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voyager music koncerty

VOYAGER  are counting on a successful comeback in 2024 with the announcement of new European and UK-dates for their rescheduled 2023 ‘Fearless in Love’ tour.

The Australian progressive pop metal band known for their stunning performance at the Eurovision songfestival are back with a blast, ready to perform again across Europe.

“We are extremely hopeful and optimistic to make our return to Europe next October for our re-scheduled ‘Fearless In Love’ headline tour! Dates are now announced and tickets are back on sale.” Says  VOYAGER .

“We couldn’t be more humbled by our awesome fans and your heartwarming support during the past couple of months as Danny goes through a really intense course of treatment to combat his cancer. But as you know, he’s a warrior and we know you’re there every step of the way.”

All tickets for the shows presented in 2023 – both general admission & VIP upgrades – are still valid for the newly rescheduled dates.

voyager music koncerty

Tickets are available at the following link:  https://eu.soundrink.com/tours/voyager/

VOYAGER  released ‘Fearless in Love’ on the 14th of June, 2023

Track-list: 1. The Best Intentions (3:48) 2. Prince of Fire (4:46) 3. Ultraviolet (4:16) 4. Dreamer (3:00) 5. The Lamenting (4:10) 6. Submarine (4:47) 7. Promise (3:04) 8. Twisted (3:54) 9. Daydream (3:09) 10. Listen (4:13) 11. Gren (Fearless in Love) (5:25) Total: 44:32

Style : Electro Progressive Metal

As much as you can rely on the Earth’s elliptical orbit, you can depend on Voyager to consistently evolve. The band’s interplanetary balance of virtuosic pyrotechnics and sky scraping radio-ready hooks morphs at the speed of sound from one era to the next.

In bursts of bright light, luminous keys, neon guitar wizardry, and stratosphere-shaking rhythms, they elevate hard rock to another realm. The group blast off on a signature hybrid of prog, rock, and metal possibly best described as the musical equivalent of Guardians of the Galaxy. After piling up millions of streams, earning acclaim from the likes of The Guardian, and wowing the globe on the Eurovision Song Contest, the Perth, Australia quintet—Danny Estrin [vocals], Simone Dow [guitar], Scott Kay [guitar], Alex Canion [bass], and Ashley Doodkorte [drums]—take flight like never before on their forthcoming eighth full-length LP, Fearless In Love [Season of Mist]. “It’s progressive in the sense we’re always trying to reinvent and refresh ourselves as musicians,” notes Danny. “I want to develop musically from where we left off. We made sure Fearless In Love was melodic with some sugary hooks, but we also stayed true to our sound and delivered a few more guitar solos.

It could appeal to fans of complex music as well as anybody who might want a straight-up banger. It’s a melting pot of the genres that define us distilled into the unique Voyager sound.” This cohort of dynamic talents and personalities initially crash-landed stateside for a now-renowned performance at the 2011 ProgPower USA Festival in Atlanta, GA. Since then, they’ve unleashed a string of fan favourite albums—V [2014], Ghost Mile [2017], and Colours in the Sun [2019]—in addition to sharing stages with the likes Deftones, Leprous, Devin Townsend, Opeth, and Poppy to name a few.

Australia notably handpicked Voyager as its entrant into the global Eurovision Song Contest 2023 with “Promise.” The Guardian hailed the buzzing single as “a pop number that bends the genre with trademark riffs, climactic guitars and keytar solos,” and it crashed the Top 3 of the Australian Independent Label Singles Chart. They even appeared on TODAY Australia to wave the metal flag by teaching daytime TV hosts black metal growls, as plugged by Metal Injection! Throughout 2022, they crafted what would become Fearless In Love with engineer, mixer, and coproducer Matt Templeman. This time around, the musicians recorded live, unlocking a new energy altogether. “Normally, we write and record our parts individually, but the whole band decided to go old school and do everything together this time,” he goes on.

