’s legendary musicianship and incredible energy as they tear through a career-spanning setlist that includes hits like "Tom Sawyer," "The Spirit of Radio," and "2112." Rush: Rush in Rio is a thrilling ride that captures the essence of what makes this band so beloved among their fervent fanbase.
- Released : 2003
- Directed by : Daniel Catullo
The Who & Special Guests: Live at the Royal Albert Hall
Featuring guest appearances from Eddie Vedder, Paul Weller, Noel Gallagher among others alongside surviving members Roger Daltrey and Pete Townshend – The Who & Special Guests: Live at the Royal Albert Hall offers a thrilling night dedicated to the timeless music of one rock 'n' roll’s greatest bands. Filmed during their 2000 charity performance benefiting Teenage Cancer Trust, this concert film not only highlights classic tracks like "Baba O'Riley" and "Pinball Wizard" but also raises awareness for a worthy cause – proving that the power of music knows no bounds.
Let's Spend the Night Together
Directed by Hal Ashby – known for classic films like Harold and Maude – Let's Spend the Night Together captures The Rolling Stones at their peak during their 1981 Tattoo You tour as they deliver showstopping performances across multiple venues. Featuring electrifying renditions of hits like "(I Can't Get No) Satisfaction" and "Start Me Up," this high-energy concert film not only showcases Mick Jagger’s unparalleled stage presence but also highlights the timeless appeal of these British rock icons.
- Directed by : Hal Ashby
The Grateful Dead Movie
Co-directed by Jerry Garcia himself, The Grateful Dead Movie takes audiences on a trip through their legendary 1974 concerts at San Francisco's Winterland Ballroom. Featuring psychedelic visuals and extended improvisations that showcase the band's jam-based approach to live performance, this concert film not only captures Grateful Dead in all their freewheeling glory but also offers a unique glimpse into their dedicated community of devoted fans – affectionately known as “Deadheads.”
- Released : 1977
- Directed by : Jerry Garcia, Leon Gast
Sign 'O' the Times
Prince’s directorial debut, Sign 'O' The Times is an innovative concert film showcasing his mercurial talent as both a musician and filmmaker. Capturing live footage from his 1987 European tour intercut with studio performances filmed specifically for the movie, Prince delivers scintillating versions of tracks from his iconic album of the same name. With its blend of dynamic stage presence, incredible musicianship, and innovative visuals, Sign 'O' The Times offers a captivating glimpse into the artistry of one of pop music's most enigmatic figures.
- Directed by : Prince, Albert Magnoli
Shine a Light
Directed by Martin Scorsese – perhaps the world’s foremost authority on capturing live music on film – Shine a Light presents The Rolling Stones in all their glory during their 2006 A Bigger Bang tour stop at New York City’s Beacon Theatre. Intercutting interviews with electrifying concert footage, this documentary not only showcases Jagger and company's undeniable stage prowess but also delves into their storied past as one of rock's longest-running and most influential acts. For fans of both Scorsese's filmmaking prowess and The Rolling Stones’ legendary catalog, Shine a Light is an experience not to be missed.
- Released : 2008
Leonard Cohen: I'm Your Man
A tribute to the late, great Leonard Cohen by some of today's most celebrated artists such as Rufus Wainwright, Nick Cave, U2 among others – Leonard Cohen: I'm Your Man captures the essence of his unparalleled songwriting talent through heartfelt performances and exclusive interviews. Directed by Lian Lunson, this documentary offers both die-hard Cohen fans and newcomers alike an intimate look into the life and career of one of music’s most revered poets.
- Released : 2005
- Directed by : Lian Lunson
U2: Zoo TV: Live from Sydney
Filmed during their ambitious 1993 tour stop in Australia, U2: Zoo TV: Live from Sydney captures Bono, The Edge, Adam Clayton, and Larry Mullen Jr. at perhaps their most daring as they blend cutting-edge technology with powerful live performances to create an unforgettable spectacle. Directed by David Mallet – who has worked with top artists like Queen and David Bowie – this concert film not only highlights fan-favorite tracks like "One" and "Bullet the Blue Sky" but also offers viewers an unparalleled glimpse into U2's boundary-pushing vision for live music.
