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Star Trek: Discovery - Season 1

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After a century of silence, war erupts between the Federation and Klingon Empire, with a disgraced Starfleet officer at the center of the conflict.

15 Episodes

S1 e1 - the vulcan hello, s1 e2 - battle at the binary stars, s1 e3 - context is for kings, s1 e4 - the butcher's knife cares not for the lamb's cry, s1 e5 - choose your pain, s1 e6 - lethe, s1 e7 - magic to make the sanest man go mad, s1 e8 - si vis pacem, para bellum, s1 e9 - into the forest i go, s1 e10 - despite yourself, s1 e11 - the wolf inside, s1 e12 - vaulting ambition, s1 e13 - what's past is prologue, s1 e14 - the war without, the war within, s1 e15 - will you take my hand, where does star trek: discovery rank today the justwatch daily streaming charts are calculated by user activity within the last 24 hours. this includes clicking on a streaming offer, adding a title to a watchlist, and marking a title as 'seen'. this includes data from ~1.3 million movie & tv show fans per day..

Streaming charts last updated: 9:18:51 PM, 04/25/2024

Star Trek: Discovery is 391 on the JustWatch Daily Streaming Charts today. The TV show has moved up the charts by 67 places since yesterday. In the United States, it is currently more popular than Going Home with Tyler Cameron but less popular than Fringe.

Streaming Charts The JustWatch Daily Streaming Charts are calculated by user activity within the last 24 hours. This includes clicking on a streaming offer, adding a title to a watchlist, and marking a title as 'seen'. This includes data from ~1.3 million movie & TV show fans per day.

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Star Trek: Discovery

The fifth and final season of Star Trek: Discovery finds Captain Burnham and the crew of the U.S.S. Discovery uncovering a mystery that will send them on an epic adventure across the galaxy to find an ancient power whose very existence has been deliberately hidden for centuries. But there are others on the hunt as well … dangerous foes who are desperate to claim the prize for themselves and will stop at nothing to get it.

Star Trek: Discovery Seasons 1-4 are streaming exclusively on Paramount+ in the U.S., the UK, Canada, Switzerland, South Korea, Latin America, Germany, France, Italy, Australia and Austria. Seasons 2 and 3 also are available on the Pluto TV “Star Trek” channel in Switzerland, Germany and Austria. The series streams on Super Drama in Japan, TVNZ in New Zealand, and SkyShowtime in Spain, Portugal, Poland, The Nordics, The Netherlands, and Central and Eastern Europe and also airs on Cosmote TV in Greece. The series is distributed by Paramount Global Content Distribution.

Season four of Star Trek: Discovery finds Captain Burnham and the crew of the U.S.S. Discovery facing a threat unlike any they’ve ever encountered. With Federation and non-Federation worlds alike feeling the impact, they must confront the unknown and work together to ensure a hopeful future for all.

Follow the voyages of Starfleet on their missions to discover new worlds and lifeforms, and one Starfleet officer, Michael Burnham, who learns that to truly understand all things alien, she must first understand herself.

Cast of Characters

As Passover brought 10 plagues to test Pharaoh, so too did The Original Series test the crew of the Enterprise!

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DIS Season 1

• View history

This page contains information specifically pertaining to the first season of Star Trek: Discovery , whose episode premieres were consecutively streamed on CBS All Access for the USA and broadcast on Space / Z for Canada from 24 September 2017 through 11 February 2018 , with the rest of the world following suit with one day delay through streaming service Netflix .

• 3 Background information
• 5.1.1 Special guest star
• 5.2.1 L.A. Unit
• 5.2.2 Jordan Unit
• 5.3.1 Unconfirmed
• 5.3.2 Production companies
• 7 External links

Episodes [ ]

Summary [ ], background information [ ].

• On 20 September 2016, CBS president Les Moonves boasted in a Variety interview that he had convinced streaming service Netflix to pay for all production costs of Discovery , sight unseen, in return for the worldwide exclusive streaming rights, North-America excluded. [1]
• Principal photography for the season began on 24 January 2017 , [2] and wrapped on 11 October 2017 . [3]
• Unlike previous Star Trek series, CBS All Access promoted the first nine episodes as "Chapter One", which concluded with " Into the Forest I Go " and was billed as the "Fall Finale". The remaining episodes of the season, which resumed with " Despite Yourself ", are collectively referred to as "Chapter Two".
• The title of " Descent " was shown during its teaser instead of act one; however, Discovery does not show title cards at all.
• On 29 August 2018 it was reported by Variety that each first season episode had a production cost-price attached to it of US$8 – 8.5 million, [4] the US$8 million figure also reported by the Los Angeles Times on 23 September. [5] This was already on 5 September implicitly conceded by CBS Television Studios itself, when the Variety figures were ad verbatim quoted on the CBS-owned ComicBook.com website , additionally stating that the show was therefore "one of the most expensive in television history". [6]
• The Los Angeles Times article also reported that Netflix paid US$6 million per episode for the exclusive worldwide streaming rights, dispelling internet rumors that have surfaced a short time later on social media, claiming that a by CBS overcharged Netflix had in effect paid for the series first season production in its entirety, [7] a claim that was also reiterated in a May 2018 editorial of financial magazine Forbes , [8] and contradicting the claim Moonves had made back in September 2016. Still, the 75% lion share of the first season production costs was covered by the license fee paid for by Netflix. While there were differences, this was not an entirely new phenomenon for Star Trek ; when broadcaster NBC picked up Star Trek: The Original Series in February 1966 for airing, they agreed to pay a license fee that consisted of two-thirds of the budgeted (and not a cent beyond) per episode production costs, followed – contrary to Netflix's lump sum payment for a license covering a pre-negotiated time period – by half of the original fee for each subsequent rerun by the broadcaster. ( These Are the Voyages: TOS Season One , 1st ed, pp. 38-39)
• The same Variety article has divulged the Klingon starship sets coming in at a cost of US$3 million.
• Characters which ' cross over ' from other incarnations of Star Trek : Sarek (" The Vulcan Hello "), Harry Mudd (" Choose Your Pain "), Amanda Grayson (" Lethe "), and the human version of Stella Mudd (" Magic to Make the Sanest Man Go Mad ").