This line-up has been together for twelve years, and we gel so well. It’s cool because we can play off each other like a live show with funky bass, groovy guitars, and creative drum patterns. It translates to the album.” On the single “Prince of Fire,” glimmering keys give way to a hard-hitting guitar riff as Danny’s slick vocals seesaw atop a punchy bass line. “It’s actually one of the heaviest songs we’ve done, yet it’s got this super eighties mentality,” the front man reveals. “Lyrically, it’s about being perceived as the bad guy, even though you’re trying to do your best. You have good intentions, but sometimes you end up being the ‘Prince of Fire on night patrol’. Musically, it sways side-to-side, and then you’re crushed—which is a common theme for us.” Then, there’s “The Lamenting.” Seventies-style sonics dissolve in a haze of riffs offset by swooning vocals and synths. Distortion drowns out the light in its final moments. “You’re lamenting past loves and trying to let go and not wallow in those memories,” Danny elaborates. “There’s a bitter end that almost leaves you in the dark without pulling you out. It’s one of the most melancholic and sad songs on the album.” Meanwhile, “Ultraviolet” layers a hypnotic refrain above chugging guitar as growls pierce the groove before a hummable solo. “It’s about coping with the speed of modern society,” he states. “I like a fast-paced world, but it can be too much. You almost want to bury your head under your pillow and scream, ‘Slow down’. The expectations we have on each other as humans are just nuts. Sometimes, you need to become ultraviolet, duck under, and go, ‘No more for me, thanks’.” The finale “Gren (Fearless In Love)” concludes the album with a climactic crescendo pushed even higher by resounding melodies and nimble instrumentation. “When you’re in love, you have boundless energy and feelings for a person, which makes you almost invincible,” he elaborates. “There’s a huge vulnerability, because you’re not invincible at all. You’re totally susceptible to extreme hurt and letdown. There’s something beautiful about letting yourself go and fully experiencing being fearless though.” In the end, a similar creative boundlessness drives Voyager. “When you listen to Fearless In Love, I’d love for you to say, ‘I’ve never heard anything like this before’,” he leaves off. “Secondly, I hope you’re uplifted, intrigued, and emotional. We try take you on a journey through struggle, positivity, negativity, and a society that doesn’t always make sense. Maybe, listening to the record will make you feel better about dealing with this crazy modern world we’re living in.”

Line-up Danny Estrin – Vocals, Keytar Simone Dow – Guitars Alex Canion – Bass Scott Kay – Guitars Ash Doodkorte – Drums Cover artwork:  Ashley Doodkorte Follow Voyager: http://www.facebook.com/voyageraustralia https://www.instagram.com/voyagerau https://www.tiktok.com/voyagerau http://www.voyagerau.com https://twitter.com/Voyagerau https://voyager.bandcamp.com/ Shop:  https://redirect.season-of-mist.com/VoyagerFiL Stream/Download:  https://orcd.co/fearlessinlove

Photo by Mike Dann

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ABBA Voyage

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The Concert

ABBA Voyage is the long-awaited concert from one of the biggest pop acts of all time featuring a setlist of ABBA’s biggest, most popular hits – each handpicked with great care by the band.

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Experience a concert like no other

Agnetha, Björn, Benny and Anni-Frid have created the kind of concert they always wanted, performing for their fans at their very best: as digital versions of themselves backed by today’s finest musicians.

Blurring the lines between the physical and digital, see the magic of ABBA brought to life using the latest in motion capture technology.

It’s the greatest ABBA performance the world has never seen. Until now.

Concert Times

The concert is 90 minutes long and there is no interval. Doors open 1 hour 45 minutes before the start of the concert. The performance will start promptly and latecomers will not be admitted until a suitable break in the performance.

Please note adjusted performance times for Holiday, Christmas and New Year’s periods.

Frequently Asked Questions

What time should we arrive.

Please arrive an hour in advance of your concert start time to allow for ticket and security checks and any travel disruption on the day.

We endeavor for the concert to begin at the time as advertised on your ticket*. ABBA Voyage is a live concert experience, therefore it is subject to delays. If you need to make travel arrangements for after the show, please factor in the possibility of a delayed start time.

REGULAR SCHEDULE Monday – 7:45pm Thursday – 7:45pm Friday – 7:45pm Saturday – 3pm and 7:45pm Sunday – 1pm and 6pm

Latecomers will not be admitted until a suitable point in the concert

*There may be seasonal variations to show times – check your tickets for correct performance start time.