- Released : 1993
Genesis: In Concert
Filmed during their 1976 A Trick of the Tail tour, Genesis: In Concert provides a fascinating glimpse into the early days of one of rock's most innovative bands. Directed by Tony Maylam, this concert film features original members Phil Collins, Steve Hackett, Mike Rutherford, and Tony Banks delivering captivating renditions of prog-rock classics such as "Firth of Fifth" and "Supper's Ready." With its impressive visuals and immersive soundscapes, Genesis: In Concert remains an essential viewing experience for fans interested in witnessing the band's formative years.
- Directed by : Tony Maylam
Jazz on a Summer's Day
Capturing the intimate atmosphere of the 1958 Newport Jazz Festival, Jazz on a Summer’s Day is a timeless document of some of the era’s most celebrated performers – including Louis Armstrong, Thelonious Monk, and Anita O’Day. Directed by Bert Stern – known for his groundbreaking work as a fashion photographer – this concert film offers audiences an unprecedented look into the world of jazz as it thrived in the late 1950s.
- Released : 1959
- Directed by : Bert Stern
Baby Snakes
A wild ride into the mind of musician and composer Frank Zappa, Baby Snakes combines live concert footage with animation and behind-the-scenes moments to create an utterly unique viewing experience. Directed by Zappa himself, this concert film showcases his eclectic musical style and penchant for envelope-pushing visuals as he performs alongside his talented band of musicians. For fans of avant-garde rock or those simply interested in exploring the fringes of popular music, Baby Snakes remains a fascinating exploration into the creative genius of Frank Zappa.
- Released : 1979
- Directed by : Frank Zappa
Last Play at Shea
A touching tribute to both music history and baseball fan culture, Last Play at Shea chronicles Billy Joel's historic concerts that marked the final performances at New York City's legendary Shea Stadium before its demolition in 2008. Directed by Paul Crowder and Jon Small, this documentary not only showcases Joel's undeniable songwriting talent but also delves into the stadium's storied past – making for a nostalgic journey through time that will resonate with fans of both music and sports.
- Released : 2010
- Directed by : Paul Crowder, Jon Small
Thelonious Monk: Straight, No Chaser
An intimate portrait of one of jazz's most enigmatic figures, Thelonious Monk: Straight, No Chaser captures the legendary pianist during his 1967 European tour while also showcasing rare footage and interviews from throughout his career. Directed by Charlotte Zwerin – who co-directed Gimme Shelter alongside Albert and David Maysles – this documentary delves into Monk's unique approach to composition and performance while also providing an unparalleled glimpse into his personal life.
- Directed by : Charlotte Zwerin
Highlighting performances from artists like Bruce Springsteen, Carly Simon, James Taylor among others as they stand up against nuclear power during a series of benefit concerts in 1979 – No Nukes is a powerful testament to the spirit of activism within popular music. Directed by Julian Schlossberg, Danny Goldberg, and Anthony Potenza, this documentary not only features electrifying musical moments but also sheds light on an important issue that remains relevant today.
- Released : 1980
- Directed by : Julian Schlossberg, Danny Goldberg, Anthony Potenza
Jethro Tull: Live at Montreux 2003
Featuring iconic progressive rock band Jethro Tull during their 2003 performance at Switzerland's renowned Montreux Jazz Festival, Jethro Tull: Live at Montreux 2003 showcases frontman Ian Anderson’s signature flute playing and captivating stage presence alongside classic tracks like "Aqualung" and "Locomotive Breath." Directed by Chris Rudall, this thrilling concert film is a must-see for any fan of Tull's unique blend of rock, folk, and jazz influences.