Reception [ ]

The critical review site Rotten Tomatoes has given the first season of Discovery a score of eighty-three percent, with an average rating of 7.07 out of ten. However, it has also recorded an audience score of fifty-two percent, with an average rating of three out of five, indicative of a rift developing between critics and viewers/fans. [9] Rotten Tomatoes' audience findings were corroborated by the customer reviews on Amazon.com showing a very similar audience rating, but also an approximate and rather sharp sixty-forty like/dislike divide within the viewership/fanbase itself. [10]

Additionally, the critical review site Metacritic has further corroborated Rotten Tomatoes' critical findings by quoting a slightly higher seventy-two percent critics rating score for the first season – against Tomatoes' seventy-point-o-seven percent average rating – but also reported a more substantially lower viewership rating of four-point-six out of ten, along the same lines as reported by Amazon, but now with the like/dislike divide showing a rough fifty-fifty split. [11]

The sharp like/dislike divide provided an indication that the once more-or-less homogeneous Star Trek fanbase had become split, a development that had started with the advent of the alternate reality Star Trek films in 2009, with the discourse over Discovery waged with such vehemence on social media, that it baffled outside observers. [12] In an effort to explain the phenomenon after-the-fact in regard to Discovery , some critics likened this split in " Trekdom " to the divided response to the 2017 Star Wars film The Last Jedi , with a fandom previously assumed to have been dominated by white males, supposedly resisting and/or resenting the perceived centering of women and people of color. [13] [14] [15] [16] [17] In the process these critics solely focused on Star Trek: The Original Series and Star Trek: The Next Generation , thereby conveniently bypassing the fact that the primary cast of Star Trek: Deep Space Nine was headed by an Afro-American male , whereas that of Star Trek: Voyager was headed by a female captain , with both series having been fairly well received by fandom in their day – particularly by people of color in the former case, and by women in the latter case – , the then relatively small, in comparison to Discovery , dissenting part of "Trekdom" notwithstanding, for reasons entirely unrelated to racial/gender bias. [18] [19] In the UK, Voyager even became the most rewatched Star Trek series on Netflix by the time Discovery premiered. [20]

Former VAM producer (and Original Series fan) Robert Meyer Burnett , coining himself a "canonista", sided with those fans, critical of the series for what they themselves perceived as canon /( Roddenberry ) philosophy/ (visual) continuity violations. [21] [22] Despite their assurances and emphatic assertions to the contrary shortly before the series debuted, [23] Burnett flat-out accused the Discovery producers in a podcast, put online on 3 March 2019, of not caring about Star Trek canon, and has cited Star Trek: The Motion Picture as a prime counterpoint example of reverence towards canon. Burnett was in particular enraged over a 2 November 2018 retweet from CBS Consumer Products head John Van Citters in which he had enigmatically postulated in response to the persistent fan accusations of canon violations, " WHAT IF...the multiverse is real and ALL Star Trek stories are canon?? " [24]

In the same podcast, Burnett also expressed his reservations about the "bad science" employed in the series, likening it to " Alice in Wonderland " and coining the series a "maddening cartoonish, dumbed down" version of Star Trek , even though he did concede that it was well made where visual quality was concerned. In this, Meyer echoed the stance taken by astrophysicist and science communicator Neil deGrasse Tyson – one of the first real world scientists speaking out against the dodgy science employed in Discovery , already in a 25 November 2017 blog entry on his StarTalk podcast website – , particularly where the "absurdity" of spore drive was concerned, pitting it against the scientific theoretical plausibility of warp drive as employed in Roddenberry / Berman-era Star Trek (scientific plausibility had been a prerogative for Roddenberry when he conceived his creation). [25] Tyson was later quoted ad verbatim from his 2017 book Astrophysics for People in a Hurry when Spock entered the quote " The universe is under no obligation to make sense to me " in his personal log . ( DIS : " Such Sweet Sorrow, Part 2 ") It has yet to be confirmed whether or not the Discovery writers included Tyson's quote in retaliation of his outspoken stance against the series. Incidentally, like all Star Trek series preceding it, Discovery does employ a science consultant , Anthony Maranville . Ironically, longserving Berman-era science consultant André Bormanis is as such employed by rival franchise The Orville .

Announced and launched with much fanfare, industry award nomination announcements have followed suit in the wake of the series' first season, such as for the 2018 GLAAD Media Award on 19 January 2018 , [26] five Saturn Awards on 27 June 2018 , [27] and two of the prestigious Emmy Awards on 12 July 2018 . [28]

CBS Broadcasting made substantial efforts in the form of an elaborate mailer, online videos, social media, outdoor campaign and multiple events, to gain traction for their Emmy Award nomination chances, [29] [30] to no avail as it turned out as; much to their disappointment, only two nominations in minor technical categories were secured, neither of which won. Despite the efforts made, the series was not considered for any of the hoped-for major, or artistic, Emmy Awards; the ones in the various acting categories in particular none of the Star Trek television shows had ever won or had even been nominated for, when discounting three "Best Supporting Actor" nominations that Leonard Nimoy had received between 1967 and 1969. Adding insult to injury for Discovery was that the heavily Star Trek -inspired fourth-season episode "USS Callister ", of the British Channel 4 cautionary tale anthology series Black Mirror , was alone nominated for six out of eight fourth-season Emmy Awards, most of them in the major categories, of which it won no less than four, including the most prestigious one of them all, for "Outstanding Television Movie". [31] [32] However, Star Trek did win a consolation Emmy Award that year, the honorary "Governors Award", but that was for the entire television franchise , of which Discovery was at that point in time only a small part as "the new kid on the block". That award, though, was not presented at the highly publicized glamorous major Emmy Award ceremony, where Black Mirror received its, but at the as-usual virtually unnoticed "Creative Arts Emmys Show", the weekend prior to the "real" ceremony. [33]

Meanwhile, the Saturn Awards had started to distinguish between productions for (classic) television and those for streaming services , which applied for Discovery . This was exemplified by the circumstance that Seth MacFarlane 's Star Trek: The Next Generation -inspired science fiction series The Orville – which was rapidly becoming a franchise competitor – had won a "Best Series" award for its first season, though in its case in the original "Best Science Fiction Television Series" category.