What’s the concert running time? 

The run time is approximately 90 minutes without an interval – so you can enjoy as much singing and dancing as possible.

Will ABBA be at the concert? 

The concert has been carefully planned by all 4 members of ABBA. Although not physically in the Arena, they have created the kind of concert they always wanted – blurring the lines between the real and the digital to give you the best version of themselves. Find out more  here .

What time does the Arena open? 

The arena opens at the following times ahead of each concert:

REGULAR SCHEDULE Monday – 6pm Thursday – 6pm Friday – 6pm Saturday – 1pm and 6pm Sunday – 11:15am and 4:15pm

Please arrive an hour in advance of your concert start time to allow for ticket and security checks and any travel disruption on the day. The concert begins promptly at the time as advertised on your ticket* Latecomers will not be admitted until a suitable point in the concert

*There may be seasonal variations to timings

Are there any age restrictions? 

Although anyone can enjoy the music of ABBA, we recommend this event is suitable for those over 6 years old. Unfortunately, children under 3 will not be allowed into the venue. Those under 16 must be accompanied by an adult aged 18+ and may not sit or stand in the arena on their own. Anyone who appears to be under the age of 18 must present physical identification with photograph and date of birth (photocopies or photographs with not be accepted). The Dance Floor area is not recommended for anyone younger than 12.

View our recommended hotels.

On-site Merch

ABBA Voyage merchandise is available on site, both inside the ABBA Arena and at our shop at Pudding Mill Lane station.

VOYAGER / AU – ZRUŠENO

voyager music koncerty

Vážení fanoušci, koncert Voyager je, bohužel stejně jako celé turné kapely, ze zdravotních důvodů zrušený. Majitelům Obscure a GoOut e-ticketů budou peníze vráceny automaticky na účet. Pro vrácení peněz z Ticketmaster prosím kontaktujte pobočky, kde jste si lístky zakoupili. Děkujeme.

„Milá rozsáhlá hudební rodino, dnes se s vámi všemi musíme podělit o hořkosladkou zprávu. Dobrou zprávou je, že Dannyho chemoterapie zabírá, špatnou zprávou je, že jsme se rozhodli zrušit všechna živá vystoupení v roce 2024, abychom umožnili, aby chemoterapie pokračovala ve svých kouzlech, s nadějí, že Danny může pokračovat v #fvckcancer a znovu nabrat sílu.

Toto rozhodnutí jsme neudělali lehce. Jako kapela budeme i nadále aktivní v jiných směrech a vážíme si vaší další podpory. I když teď nemůžeme vyrazit na turné, máme rozdělanou spoustu dalších věcí a rok 2024 pro nás jako kapelu stále slibuje vzrušující rok a tvůrčí šťávy tečou proudem. Prosíme vás, abyste u svých poskytovatelů vstupenek požadovali vrácení peněz, a ještě jednou se omlouváme, že letos nemůžeme přijet do některého z měst ve vašem okolí. Máme vás všechny rádi,“ vzkazuje Team Voyager.

voyager music koncerty

Spojte se s námi

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be a part of the story

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IN INCUBATION UNDER THE SUPPORT AND GUIDANCE OF

voyager music koncerty

IN 1977, NASA LAUNCHED A PAIR OF UNMANNED VOYAGER SPACECRAFT ON A SCIENTIFIC "GRAND TOUR" OF THE SOLAR SYSTEM. EACH CRAFT WAS OUTFITTED WITH A "GOLDEN RECORD" OF MUSIC, GREETINGS, AND IMAGES OF LIFE ON EARTH TO CARRY BEYOND THE PLANETS INTO INTERSTELLAR SPACE.

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THIS IS THE STORY OF TWO VOYAGERS WHO MADE A RECORD AND TOOK IT ON TOUR.

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SAGUARO CITY MUSIC THEATRE is proud to partner with songwriter Cameron Hood (Ryanhood) in the development of his new work, Voyagers: A Space Rock Opera . Highly researched and richly allegorical, Voyagers is a sung-through musical about a pair of starry-eyed musicians who wrestle with ambition and belonging as they seek to earn a gold record by embarking on a grand tour inspired by NASA’s twin Voyager space probes.