Festival Express
Chronicles the unforgettable 1970 train journey across Canada that featured performances from iconic artists such as Janis Joplin, The Grateful Dead, and The Band – Festival Express is a once-in-a-lifetime ride through rock 'n' roll history. Directed by Bob Smeaton, this documentary not only captures these legendary musicians in their prime but also offers a fascinating look at the camaraderie and spontaneity that existed between them behind the scenes.
- Directed by : Bob Smeaton
Neil Young in Berlin
Filmed during his 1982 Trans tour stop in Germany, Neil Young in Berlin showcases the legendary singer-songwriter at his most experimental as he blends electronic elements with his unmistakable folk-rock sound. Directed by Michael Lindsay-Hogg – known for his work on Let It Be and The Rolling Stones Rock and Roll Circus – this concert film captures Young's restless creativity as he delivers powerful renditions of tracks like "Like a Hurricane" and "Old Man."
Live at Slane Castle
Capturing Irish rockers U2 during their triumphant return to their homeland for an epic performance at Slane Castle, Live at Slane Castle offers fans an unforgettable night of anthemic hits and heartfelt homecomings. Directed by Hamish Hamilton, this concert film highlights Bono’s enduring stage presence alongside The Edge’s soaring guitar riffs – making for a thrilling celebration of one of Ireland's most beloved musical exports.
- Directed by : Nick Wickham
Renaissance: A Film by Beyoncé
Combining visually striking imagery with powerful live performances, Renaissance: A Film by Beyoncé offers viewers a glimpse into the creative mind of one of today's most influential artists. Directed by Ed Burke and Beyoncé herself, this groundbreaking concert film takes fans on a journey through her celebrated discography – featuring stunning renditions of hits like "Formation" and "Freedom." For anyone who appreciates innovative visual storytelling or simply admires Queen B's phenomenal talent, Renaissance is essential viewing.
- Released : 2023
- Directed by : Beyoncé, Mark Ritchie, James B. Merryman
No Quarter - Jimmy Page & Robert Plant Unledded
Reuniting Led Zeppelin's Jimmy Page and Robert Plant for an intimate 1994 performance featuring stripped-down renditions of their classic hits – No Quarter: Page & Plant Unledded stands as a testament to the enduring impact of their partnership on popular music. Directed by Aubrey Powell, this concert film not only showcases the duo's undeniable chemistry but also offers fans an unparalleled look at their reimagined versions of tracks like "Kashmir" and "Gallows Pole."
Taylor Swift: The Eras Tour
With its unparalleled blend of dazzling visuals, breathtaking set designs, and electrifying performances from one of today’s most successful artists - Taylor Swift: The Eras Tour stands as a testament to her incredible staying power in popular music. Directed by Paul Dugdale, this concert film takes fans on a journey through each of Swift’s celebrated eras – from her country roots to her foray into pop superstardom – while delivering unforgettable renditions of hits like "Love Story" and "Blank Space." For anyone who has ever been touched by Taylor Swift's music, The Eras Tour is an experience not to be missed.
- Directed by : Sam Wrench
Gaga Chromatica Ball
- Released : 2024
- Directed by : Lady Gaga
Usher: Rendezvous In Paris
- Directed by : Anthony Mandler
Olivia Rodrigo: GUTS World Tour
- Directed by : James B. Merryman
Jung Kook: I Am Still
- Directed by : Park Jun-soo
Lil Nas X: Long Live Montero
A bold celebration of individuality and self-expression, Lil Nas X: Long Live Montero captures the groundbreaking artist during his meteoric rise to fame – offering fans unprecedented access to his creative process and captivating live performances. Directed by Drew Kirsch, this concert film highlights the boundary-pushing vision that has come to define Lil Nas X as an industry disruptor while showcasing fan-favorite tracks like "Old Town Road" and "Montero (Call Me By Your Name)."