In total, the first season of Discovery was nominated for twenty-three industry awards, of which it won three.

Credits [ ]

Starring [ ], special guest star [ ], l.a. unit [ ], jordan unit [ ], uncredited [ ].

• Marina Abramyan – Art Department Coordinator: L.A. Unit ("The Vulcan Hello")
• Sinan Marc Akdemir – Junior 3D Generalist: Pixomondo
• Dave Axford – Sculpture and Mould shop Artist
• Henry Banger Benvenuti – Scenic Painter
• Derek Barnes – Stunt Safety ("Si Vis Pacem, Para Bellum", "Into the Forest I Go", "The Wolf Inside", "Vaulting Ambition", "What's Past Is Prologue", "Will You Take My Hand?")
• Pietro Berto – Character Artist
• Daniel Biagi – Assistant to Producers
• Matt Boardman – Render Coordinator/Graphic Artist: CBS Television Studios
• Blake Bolger – Costume Fabricator: Alchemy Studios
• Chris Bridges – Special Makeup Effects Artist
• Andrea Brown – Makeup Artist
• Steven Browning – Lead Modeler
• Chris Burgoyne – Makeup Artist
• Chris Byrne – Second Unit Director ("The Vulcan Hello")
• Roberto Campanella – Movement Coordinator/Creator
• Graham Chivers – Special Effects Makeup Artist
• Sophie Cloutier – Playback Operator
• Aaron Colman-Hayes – 3D Artist and Scan Technician
• Heather Constable – Background Set Supervisor
• Michael R. Currie – Render Assistant: CBS Television Studios
• Natalie Dale – Utility Stand-in
• Anton Demerjian – Second Assistant Camera Operator: Jordan Unit ("The Vulcan Hello")
• Pierre Drolet – 3D Modeler ("The Vulcan Hello"; "Battle at the Binary Stars"): CBS Television Studios (subcontractor)
• Joel Durham – Lead Texture Artist
• Rocky Faulkner – Key Special Effects Makeup Artist
• Adelaide Filippe – Concept Designer: FBFX ltd.
• Jordan Gagne – Composer: Additional Music
• Matthew Gore – Senior Visual Effects Producer ("The Vulcan Hello")
• Douglas E. Graves – VFX CG artist/digital model builder and texture artist ("The Vulcan Hello")
• Nour Halawani – Additional Sound Recordist: Jordan Unit ("The Vulcan Hello")
• Aaron Hamman – Modeling Supervisor
• Kevin Haney – Makeup Artist
• Adrian Hardy – Set Dresser ("Battle at the Binary Stars"–"The Butcher's Knife Cares Not for the Lamb's Cry")
• Christoph Hasche – Digital Compositor: MovieBrats Studios ("The Butcher's Knife Cares Not for the Lamb's Cry")
• Vic Holt – President 2CGVFX
• Phil Hope – Concept Designer
• Tim Kafka – Lighting Supervisor
• Jesse Kawzenuk – Main Unit Data Wrangler
• Alan G. Kelly – Additional Camera Operator/Steadicam Operator
• Andrew Kim – Senior Concept Illustrator ("The Vulcan Hello"–"Battle at the Binary Stars")
• Jessica Kirec – Set Production Assistant
• Mark Krentz – Associate CG Supervisor: Spin VFX /Senior VFX Artist
• Eryn Krueger Mekash – Special Makeup Effects Artist
• Kevin Lafferty – Line Producer/Producer
• Ray Lai – Concept Illustrator/Prop Designer
• Pat Lau – VFX Supervisor/Matte Painter
• Dennis Liddiard – Makeup Artist
• Daniel Hyun Lim – Senior Illustrator/Costume Concept Designer
• Julian Lojek – Lead Compositor: Pixomondo
• Peter Mabrucco – Assistant to V. Natali ("The Vulcan Hello")
• Sang Maier – Props Buyer
• Anne Marley – Travel Coordinator
• Sheilagh McGrory – Prosthetic Shop Assistant
• Mike Mekash – Special Effects Makeup Artist
• Samuel Michlap – Concept Designer: Klingon starships ("The Vulcan Hello")
• Divyansh Mittal – Digital Compositor: Pixomondo
• Bart Mixon – Special Effects Makeup Artist ("The Vulcan Hello")
• Michele Monaco – Special Effects Makeup Project Manager
• Jose Mora-Perez – Special Effects Makeup Sculptor: Alchemy Studios
• Alamgir Muhammad – Costume department
• Sébastien Nebout – Compositor: BUF
• Oksana Nedavniaya – Costume Illustrator/Costume Concept Artist
• Michael O'Brien – Art Director/Head Sculptor: Alchemy Studios
• Grant Pearmain – Sculptor: FBFX ltd.
• William Powlowski – Senior Visual Effects Supervisor
• Kevin Quattro – VFX/CG Supervisor
• Loretta Ramos – Producer
• Richard Redlefsen – Prosthetic Makeup Artist ("The Vulcan Hello"–"Battle at the Binary Stars")
• Kai Reimer-Watts – Technician
• Alejandro Reyes-Andreu – Set Dresser
• John Rouse – VFX Integration Supervisor: CBS Television Studios ("The Vulcan Hello")
• Matt Salib – Foley Artist
• Scott Schneider – Conceptual Set Designer/Specialist Set Designer
• Sheila Mia Seifi – Dental Prosthetics Head: Alchemy Studios (Klingon teeth)
• Den Serras – Pipeline Technical Artist
• Matthew Skrobalak – Executive in Charge of Casting
• Daniel Smallegange – Property Buyer
• Mike Smithson – Special Makeup Effects Artist ("The Vulcan Hello"–"Battle at the Binary Stars")
• Bruce Spaulding Fuller – Special Makeup Effects Artist ("The Vulcan Hello")
• Julie St-Louis – Stunt Safety ("The Butcher's Knife Cares Not for the Lamb's Cry", "The Wolf Inside")
• Mitch Suskin – Senior Visual Effects Supervisor: CBS Television Studios (June 2016-February 2017; pre-production)
• Alan Sutton – Fire Safety Coordinator
• Mack Sztaba – Concept Artist
• Hitesh Thadani – Compositor: Pixomondo
• Jan Thijs – Still Photographer
• Ella Thompson – Pre-Production Art Assistant
• Hugo Villasenor – Key Special Effects Makeup Artist
• Dan Walker – Concept Artist
• Matt Whelan – VFX Supervisor
• Clarissa Justine Wiggers – Makeup Artist
• Matthew Williamson – Animation Lead
• Quinn Woods-Robinson – Render Assistant
• Mark Wotton – Special Effects Costumer: Creature Effects Lab Tech
• Shane Zander – Special Effects Makeup Artist