Inhabiting a theatrical space between Pink Floyd's The Wall , Broadway's Hadestown , American Idiot , and Once: The Musical , Voyagers uses rock music storytelling, dramatic acting, and immersive visuals to explore the aches, dreams, and fears of two ambitious musicians. Their story is told symbolically through the actual mind-bending history, science, and sounds of NASA’s Voyager program.

Launched in 1977, the twin Voyager space probes are the farthest things humans have ever launched from Earth. They visited and studied all four outer planets—Jupiter, Saturn, Uranus, and Neptune—in a flight path officially called “The Grand Tour.” And they both carry a phonograph record nicknamed, “The Golden Record,” as a time capsule of life on Earth in case they are ever discovered a million years from now by another civilization somewhere out in the Milky Way.

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CAMERON HOOD is an award-winning songwriter, performer, and librettist from Tucson, AZ, who is passionate about exploring the arts’ ability to transform trauma. As one-half of the indie-folk duo Ryanhood , Hood has released 7 albums of original music, performed over 1000 shows in 3 countries and 47 US states, and been named, along with Ryan David Green, “Best Group/Duo” in the 2014 International Acoustic Music Awards. In 2017, Hood co-created a modern ballet about gangster John Dillinger with Ashley Bowman of Artifact Dance Project, called Surrounding Dillinger , which the Arizona Daily Star called, “Simply astounding.” In 2019, Hood spoke and performed with Green in a TEDx Talk called, “How Bad Things Can Make Us Good People.”

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THE FOLLOWING ARE SELECTIONS FROM  VOYAGERS,  WITH MUSICAL DEMOS AND ACCOMPANYING LIBRETTO

"the ballad of one and two".

One, two, one, two . . .

“There is the sister of my soul”

I remember thinking from the first two moments

“She is like me in a way I know

We could be gold”

I caught her eye at the JPL

Where there were rumors

Of a Mariner 11 and 12

But I told her that I planned to go

Beyond the belt

And she should go

The words she said to me

Have always stayed with me

Words she said to me before we broke

We fell in love and we left the ground

Burning through the stages at the speed of sound

Like we were Ganymede and Io

And Europa bound

Feeling bold

I’ve always been afraid to stay for too long

Afraid of missing out when the moment comes

But I don’t want to get too far ahead 

With this song

So here we go

"SELFLESS"

Oooooooh, oooooooh

When you’re young

There are a billion things to be

A Viking or a Pioneer

A scientist, an engineer 

A singing star, a great explorer

Who you are is so straightforward 

And like the sun

You know you’ll come up shining

But all too soon

Be yourself but also selfless

Always humble but never helpless

All too soon

Grateful, blessed, and never sad

Make best when things go bad

And like the moon

You choose the silver linings

What if what you want

Has gotten lost along the years?

Like a distant song

That you’ve forgotten how to hear

What if it’s not wrong to hope

Tthat someone will appear

To help you find it?

What does it take to find your place

To feel like you belong in all this space?

Is there a way to win the race

And not lose your soul?

Words she said to me

"ECLIPTIC BLUES"

ARCHIVAL AUDIO (TIMOTHY FERRIS)

“The galaxy, like most of the universe, is mostly empty space. The odds that you’re going to run into a planet or a star are very low. So, for the Voyager probe to be found, and for non-human intelligences to listen to the music someday, would probably require that they detect the presence of the probe, snare it, bring it in, and have a look. If they do that, they’ll find that everything on the space probe has a clear scientific purpose . . . except for the record.

The record has no function except to tell you, the alien, something about where it came from, who put it together, and about these odd things that we like — these musical passages that mean something to us.”

Beneath the sky

Far from town

The evening lights

Are coming out

We’re almost there

Just a little more—

Can you tell me what

What we’re looking for?

My father was

The local star

If not for us

He would’ve topped the charts

But he never did

And now he’s dead

I come out here

Look overhead

And I think that I was born

For something more than ordinary

I’ve been writing something

I’ve been hiding something

Quite exciting

Something gold

Now turn your head

To the side

And trace between

The brightest lights

The planets run

Chasing time

Around the sun

I close my eyes

And fly beyond

I don’t know why I’m telling you this—

Please, go on!