- Directed by : Carlos López Estrada, Zac Manuel
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Beyoncé’s ‘Renaissance’ Cracks Top 5 on List of Top Music Concert Films of All Time: Here’s the Top 10
Taylor Swift: The Eras Tour leads the list.
By Paul Grein
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Renaissance: A Film by Beyoncé grossed $1.9 million in its third weekend in U.S. theaters, according to boxofficemojo.com , bringing its total to $30.8 million. That makes it one of the top five grossing concert films in history.
It is far behind the all-time leader, Taylor Swift: The Eras Tour , which grossed $179.2 million in a nine-week run following its release in October. Swift’s film is No. 11 among all films for 2023. Beyoncé’s film is No. 60. That isn’t meant to take the shine off Bey’s film, it just goes to show what a phenomenon Swift’s film was. ( Beyoncé and Taylor Swift attended each other’s premieres, a show of mutual respect and support that was heartening to see.)
Beyoncé’s film ranked No. 1 at the weekly boxoffice two weeks ago, becoming the fourth concert film to achieve that feat. Hannah Montana and Miley Cyrus: Best of Both Worlds Concert and Michael Jackson’s This Is It each logged one week on top of the domestic boxoffice. Swift’s film became the first concert film to top the domestic box office for two weeks.
Beyoncé wrote, directed and produced Renaissance: A Film by Beyoncé , which chronicles the development and execution of the Renaissance World Tour, Beyoncé’s 2023 stadium tour in support of her Grammy-winning album Renaissance (2022).
In a piece highlighting the seven best moments of Beyoncé’s film, Billboard ’s Kyle Denis noted: “The film provides a rare peek into Beyoncé’s behind-the-scenes process, namely how she runs her ship as the Mother of the House of Renaissance. Over nearly three hours, the documentary treats fans to pristine footage of several nights of the superstar’s record-breaking Renaissance World Tour. Seamless edits showcase the endless variety of haute couture costumes the ‘Break My Soul’ singer flaunted across her 56 sold-out shows, and intimate black-and-white scenes present the Beyoncé her family sees off stage.”
Here are the 10 highest-grossing music concert films, according to boxofficemojo.com. This list counts only domestic box-office receipts, which explains the absence of previous Swift projects such as the Netflix documentary Miss Americana (2020).
Note: Boxofficemojo.com’s list of top-grossing contemporary music concert films doesn’t include Renaissance , which is more of documentary than Swift’s film, which is a straight concert film. But since Renaissance is based on a concert, and since other films in their top 10 also include documentary material, we’re counting it.
Glee: The 3D Concert Movie
Release Date: Aug. 12, 2011
Domestic Gross: $11.9 million
Director: Kevin Tancharoen
Running Time: 1:24
Notes: This concert doc was shot during the Glee Live! In Concert! Tour stop in East Rutherford, N.J. Would fans pay to see Lea Michele, Chris Colfer, Cory Monteith, Dianna Agron and other Glee favorites when they could see them for free every week on TV? More than a few did. In addition to behind-the-scenes footage, the film portrays the series’ influence on teenagers, including a gay kid, one with Asperger syndrome and a cheerleader of short stature. The fan segments were created by documentary filmmaker Jennifer Arnold.
The accompanying soundtrack album, Glee: The 3D Concert Movie , didn’t do that well. It reached No. 16 on the Billboard 200, becoming the first Glee title to fall short of the top 10 on that chart .
Madonna: Truth or Dare
Release Date: May 10, 1991
Domestic Gross: $15 million
Director: Alek Keshishian
Running Time: 2:00
Notes: The doc followed Madonna on her Blond Ambition world tour of 1990. The movie’s tag line: “The ultimate dare is to tell the truth.” Madonna: Truth or Dare was known as In Bed With Madonna internationally. The film was initially intended to be a traditional concert film, but director Keshishian was so impressed with Madonna’s backstage life that he persuaded the star to make it the focus of the film. The film was edited to be in black-and-white, in order to emulate cinéma vérité, while the performance scenes are in color.