Unconfirmed [ ]

• Karthik Adepu – Compositor: Pixomondo
• Xavier Allard – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• Indiana Allemang – Key Makeup Artist
• Wesley Alley – Assistant Chief Lighting Technician: Los Angeles Unit ("The Vulcan Hello")
• Wasili Angelopoulos – Costume Prop Maker: Spacesuits ("The Vulcan Hello")
• Jonathan Angus – Visual Effects Editor ("The Vulcan Hello")
• Berenice Antoine – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• Michael Armstrong – Dialect Coach for Shazad Latif
• Natalia Atlija – Trainee Assistant Art Director
• Nick Augustyn – Second Assistant/Trainee Art Director/Set Designer
• Shereen Baddour – Second Second Assistant Camera Operator: Jordan Unit ("The Vulcan Hello")
• Adam Baker – Animator ("The Butcher's Knife Cares Not for the Lamb's Cry")
• J. Cody Baker – Assistant Colorist ("The Vulcan Hello"–"Battle at the Binary Stars")
• Mike Barber – Visual Effects Editor ("Battle at the Binary Stars"–"Context Is for Kings")
• Tanya Batanau-Chuiko – Head Cutter ("The Vulcan Hello"–"Context Is for Kings")
• Patrick Baxter – Special Makeup Effects Artist
• Nicola Bendrey – Special Makeup Effects Artist
• Daniel Biagi – Assistant to Producer
• Brian Black – Scorpio Head Operator
• Christian Bobak – Craft Service
• Nicolas Bonnell – Visual Effects Producer: BUF ("Si Vis Pacem, Para Bellum")
• Leor Boshi – Set Decoration Coordinator
• Nicolas Bouf – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• Scotia Boyd – Prosthetics Crew ("The Vulcan Hello")
• Robert Branam – Video Assist Operator: L.A. Unit ("Battle at the Binary Stars")
• Steven Browning – CG Modeller
• Krista Burbidge – Makeup Artist
• Cavan Campbell &ndash: Rigging Electrician
• Scott Cannizzaro – ADR Mixer
• Ian Carre-Burritt – Set Lighting Technician: Los Angeles Unit ("Battle at the Binary Stars")
• Jean-Andre Carriere – Set Designer ("The Vulcan Hello"–"Battle at the Binary Stars")/Art Director ("Battle at the Binary Stars")
• Lauren Carson – Second Assistant C Camera Operator ("Battle at the Binary Stars"–"Choose Your Pain")
• Kevin Carter – Contact Lens Painter
• Olivier Cauwet – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• Joel Chambers – Digital Compositor
• Kathleen Vernice Chavez – Art Apprentice
• Michael Cherrington – Camera Crane Operator ("Battle at the Binary Stars"–"Choose Your Pain")
• Alfonso Chin – Visual Effects
• Allan Cooke – Special Makeup Effects Artist
• Faye Crasto – Special Makeup Effects Artist
• Xinyue Cui – Digital Compositor ("The Butcher's Knife Cares Not for the Lamb's Cry"–"Choose Your Pain")
• Pierre Debras – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• Grégoire Delzongle – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• Paul DeOliveira – Commpositing Supervisor: Spin VFX
• Sujoy Dey – Digital Compositor ("Magic to Make the Sanest Man Go Mad")
• Alanna Dickie – Contact Lens Technician
• John Dickenson – Illustrator ("The Butcher's Knife Cares Not for the Lamb's Cry")
• Emerson Doerksen – Sculptor ("The Vulcan Hello")
• Christophe Dupuis – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• Guillaume Dureux – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• Michael R. Edmund – Second Assistant Art Director/Scale Model Builder
• Marion Eloy – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• Elliott Elsey – ADR Recordist ("Battle at the Binary Stars")
• Dave Erlichman – A Camera Dolly Grip
• Eric Felland – Set Lighting Technician: Los Angeles Unit ("Battle at the Binary Stars")
• Cory Fisher – Special Makeup Effects Artist: Alchemy Studios
• Henry Fong – Key Costume Illustrator ("The Butcher's Knife Cares Not for the Lamb's Cry")
• Alissa Gee – Prosthetic Effects Technician
• J.P. Giamos – VFX Producer: Spin VFX
• Blake Goedde – VFX Lead ("The Vulcan Hello"–"Choose Your Pain")
• Alexandria Goldman – Textile Artist
• Javier Gonzalez – Specialty Costume Manufacturer
• Florian Gourdin – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• Jonathan Graham – Assistant Head Sculptor
• Bryan Haines – Digital Compositoor ("The Vulcan Hello")
• Meriam Hamila – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• Tanya Hart – Props Buyer ("The Butcher's Knife Cares Not for the Lamb's Cry"–"Choose Your Pain")
• Joanna Tracey Heaton – Daily Scenic ("The Vulcan Hello")
• Sean Heissinger – ADR Editor ("Magic to Make the Sanest Man Go Mad")
• Kirstin Herbst – Trainee Assistant Art Director/Second Assistant Illustrator
• Tashan Hira – Construction Buyer
• Alex Hirtenstein – Matte Painter: Concept Artist
• Mitch Hounslow – Visual Effects Editor: Spin VFX
• Rory James – Assistant Director
• Tex Kadonaga – Set Designer ("The Vulcan Hello"–"Context Is for Kings")
• Barry Kane – Chief Technical Officer: Spin VFX
• Jesse Kawzenuk – Lead Data Wrangler
• J.R. Kenny – Special Effects Technician
• May Khalili – Assistant Art Director: Jordan ("The Vulcan Hello")
• Hanadi Khurma – Costumer Crepusculans : Jordan Unit ("The Vulcan Hello")
• Olga Kirnos – Assistant Makeup Artist
• Zane Knisely – Special Makeup Effects Artist ("The Vulcan Hello"–"The Butcher's Knife Cares Not for the Lamb's Cry")
• Claire Koonce – Casting Associate
• Laura Krause – Previs Modeler: Pixomondo