Well, I think that I was born

I think that everyone I know

Just goes in circles bending low

And I can’t see a thing

To keep me home

We could change our lives

People do it all the time

If you wanna change your life

Then change your eyes

ONE AND TWO

"THE SAME THREE STREETS"

Oh, hallelujah, there is so much to see

A couple hundred-billion stars in our own galaxy

And more unknown than known 

Swimming under this sea

But I drive the same three streets

I drive the same three streets, every week

In the waves and all the wonder

Of a humble heartbeat

And more unknown than known

Dreaming deep within me

But, yeah, I drive the same three streets

Why drive the same three streets, every week?

When it’s so wide

It’s so wide open!

So wide open!

For you and me

Oh hallelujah, there is so little time

Let’s make a record of it all

And I could sing at your side

We’ll find a way to leave

The weight of life behind

Instead of driving ‘round the same three streets

Crying ‘bout the same three streets, every week

Oh, hallelujah

Dream of leaving the ground

But my family needs me

And I can’t let them down

I’ve seen gravity pull everybody

Back to this town

Unless you let it be the thing

That pushing you out, there

ONE AND TWO Beyond the belt

Among the cloud…

Where it’s so wide open!

So wide open! 

"THE THREE-BODY PROBLEM"

ARCHIVAL AUDIO (GARY FLANDRO)

“This is actually the result of thousands of numerical calculations and trajectories looking for a possible outer planet mission. Astronomers have known, if you just fly past a planet you will gain or lose energy depending on which way you pass. We sometimes call that ‘gravity assist.’ It adds a tremendous boost of energy. And I wanna go past Jupiter — I get a tremendous slingshot effect — we get to Saturn and you gain a huge boost and you can get, then, to Uranus really quickly. And then on to Neptune. And then we’re on the way out of the solar system. And that’s when you go interstellar, at that point. 

“And I could see something really remarkable here: all of the tracks of the outer planets crossed. The planets were all on the same side of the Sun. And you could probably get one spacecraft that could hit all of those planets. But the real problem here is that that only recurs every one-hundred and seventy-five years. So if you miss this one you’ve lost it, because last time this opportunity ever came was when Thomas Jefferson was president and he muffed it! We knew it would work, no problem. Just getting the money to do it was the hard part.”

"THE GRAND TOUR"

When in the course of ecliptic events

Once in a century, once in two

The planets align in a spiral design 

And the freedom you dreamed of comes into view

When in the course of your family history

You can succeed where others have tried

And you get to be a part of the dream

Of makers of music, all worlds and times

It’s time to go

So we’ve got a dish

And we’ve got all the instruments

Sagan and Stone want us out on the road

We’re making the record, we’re taking it with us

We’re taking the pictures

And sending them home 

It’s time to go!

When in the face of your great assurance

What makes you so nervous

You don’t quite know

She kisses the air, she says—

I’ll meet you there

I’ll pack a couple things

And see you at the show

ARCHIVAL AUDIO (HUGH HARRIS)

". . . Four, three, two, one. We have ignition and we have liftoff. We have liftoff of the Titan-Centaur carrying the first of two Voyager spacecraft to extend man’s senses farther into the solar system than ever before."

"CAPE CANAVERAL DAY"

“This is Voyager launch control, approximately 3 minutes remain in that built-in hold. Surface winds are 5 knots out of the southwest. The maximum winds at altitude are 45 knots out of the northeast, at 92,000 feet. The temperature at launch time should be about 80 degrees. All continues to go well heading for liftoff of Voyager 1 from Complex 41 at 8:56 AM.”

The air was warm

The day was golden

For being born again

By mid-morning

Shaking off the ice

From the womb of night

And an unlived life

The crowd came down to Kennedy

To see it all up close 

Turn on, turn on!

Counting down to see the smoke

And feel the life below

I believe I was conceived and born

In Pasadena where the air is warm

But our lives will change

On Cape Canaveral Day

Let’s get born

And get unfolded

Stretch our arms, find our star

And by the evening

I’ll be on my way

And now it’s time to play

I’ll count us in

1, 2, 3, 4…

Welcome down to Kennedy

In California, in the swarm

But life will change

“. . . Ten, nine, eight, seven, six, five, four, three, two, one . . . We have ignition and we have liftoff.”