Madonna was nominated for a Razzie Award for worst actress for this film. The Razzies deserve a razzie for that really dumb move: This was a great music doc.
Jonas Brothers: The 3D Concert Experience
Release Date: Feb. 27, 2009
Domestic Gross: $19. 1 million
Director: Bruce Hendricks
Running Time: 1:16
Notes: Ah, youth. Nick Jonas was just 16 when this film came out. Joe was 19; Kevin was 21. This 3D concert film captured their 2008-09 The Burning Up concert tour. An accompanying album, Music From the 3D Concert Experience , was released three days before the film and entered the Billboard 200 at No. 3.
Katy Perry: Part of Me
Release Date: July 5, 2012
Domestic Gross: $25.3 million
Director: Dan Cutforth, Jane Lipsitz
Running Time: 1:33
Notes: This film followed Perry on her 2011-12 California Dreams world tour. The film was released less than a year after Perry’s Teenage Dream tied Michael Jackson’s Bad record for the most No. 1 singles from an album. (Never fear: He’s coming up on this list.) Part of Me took its title from the title of a then-recent Perry smash, which entered the Hot 100 at No. 1 on March 3, 2012. The film follows Perry through her tour, while providing insight into her relationship with stardom.
One Direction: This Is Us
Release Date: Aug. 30, 2013
Domestic Gross: $28.9 million
Director: Morgan Spurlock
Running Time: 1:32
Notes: This is the highest-grossing contemporary music concert film by a group. 1D released this film in between their albums Take Me Home and Midnight Memories , both of which entered the Billboard 200 at No. 1. Billed as an intimate, all-access look at life on the road for the global pop stars, This Is Us contains live concert footage from their Take Me Home Tour stop at London’s O2 Arena, and footage from their lives both pre- and post- X Factor .
Renaissance: A Film by Beyoncé
Release Date: Dec. 1, 2023
Domestic Gross: $30.8 million (so far)
Director: Beyoncé
Running time: 2:49
Notes: In his piece listing the seven highlights of Beyoncé’s film, Billboard ’s Kyle Denis notes that the film “is as much about the enigmatic artistic genius as it is about community — the various intersecting communities that crafted the album and tour, enjoyed the music at the concerts, and inspired the throughlines of Black queer liberation that course through Queen Bey’s most recent musical era.”
Beyoncé’s husband, Jay-Z; mother, Ms. Tina Knowles; and three children, Blue Ivy, Rumi and Sir Carter, are featured in the film. There are also cameos from Diana Ross, Megan Thee Stallion, Cardi B, Kendrick Lamar and Tracee Ellis Ross, as well as Bey’s former Destiny’s Child bandmates Kelly Rowland, Michelle Williams, LeToya Luckett and LaTavia Roberson.
The film premiered at the Samuel Goldwyn Theater in Los Angeles on Nov. 25, before the film’s theatrical release in the U.S. on Dec. 1.
Hannah Montana and Miley Cyrus: Best of Both Worlds Concert
Release Date: Feb. 1, 2008
Domestic Gross: $65.3 million
Running Time: 1:14
Notes: Cyrus was just 15 when this film was released, yet it became the highest-grossing contemporary music concert film ever by a female artist. (For the time being.) The film features Miley’s dad Billy Ray Cyrus and special guests Jonas Brothers. An album, Best of Both Worlds Concert , was released the following month (on March 11), and reached No. 3 on the Billboard 200 dated May 3, 2008. The film premiered on Disney Channel on July 26, 2008, reaching 5.9 million viewers.
Michael Jackson’s This Is It
Release Date: Oct. 28, 2009
Domestic Gross: $72.1 million
Director: Kenny Ortega
Running Time: 1:51
Notes: “Like you’ve never seen him before” was the tagline for this film, which was released just four months after Jackson’s shocking death on June 25, 2009. It’s a compilation of interviews, dancer auditions, rehearsals and backstage footage as Jackson prepared for his 50-show run at the 02 Arena in London (which was set to kick off on July 13.) There was a heated debate at the time about whether Jackson, who was famously a perfectionist, would have wanted this rehearsal footage to be released. Here he was, working toward a goal – but he wasn’t there yet. However, many thought seeing the work process here humanized him. Turns out achieving perfection is bloody hard work. A double-disk soundtrack from the film entered the Billboard 200 at No. 1.