• Abhishek Kukreti – Digital Compositor ("The Vulcan Hello"–"Battle at the Binary Stars")
• Romane Landrieux – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• Johnny Larocque – Special Effects Technician
• Derek Ledbetter – Compositing Supervisor ("The Vulcan Hello")
• Wing Lee – Costume Cutter
• Yulia Levitas – Compositor: Spin VFX
• Drew Longland &ndash: Special Effects Technician
• Renaud Louvet – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• Kristi Lugo – Casting Assistant ("The Vulcan Hello")
• Sandrine Lurde – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• Sang Maier – Property Buyer
• Jennifer Maillet – Digital Compositor
• Pierre-Yves Marin – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• Aurélien Marquaille – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• Arthur Marx – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• Saurabh Maurya – Lead CG Artist
• Colin Mayne – Matte Painter ("The Vulcan Hello")
• Matt McClurg – Previsualization Creative Supervisor: Pixomondo
• Rachel McIntire – Dailies Technician: Los Angeles Unit ("Battle at the Binary Stars")
• Lisa McNeil – Second Unit Script Supervisor ("The Vulcan Hello")
• Kyle Menzies – VFX Supervisor: Spin VFX
• Carl Michaloski – Sculptor/Mouldmaker ("The Vulcan Hello")
• Robert Murdoch – Camera Trainee
• Geoffrey Niquet – Visual Effects Supervisor: BUF ("Si Vis Pacem, Para Bellum")
• Cem Olcer – Visual Effects Supervisor: BUF ("Si Vis Pacem, Para Bellum")
• Graham Penny – Data Wrangler
• Nick Petoyan – Post Production Production Assistant
• Regina Petrik – Driver
• Tijana Petrovic – Art Apprentice
• Félix Pirritano – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• Thibault Plancq – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• Michelle Poirier – Assistant Property Master ("The Vulcan Hello")
• Corinna Porsia – First Assistant Art Director
• Matthew Porteous – Sound Utility/Boom Operator
• Thomas Pringle – Concept Artist
• Andrew Read – Lighting Console Programmer
• Cecily Rhett – Editor
• Antonio Ribeiro – Digital Compositor: Spin VFX
• Mike Rotella – Sculptor: Creature Effects
• Mikaiel Russ – Digital Compositor ("The Vulcan Hello")
• Jawed J.S. – Set Dresser ("The Vulcan Hello")/Set Decorator
• Balthazar Sahel – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• Michael Saintsbury – Special Effects Technician/Grip
• Jean-Marc Saldini – Additional Focus Puller
• Nagita Salsberry – Special Effects Artist ("The Vulcan Hello"–"Battle at the Binary Stars")
• Adam Sauder – Board Operator
• Robert Schajer – VFX Producer: Buf ("Choose Your Pain")
• Marc Schatalow – Set Lighting Technician: Los Angeles Unit ("Battle at the Binary Stars")
• Jordan Schella – Rigging Electrician
• Emily M. Schoener – Casting Associate
• Alan Scott – Legacy Effects Supervisor ("The Vulcan Hello")
• Vanessa Shah – Scout ("The Vulcan Hello")
• Daryl Shail – Visual Effects Producer
• Jaclyn Shoub – Set Decoration Buyer
• Jesse Siglow – Visual Effects Artist ("The Vulcan Hello")
• Maria Simonelli – Assistant Property Master
• Diandra Soares – Set Production Assistant
• Callie Sorce – ADR Recordist ("Battle at the Binary Stars")
• Zeina Soufan – Costumer: Jordan Unit ("The Vulcan Hello")
• Kitty Spiropoulos – Production Accountant
• Mark Steel – Production Designer
• Justin Steptoe – Digital Imaging Technician: Los Angeles Unit ("Battle at the Binary Stars")
• Jeffrey Swarts – Construction Unit Driver
• Chloe Swintak – Set Dresser
• Michael Tanton – Visual Effects Editor and Project Coordinator
• Tom Tennisco – Visual Effects Coordinating Producer
• Cale Thomas – Makeup Artist: Alchemy Studio
• Sydney Allison Thomas – Visual Effects Editor
• Wayne Thomas – Textile Artist
• Sonja Toma – Set Dresser ("The Vulcan Hello")
• Joseph Tsai – Sound Editor ("Battle at the Binary Stars"–"The Butcher's Knife Cares Not for the Lamb's Cry")
• James Anthony Usas – Second Assistant Art Director/Set Designer
• Victor Utku Gocer – Compositor: Spin VFX
• David Uystpruyst – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• Brian Van Dorn – Special Effects Makeup Artist: Alchemy Studios
• Michael Van Fleet – Visual Effects Senior Systems Engineer
• Tyson Van Wagoner – Modeler ("The Vulcan Hello")
• Stephane Vogel – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• Cassidy Watkins – Clearance Coordinator
• Arnaud Watteau – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
• LuAndra Whitehurst – Special Makeup Effects Artist ("The Vulcan Hello"–"Battle at the Binary Stars")
• Aidan Whitworth – Sculptor
• Sheryl Willock &ndash: Costume Buyer
• Andrew N. Wong – Office Production Assistant: Los Angeles Unit ("Battle at the Binary Stars")
• Jennifer Wood – Set Decoration Buyer
• Samir Zaidan – Construction Manager ("Battle at the Binary Stars")
• Annabelle Zoellin – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")

Production companies [ ]

• 2CGVFX – Special Effects Company
• Creature Effects – Special Effects Company
• FBFX ltd. – Special Effects Company
• Gentle Giant Studios – 3D Scanning
• Legacy Effects – Visual Effects Company
• LRX Lighting – Grip and Lighting Equipment
• MovieBrats Studios
• Paul Jones Effects Studio
• Streak Productions Inc.