"GOODNIGHT MOONLIGHT"

So long, little Mercury

You may be missing me, but I won’t be

Goodnight, to the evening light

Venus shining bright from the horizon

And Mars, Mars, Mars

I’m only missing you by a month or two

Goodnight moonlight

I love you, but I’m leaving you tonight

Farewell, to the ocean blue

I know I’m seeing you for the last time

And goodbye, Ma, I won’t forget to write

But I’ve crossed the Karman Line

And it’s my time

You’ll try to call me home, but I won’t go

Goodnight moonlight 

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MAKE YOUR TAX-DEDUCTIBLE DONATION NOW AND HELP LAUNCH VOYAGERS

WHAT WE NEED

Saguaro City is looking for your financial support to provide Cameron and his innovative new musical the "space" to explore, the talent  with  which to explore , and the time to fully realize this incredible  vision onstage.

Your donation will go to support:

Rehearsal Space

Props and Scenic Elements

Musical Development

WORKSHOPS & AWARDS

APRIL 2024 Workshop #3 (feat. James Kelley Carroll & Samantha Beemer)

JUNE 2023 Workshop #2 (feat. James Kelley Carroll & Samantha Beemer)

JUNE 2023 Awarded: Project Mesquite New Works Grant by Arts Foundation for Tucson and Southern Arizona

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OCTOBER–NOVEMBER 2022 Workshop #1(feat. Xander Mason & Celeste Lewis)

AUGUST 2022 Fundraising Lyric Videos Created (feat. Cameron Hood & Lisa Gollenberg)

MARCH 2022 Awarded: Research & Development Grant by Arizona Commission on the Arts

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NOVEMBER 2019 First Public Performance of a Song from Voyagers (feat. Cameron Hood)

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SAGUARO CITY MUSIC THEATRE

is a 501(c)3 organization

NASA, California Institute of Technology, and Jet Propulsion Laboratory Page Header Title

  • The Contents
  • The Making of
  • Where Are They Now
  • Frequently Asked Questions
  • Q & A with Ed Stone

golden record

Where are they now.

  • frequently asked questions
  • Q&A with Ed Stone

golden record  /  whats on the record

Music from earth.

The following music was included on the Voyager record.

  • Bach, Brandenburg Concerto No. 2 in F. First Movement, Munich Bach Orchestra, Karl Richter, conductor. 4:40
  • Java, court gamelan, "Kinds of Flowers," recorded by Robert Brown. 4:43
  • Senegal, percussion, recorded by Charles Duvelle. 2:08
  • Zaire, Pygmy girls' initiation song, recorded by Colin Turnbull. 0:56
  • Australia, Aborigine songs, "Morning Star" and "Devil Bird," recorded by Sandra LeBrun Holmes. 1:26
  • Mexico, "El Cascabel," performed by Lorenzo Barcelata and the Mariachi México. 3:14
  • "Johnny B. Goode," written and performed by Chuck Berry. 2:38
  • New Guinea, men's house song, recorded by Robert MacLennan. 1:20
  • Japan, shakuhachi, "Tsuru No Sugomori" ("Crane's Nest,") performed by Goro Yamaguchi. 4:51
  • Bach, "Gavotte en rondeaux" from the Partita No. 3 in E major for Violin, performed by Arthur Grumiaux. 2:55
  • Mozart, The Magic Flute, Queen of the Night aria, no. 14. Edda Moser, soprano. Bavarian State Opera, Munich, Wolfgang Sawallisch, conductor. 2:55
  • Georgian S.S.R., chorus, "Tchakrulo," collected by Radio Moscow. 2:18
  • Peru, panpipes and drum, collected by Casa de la Cultura, Lima. 0:52
  • "Melancholy Blues," performed by Louis Armstrong and his Hot Seven. 3:05
  • Azerbaijan S.S.R., bagpipes, recorded by Radio Moscow. 2:30
  • Stravinsky, Rite of Spring, Sacrificial Dance, Columbia Symphony Orchestra, Igor Stravinsky, conductor. 4:35
  • Bach, The Well-Tempered Clavier, Book 2, Prelude and Fugue in C, No.1. Glenn Gould, piano. 4:48
  • Beethoven, Fifth Symphony, First Movement, the Philharmonia Orchestra, Otto Klemperer, conductor. 7:20
  • Bulgaria, "Izlel je Delyo Hagdutin," sung by Valya Balkanska. 4:59
  • Navajo Indians, Night Chant, recorded by Willard Rhodes. 0:57
  • Holborne, Paueans, Galliards, Almains and Other Short Aeirs, "The Fairie Round," performed by David Munrow and the Early Music Consort of London. 1:17
  • Solomon Islands, panpipes, collected by the Solomon Islands Broadcasting Service. 1:12
  • Peru, wedding song, recorded by John Cohen. 0:38
  • China, ch'in, "Flowing Streams," performed by Kuan P'ing-hu. 7:37
  • India, raga, "Jaat Kahan Ho," sung by Surshri Kesar Bai Kerkar. 3:30
  • "Dark Was the Night," written and performed by Blind Willie Johnson. 3:15
  • Beethoven, String Quartet No. 13 in B flat, Opus 130, Cavatina, performed by Budapest String Quartet. 6:37