Jackson’s nephew, Taj Jackson, makes a strong argument that, since Jackson didn’t get This Is It to the O2 stage, This Is It should be viewed as a documentary, not a concert film. But since Jackson died, this is the closest we will ever get to a concert film from the show he was creating at the time of his death. Anyway, for now, at least, the film is listed in boxofficemojo.com’s list of top concert films.
Justin Bieber: Never Say Never
Release Date: Feb. 11, 2011
Domestic Gross: $73 million
Director: Jon M. Chu
Running time: 1:45
Notes: “Find out what’s possible if you never give up” was the inspiring tagline for this film, which followed the then-16-year-old pop star on his 2010 concert tour. The film, which also featured Boyz II Men, Miley Cyrus and Sean Kingston, is the first (and only) film from MTV Films to receive a G-rating. An EP, Never Say Never: The Remixes , was released three days after the film. It entered the Billboard 200 at No. 1. A sequel, Justin Bieber’s Believe , was released on Dec. 25, 2013, but it grossed just $6.2 million domestically.
Taylor Swift: The Eras Tour
Release Date: Oct. 13, 2023
Domestic Gross: $179.2 million
Director: Sam Wrench
Notes: Taylor Swift: The Eras Tour was shot over the course of Swift’s first three shows at SoFi Stadium in Inglewood, Calif., where she performed a total of six shows in early August. It was directed by Sam Wrench, who received a Grammy nomination late last year for directing Billie Eilish Live at the O2 , which was a contender for best music film. He has also worked on projects by BTS, Lizzo, Ariana Grande, Justin Bieber, The Weeknd and Mary J. Blige.
The Eras Tour film depicts performances of almost all of the songs on the tour’s standard set list. A handful of songs were cut to keep the film’s running time under three hours. The film received critical acclaim for capturing the show’s spectacle and energy. Billboard ’s Katie Atkinson’s main takeaway : “Whether you never attended The Eras Tour or you went dozens of times, you will leave this movie with a new perspective of the career-spanning trek. While front-row fans or the JumboTron cameras might have captured a cute facial expression or dance move here and there, the cameras caught everything , making it feel like you’re onstage with Swift and crew.”
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The 10 Best Concert Movies of All Time, According to Letterboxd
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Concerts have proven themselves to be the tried and true perfect way for fans to experience some of their favorite musical artists and bands live and in person. However, for a number of reasons, whether it be financial struggles, distance-related issues, or simply not being alive at the time, not everyone is able to experience every great concert experience out there. Thankfully, concert films have come in to act as a worthwhile alternative for those who simply are unable to attend the concert in question.
Especially when a concert film is able to recapture and show off one of the most iconic performances of a band's career, it can be enthralling to be able to rewatch it anytime and anywhere. A number of concert films have even broken into the echelon of all-time greatest films, being some of the most highly rated films on internet sites, most specifically, Letterboxd. While a number of ratings may simply come from fans of the artist showing support for their favorite artists, the truly great concert films have risen to the top thanks in part to their amazing strengths.
10 'My Chemical Romance: The Black Parade Is Dead!' (2008)
Letterboxd Average Rating: 4.38/5
The Black Parade is Dead shows the iconic rock band My Chemical Romance 's final performance as their onstage characters, The Black Parade. The story of The Black Parade centers around a dying character known as The Patient, who reflects on events throughout his life while he is confronted by Death in the form of his fondest memory, his father taking him to see a marching band.
Keep a close eye on these stars.