See also [ ]

• DIS Season 1 performers
• DIS Season 1 DVD
• DIS Season 1 Blu-ray

External links [ ]

• Star Trek: Discovery season 1 at Memory Beta , the wiki for licensed Star Trek works
• Star Trek Discovery Season 1 episode reviews  at Ex Astris Scientia

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Star Trek: Discovery: Season 1 Reviews

Far more emotional than other Trek shows, this is for those who wish to feel the big earnest emotion of a sci-fi epic while still peppering in enough moral quandaries to keep us engaged.

Full Review | Original Score: 7/10 | Feb 17, 2024

Following the first two episodes, Star Trek: Discovery gets off and running with a series that truly feels cinematic.

Full Review | Original Score: 4/5 | Apr 24, 2022

Star Trek: Discovery enjoys a fascinating first season, both in the context of its place in the television landscape and the historic Trek franchise as a whole.

Full Review | Original Score: 3.5/5 | Apr 2, 2022

We sat whiteknuckled through season one's mid-season finale, endured endless Mirror Universe pondering to reach an equally action-packed and satisfied S1 finale...

Full Review | Jul 28, 2021

But despite all that plot, what the show couldn't achieve was a satisfactory conclusion, be it for its full-season arc or with the cliff-hanger in the finale.

Full Review | Jul 3, 2020

This show has boldly tried re-inventing and updating Trek, and, after the first episode, it works.

Full Review | Nov 25, 2019

It leads to reflection, has well-defined characters, exciting battles and some moment of genuine wonder with the infinity of space. Pure 'Star Trek'. [Full Review in Spanish]

Full Review | Aug 10, 2019

It has been a good start, in which we had the chance to know great characters and I felt myself on board the ship. [Full Review in Spanish]

Full Review | Jul 30, 2019

The effects are suitably impressive, the characters and premise are compelling, and a clear effort has gone into producing something new and different that still upholds the spirit of hope and optimism the entire franchise embodies.

Full Review | Feb 1, 2019

This messy iteration is not what Trekkies deserve.

It was a risk to set a new Star Trek show several years before the events of the Original Series, but, as it turns out, it was a risk worth taking.

Full Review | Nov 16, 2018

The beauty alone is enough to support a debut episode that's very heavy on stiff dialogue and acting.

Full Review | Oct 19, 2018

Star Trek: Discovery seeks its own personality within the saga. And it's on its way to finding it. [Full Review in Spanish]

Full Review | Jul 9, 2018

We still maintain that the season was tremendously entertaining if not great fun all the way through.

Full Review | Jun 6, 2018

Discovery really wanted to end this season on a bunch of big emotional notes, reaffirming the ideals of the Federation as something to strive for, and end with a shot for fans to cheer for. It did not succeed.

Full Review | May 11, 2018

These new angles also let the writers make the conflicts on these shows more relatable.

Full Review | Mar 5, 2018

Still, Discovery ends its first season having earned the Star Trek prefix in its title. The show feels much as it did after its season premiere - as a series with more potential than proof - but also one with nigh-limitless, intriguing possibilities ahead

Full Review | Feb 14, 2018

And yet, the second half has shown glimmers of potential, with its ensemble settling into a more confident rapport and delving into deeper thematic material.

My only worry about a character driven series is that if you don't like the character, you're kind of screwed. And Michael Burnham is a polarizing character.

Full Review | Original Score: C+ | Feb 6, 2018

Star Trek doesn't leave any gaps. Nor, I expect, will it. We will see the aliens, see the distant worlds. Nothing will be figurative, nothing will be implied, there will be no endless, unseen mystery about which to thrill.

Full Review | Dec 29, 2017

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Den of Geek

Star Trek: Discovery Season 1 Episode Guide

Star Trek: Discovery has wrapped up Season 1! Relive the ride with our full episode guide and links to reviews...

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We’ve been waiting for Star Trek to return to its home (aka TV) for far too long, and now the franchise is back! Now that Season 1 is ending, we’re retiring this hub as a place you can come and check out all of our reviews from the first season.

Here’s our review of the season finale , and here’s what we think that crazy cliffhanger might mean .

Akiva Goldsman Defends “Darkness” of Star Trek: Discovery

Click on the blue links for a full review of the Star Trek: Discovery episode…

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Star Trek: Discovery Season 1 Episode 1 — The Vulcan Hello

We meet First Officer Michael Burnham and her co-workers and friends aboard the U.S.S. Shenzhou, under Captain Phillipa Georgiou’s command.

Original air date: 9/24/17

Star Trek: Discovery Season 1 Episode 2 — Battle at the Binary Stars

After an unexpected encounter with the Klingons, the U.S.S. Shenzhou attempts to avoid all-out war with the alien species.

Star Trek: Discovery Season 1 Episode 3 — Context is For Kings

Six months following the events of the Battle at Binary Stars, Burnham ends up on the U.S.S. Discovery, captained by the mysterious Captain Lorca.

Original air date: 10/1/17

Star Trek: Discovery Season 1 Episode 4 — The Butcher’s Knife Cares Not For the Lamb’s Cry

Burnham tries to determine the nature of a dangerous creature found on a Klingon ship as the war with the Klingons escalates.

Original air date: 10/8/17

Star Trek: Discovery Season 1 Episode 5 — Choose Your Pain

The crew of the Discovery has some tough choices to make when Captain Lorca is captured by a Klingon ship.

Original air date: 10/15/17

Star Trek: Discovery Season 1 Episode 6 — Lethe

Burnham rushes to save Sarek, while Lorca demonstrates how far he will go to win the war.

Original air date: 10/22/17

Star Trek: Discovery Season 1 Episode 7 — Magic to Make the Sanest Man Go Mad

Harry Mudd traps the Discovery in a time loop in an effort to capture the ship and sell it to the Klingons.