Voyager Music

18 OCTOBER, 2024

PURE DANCFLOOR LOVE

22:00-03:00

Voyager, real name Matthäus Merkel, was born in 2004 and raised in the canton of Grisons. He had contact with music at an early age, learned various instruments and had a great interest in it. Since 2017, he has been attending the Graubünden Cantonal School. There he also played bass and keyboard in the band Kanti-s-wings. In 2020 he discovered electronic music production. He started producing trap beats. Later he added music genres like house, pop and disco. Some of his productions are available on various streaming platforms. From there on the step to DJing was not big anymore. Since then Voyager can be found at private events and clubs.

voyager music koncerty

DJ PERFORMANCE

Clubs • Private Events

voyager music koncerty

Vocal/Band recording and editing • ADR

voyager music koncerty

Musicproduction • Instrumentals & Beats

voyager music koncerty

Get In Touch

Email Address

Music Projects

One vision (live queen cover by kanti-s-wings, mix by voyager), rock with you (live michael jackson cover by kanti-s-wings, mix by voyager), englishman in new york (live sting cover by kanti-s-wings, mix by voyager), groove journey (with elio banzer, jan schrtenleib and robin camenisch).

by Voyager IV, Elio Banzer, Jan Schertenleib, Robin Camenisch

I'll Find You (House)

Tempo (house).

by Voyager IV

PARTY CHOR RUMANTSCH '23

CHUR 💿 30.06.2023 💿 Loucy Chur

Chur 💿 Since 2024 💿 Diverse Events

Cool Days Hot Nights

Savognin 💿 17.2.2024 💿 UG Savognin

LA COLURADA

SAGOGN 💿 04.11.2023 💿 UG Sagogn

KANTIBALL 2024

CHUR 💿 06.04.2024 💿 Bündner kantonsschule

CLUBING ILANZ WEST

ILANZ 💿 20.04.2024 💿 COOP Ilanz

TSCHAPI MANIIIE 2024

Domat/Ems 💿 13.1.2024 💿 Tschapatalpas

PARTY CHOR RUMaNTSCH '22

CHUR 💿 22.12.2022 💿 Party Chor Rumantsch, Loucy Chur

KANTIBALL 2023

CHUR 💿 01.04.2023 💿 Bündner kantonsschule

COMMENTS

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  17. The Concert

    The arena opens at the following times ahead of each concert: REGULAR SCHEDULE Monday - 6pm Thursday - 6pm Friday - 6pm Saturday - 1pm and 6pm Sunday - 11:15am and 4:15pm. Please arrive an hour in advance of your concert start time to allow for ticket and security checks and any travel disruption on the day. The concert begins promptly at the time as advertised on your ticket*

  18. VOYAGER / AU

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  23. Home

    Voyager, real name Matthäus Merkel, was born in 2004 and raised in the canton of Grisons. He had contact with music at an early age, learned various instruments and had a great interest in it. Since 2017, he has been attending the Graubünden Cantonal School. There he also played bass and keyboard in the band Kanti-s-wings.