The Black Parade is Dead acts as a perfect book-capping send-off to some of the most iconic characters and songs that have ever been created by My Chemical Romance. The show is similarly decorated similarly to the band as their characters, fully encapsulating the strength of the story of The Black Parade as well as the powerful undeniable energy of the songs being performed.
9 'The 1975 'At Their Very Best' Live from Madison Square Garden' (2022)
Letterboxd Average Rating: 4.39/5
The 1975 'At Their Very Best' Live from Madison Square Garden follows English pop rock band The 1975 performing at New York City's Madison Square Garden in support of their fifth studio album. On top of songs from their fifth album Being Funny in a Foreign Language, the band also performed a number of their most iconic songs including It's Not Living and Give Yourself a Try .
Few concert films are able to effectively recapture the powerful energy of actually being in a packed concert stadium in person, yet this film masterfully makes its audience feel as if they are in the front seats at Madison Square Garden. Especially with how wild and chaotic the performance at the center actually becomes, this easily becomes one of the most exciting, interesting, and engaging concert films, even to those who aren't already fans of the band.
8 'Taylor Swift: The Eras Tour' (2023)
Letterboxd Average Rating: 4.43/5
Taylor Swift: The Eras Tour is the cinematic transformation of the groundbreaking Eras Tour concert run, which acted as worldwide phenomenon Taylor Swift 's culmination of over 17 years and 10 albums of music. As the concert goes through every era of Swift's long and iconic music career, the concert in itself shifts and transforms to create a once-in-a-lifetime concert experience.
It's no surprise that one of the most successful and well-regarded concert runs of all time would equate to an equally exciting and enthralling concert film , which The Eras Tour delivers in every way. It's truly mesmerizing to watch an artist's entire discography transformed and reimagined into a singular beautiful and effective concert, with all the ups and downs of their work creating a beautiful historic experience. The film has already made massive waves at the box office and will continue to do so, as a result of the undeniable power of Taylor Swift.
7 'Kendrick Lamar's The Big Steppers Tour: Live from Paris' (2022)
Letterboxd Average Rating: 4.44/5
The Big Steppers Tour is the fifth concert tour by iconic rap artist Kendrick Lamar , in support of his album, Mr. Morale & the Big Steppers . Accompanied by opening acts by Baby Keem and Tanna Leone , the concert tells the story of Mr. Morale, who is tasked with exiting his comfort zone through therapy.
They're appearance was an unexpected surprise.
Lamar's stage presence and emphatic musical abilities have always been signature to both his songs and his on-stage performances, with The Big Steppers Tour being considered by fans to be his greatest concert. The concert film is equally able to recapture all the greatest and most enthralling moments of the concert, as it allows for every masterful aspect of the performance to shine through in expert fashion.
6 'Alice In Chains: MTV Unplugged' (1996)
Alice in Chains: MTV Unplugged sees rock band Alice in Chains performing their first concert in two and a half years at the Brooklyn's Academy of Music's Majestic Theater for the TV series MTV Unplugged . After an absence from live music for such an extended period, the band returns in full force to perform a legendary 13-song set, featuring songs such as Heaven Beside You , Rooster , and Would?
While MTV Unplugged had its fair share of amazing and memorable live performances over the years, the return of Alice in Chains was a defining moment for the show as a whole. The amazing transformation of some of Alice in Chains' most iconic songs into acoustic versions works tremendously for the live performance, bringing out the emotional power of the songs in a way only live performance can.
5 'Taylor Swift: Reputation Stadium Tour' (2018)
Letterboxd Average Rating: 4.45/5
Reputation Stadium Tour is a concert film following her highly successful and memorable fifth concert tour, which launched in support of her sixth studio album, Reputation. Transformed from the performance in Dallas, the concert reflects all of the themes and iconic visuals of the Reputation era, making for one of the most energizing and visually enthralling concerts to come from Swift.