Original air date: 10/29/17

Star Trek: Discovery Season 1 Episode 8 — Si Vis Pacem, Para Bellum

Burnham, Tyler, and Saru contemplate peace during an away mission to a strange new world.

Original air date: 11/5/17

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Star Trek: Discovery Season 1 Episode 9 — Into the Forest I Go

The Discovery stands as Pahvo’s last hope when the Klingon Ship of Death responds to the Pahvans’ call for peace.

Original air date: 11/12/17

Star Trek: Discovery Season 1 Episode 10 — Despite Yourself

While in unfamiliar territory, the USS Discovery crew is forced to get creative in their next efforts to survive opposing and unprecedented forces and return home.

Original air date: 1/7/18

Star Trek: Discovery Season 1 Episode 11 — The Wolf Inside

Tyler is forced to confront the truth about himself, as Burnham works to get vital information from the resistance.

Original air date: 1/14/18

Star Trek: Discovery Season 1 Episode 12 — Vaulting Ambition

Burnham meets the emperor face-to-face, while Stamets searches for a way out of the mycelial network he’s become trapped inside of. 

Original air date: 1/21/18 

Star Trek: Discovery Season 1 Episode 13 — What’s Past Is Prologue

Michael, Saru, and the rest of the Discovery crew fight to return to their own universe with the help of an unlikely ally.

Original air date: 1/28/18

Star Trek: Discovery Season 1 Episode 14 — The War Without, The War Within

The crew of the Discovery return to the Prime universe to discover the Federation is losing the war with the Klingons.

Original air date: 2/4/18

Star Trek: Discovery Season 1 Episode 15 — Will You Take My Hand?

The Discovery travels to Quo’noS in an attempt to end the war with the Klingons.

Original air date: 2/11/18

Star Trek: Discovery Season 1 Trailers

If you’ve yet to watch Star Trek: Discovery and want to get a taste for the show, here’s the official trailer…

And another…

Star Trek: Discovery Season 1 Release Date

Star Trek: Discovery  launched Sunday, September 24th. 

Moving forward, all new episodes of the first season will be available exclusively on CBS All Access every Sunday at 8:30 p.m. ET.

Star Trek: Discovery is All About the Fight For the Federation’s Soul

Star Trek: Discovery Season 1 Timeline

Star Trek: Discovery  takes place ten years before the original  Star Trek  series. Make no mistake, though, this series is set firmly in the original timeline, not that of the new movies.

Star Trek: Discovery Timeline Breakdown

To learn more about the  Star Trek: Discovery  timeline and the status of Alpha Quadrant at the time of its story, check out this video from YouTube channel Templin Institute.

Star Trek: Discovery Cast

Let’s break down who all these characters are…

Discovery Crew

First Officer Michael Burnham (Sonequa Martin-Green)

Sonequa Martin-Green, best known as Sasha Williams in  The Walking Dead and Tamara in  Once Upon a Time ,plays Michael Burnham, a human who was mainly raised on Vulcan by Sarek following the deaths of her parents at the hand of the Klingons.

Cadet Sylvia Tilly (Mary Wiseman)

One of the breakout characters of Discovery has been Cadet Tilly, Burnham’s roommate, friend, and mentee. Tilly is a bit socially awkward, but makes up for it with enthusiasm, ambition, and heart.

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Saru (Doug Jones)

Doug Jones ( Pan’s Labyrinth ) plays Lt. Saru, a science officer. Saru is a new species of alien.

Speaking to  EW  about his character, Jones teased: 

[Producers] said Saru is the Spock of the series, he’s the Data of the series — and those are beloved characters that I always connect with whenever I would watch the past incarnations of  Star Trek . On  Falling Skies , I played an alien species who came to Earth to help the humans fight back the bad aliens who’d taken over, and I was intelligent, well-spoken, had a lot of answers and science-y smart. Saru is all of those things and then some.

Lieutenant Stamets (Anthony Rapp)

Rapp is Lt. Stamets, an astromycologist aboard the Discovery who is vital to the workings of the spore transportation drive.

Discovery  is first Star Trek series to feature openly gay characters in a relationship. Rapps’  Rent  co-star Wilson Cruz plays his character’s partner, Hugh.

Captain Lorca (Jason Isaacs)

Jason Isaacs plays the role of Captain Lorca, the military-minded captain of the Starship Discovery.

Lieutenant Tyler (Shazad Latif)

Shazad Latif ( Penny Dreadful ,  Toast of London ) plays Lieutenant Ash Tyler, a new member of the Discovery crew put in charge of security after escaping from a Klingon prison cell with Lorca. Ash is suspected by much of the internet of secretly being Klingon Voq, on board the Discovery as a spy.

Star Trek: Discovery Cast Talks Season 1 Romance

Dr. Hugh Culber (Wilson Cruz)

Wilson Cruz ( Rent ) plays medical officer, Dr. Hugh Culber. Culber is also Lt. Stamet’s romantic partner.

T’Kuvma (Chris Obi)

Chris Obi ( American Gods ,  Snow White and the Huntsman ) plays T’Kuvma, a Klingon seeking to unite the Klingon houses and Kol’s mentor.

L’Rell (Mary Chieffo)

Mary Chieffo portrays L’Rell. A former follower of T’Kuvma and current follower of Voq, she is currently undercover on Kol’s ship, though still seemingly loyal to Voq.

Kol (Kenneth Mitchell)

Kenneth Mitchell ( Frequency ,  The Astronaut Wives Club ) plays Klingon commander Kol, protege to T’Kuvma.

Captain Phillipa Georgiou (Michelle Yeoh)

Michelle Yeoh plays Captain Georgiou, the captain of the Starship Shenzhou and Burnham’s mentor.

Michelle Yeoh Will Be Back on Discovery

Sarek (James Frain)

James Frain plays Spock’s Vulcan father, Sarek. The character of Sarek has a long  Star Trek history, first appearing in  The Original Series before going on to make appearances in four of the  Star Trek movies,  Star Trek: The Animated Series ,  Star Trek: The Next   Generation , and in the 2009  Star Trek movie. 

In Discovery, Sarek is the adopted father of Michael Burnham.