Before The Eras Tour redefined what a Taylor Swift concert film could even be, Reputation Stadium Tour was previously Swift's biggest and most popular concert tour. Its popularity makes sense when considering the powerful energy on display throughout the entire concert, making full opportunity of the possibilities from Reputation's music and themes. The concert film's release on Netflix only allowed for even more of Swift's fans to experience the amazing concert experience and all of its visually stunning glory.
4 'Folklore: The Long Pond Studio Sessions' (2020)
One of the few concert films to be directed by the musical artist in question, Folklore: The Long Pond Studio Sessions is a much more intimate and personal take on a concert film experience. The film sees Taylor Swift performing each song from her album folklore in order, yet on top of simply playing the songs in the iconic recording studio, she also reveals the meaning and stories behind all 17 tracks for the first time.
From Taylor Swift's 'Miss Americana' to Beyoncé's 'Homecoming,' these documentaries will take you beyond the music.
Music has always acted as an art form of passion and emotion, and to see an artist be fully vulnerable and provide a glimpse into their life and inspiration is an unprecedented choice for a concert film. It's a decision that genuinely makes The Long Pond Studio Sessions unlike any other concert film out there, as it toes the line between simply being a concert film and being a genuine documentary on the impact and making of folklore .
3 'Nirvana: Unplugged In New York' (1993)
Letterboxd Average Rating: 4.48/5
Nirvana: Unplugged In New York sees the iconic rock band Nirvana performing an acoustic rendition of their songs at Sony Music Studios in New York for the TV series MTV Unplugged . Unlike the tradition of playing a band's most well-regarded songs for the show, Nirvana chose to primarily play their lesser-known material, on top of covers of songs by other artists, including Vaselines , David Bowie , and Meat Puppets .
Especially considering the tragic nature of Nirvana and Kurt Cobain that would take place in the year following this performance, it's difficult to not get emotional at this recording's somber and slower tone. Unplugged in New York acts as a perfect bookend to the legacy and power of Nirvana as a band, and shows that even when playing other songs in their nonstandard acoustic, Nirvana was at the top of their game as a rock band.
2 'Radiohead: In Rainbows - From the Basement' (2008)
Letterboxd Average Rating: 4.60/5
In Rainbows - from the Basement sees a live performance from rock band Radiohead as they perform songs from their seventh album, In Rainbows . The film acts as a part of a series of live performances from producer Nigel Godrich , known as the From the Basement series, as their performance was filmed at Maida Vale Studios in London.
In Rainbows was already considered one of the greatest albums to come from Radiohead according to fans, and the From the Basement concert movie only drives home everything great about the album and its songs. There is an undeniable strength and energy that simply comes from a group of determined musicians playing from their souls in a small room, away from the worries of the rest of the world. While quite simplistic on the surface, there simply is nothing like In Rainbows , as the Letterboxd community continuously finds itself praising the hidden genius of the concert film.
1 'Stop Making Sense' (1984)
Letterboxd Average Rating: 4.65/5
From Silence of the Lambs director Jonathan Demme and iconic American rock band Talking Heads , Stop Making Sense documents the band at the height of their popularity, on tour for their album Speaking in Tongues . The band takes the stage one by one, joined by an array of guest musicians for a career-spanning cinematic performance where they play their greatest hits, including Psycho Killer , Burning Down the House , and Once in a Lifetime .
More than simply a concert film, Stop Making Sense holds an outstanding legacy as one of the defining cinematic achievements of all time. The film sees a masterful combination of the amazing music from Stop Making Sense in combination with unbelievable cinematic visuals that make one feel like they're on stage with the band in real-time. The film is so well-beloved that it recently received a restored rerelease in IMAX theaters , and Letterboxd loves the film so much that it even holds the spot as the #1 highest-rated documentary of all time .
NEXT: 'Summer of Soul' and 7 Great Concert Films for Anyone Who Misses Live Music
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The best concert films—and Taylor Swift: The Eras Tour may wind up in this league—play beyond their respective target audiences by capturing the essence of either a specific time or...
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