Harry Mudd (Rainn Wilson)

Star Trek: Discovery is paying homage to  The Original Series with the return of fan-favorite conman character Harry Mudd. This version of Mudd first appeared in Episode 5 when he was in a Klingon prison cell with Lorca and Tyler.

Amanda Grayson (Mia Kirschner)

Mia Kirschner plays Amanda Grayson, aka Spock’s mom and Burnham’s adopted mother.

Admiral Kat Cornwell (Jayne Brook)

Jayne Brooks plays Admiral Kat Cornwell, a high-ranking member of Starfleet and one of Lorca’s oldest friends.

Star Trek: Discovery Production

Gretchen Berg and Aaron Harberts assumed the role of showrunners after Bryan Fuller stepped away from the show, with Akiva Goldsman getting a “top creative role.”

Alex Kurtzman also executive produces the new show, and had this to say about the process:

Bringing Star Trek back to television means returning it to its roots, and for years those roots flourished under Bryan’s devoted care. His encyclopedic knowledge of Trek canon is surpassed only by his love for Gene Roddenberry’s optimistic future, a vision that continues to guide us as we explore strange new worlds.

Kurtzman was previously one of the masterminds of the recent Star Trek films that were directed by J.J. Abrams. He co-wrote Star Trek   (2009) with Roberto Orci, and he also co-wrote  Star Trek into Darkness   (2013) with Orci and Damon Lindelof. 

Star Trek: Discovery — What Led to Bryan Fuller’s Exit

Nicholas Meyer, the director and uncredited co-screenwriter of The Wrath of Khan , will serve as a consulting producer on  Star Trek: Discovery . 

TrekMovie got the word  from Trek authority Larry Nemecek that  Star Trek: Discovery  has added two new writers: Aron Coleite ( Heroes ) and Joe Menosky (a Trek veteran with episodes of  Next Generation ,  Voyager , and  Deep Space Nine  to his name).

Other writers include: Ted Sullivan, Erika Lippoldt, Bo Yeon Kim, Craig Sweeney, Sean Cochran, and Tyler Dinucci.

— Jason Isaacs (@jasonsfolly) July 15, 2017

Star Trek: Discovery Filming

The new  Star Trek TV series boldly went where no other  Star Trek TV series has gone before: Toronto. Discocery is the first live-action  Star Trek TV show  not  to film in Southern California.

Production on season one began on January 24th, 2017 and went through September 2017.

Den of Geek Staff

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Star Trek: Discovery - Episode Guide - Season 1

The result was a season that Star Trek fans and science-fiction hardcores loved, but was likely a tad too geeky for the mainstream viewer. Two things, though: Despite its too-heavy reliance on complex story lines, it’s till the best season 1 of any ST series yet. And damn, those effects are awesome.

Star Trek: Discovery episode guide – Season 1, part 1

1. The Vulcan Hello . Welcome aboard the starship USS … Shenzhou? In an early deviation from the ST norm, Discovery’s first two episodes are a prologue of sorts telling of the rise and fall of promising former First Officer Michael Burnham. In this debut episode, Captain Georgiou (the Picard to Burnham’s Riker) urges her longtime Number One to take command of her own vessel. The personal story soon takes a backseat, however, when a number of Klingon ships advance on Federation territory.

Adding to the differences in Discovery may be added the amount of screen time given to a cadre of Klingon characters; at center is T’Kuvma, the ambitious reported inventor of cloaking technology. He seeks to unite the squabbling houses within the Klingon Empire in the fashion of the great hero Kahless. Naturally, not all of his would-be comrades see T’Kuvma as the proper leader for such a consolidation of power…***

2. Battle at the Binary Stars . Burnham’s attempt at mutiny, so as to take over the Shenzhou and respond to the Klingons as she’d been taught from Vulcan history, proves short-lived. However, Georgiou concocts an alternate plan which doesn’t go quite as successfully as planned. Suffice to say, a war is triggered and Burnham, at the speed of warp, becomes a pariah throughout the Federation. ****

3. Context is for Kings . Amid a bunch of generally pretty silly episode titles, “Context is for Kings” is king. After Discovery rescues Burnham’s prison transport ship from disaster, ship’s captain Gabriel Lorca employs Burnham to contribute to a “scientific” assignment which involves the subduing of a interstellar beastie big and bad enough to crush a shipful of Klingons. Impressed with her skills mentally and physically – Commander Landry oversees a “minor incident” involving another prisoner in what may or ay not have been a test – enough to grant her a temporary commission aboard Discovery. ***

4. The Butcher's Knife Cares not for the Lamb’s Cry . See what STG was saying (writing?) about episode titles? In this lengthily-named episode, Burnham and Lt. Stamets are ordered to implement a “spore drive” engine system which depends on living matter, i.e. the “Tardigrade” captured in the previous episode. (Sheesh, did none of these guys see the Voyager episode “Equinox”? Bad stuff happens when you do this…) Discovery employs the drive and successfully defends a Federation colony from a Klingon attack. ***

5. Choose Your Pain . Harry Mudd returns to the Star Trek universe … or rather is introduced into the … reintroduced? Damn, prequels are tough on grammar…

In any case, Lorca is captured by Klingons and imprisoned along with one Lt. Ash Tyler and the infamous swindler Mudd. After several rounds of the Klingon game “Choose Your Pain,” i.e. at torture o’clock, a random prisoner must choose who will get the Klingon workover. With the Tardigrade dying, Burnham, Stamets and Dr. Hugh Culbert must figure a way to work the spore drive without, in order to rescue the captain. Stamets replaces the creature and thus begins a slow David Bowman-like descent into groovy madness… ***

6. Lethe . Sarek’s ship is attacked by terrorists, and he’s left nearly dead aboard his ship. Burnahm, who is in deep mental-spiritual contact with her adopted father, convinces Lorca to let her go on a rescue mission. Together with new crewmate Tyler and Cadet Sylvia Tilly, they manage to maneuver closely enough to Sarek’s trapped ship so that Burnham can overcome his Matrix-like mental defenses, metaphorically slap him back into consciousness, and learn a bit about her past. ***

7. Magic to Make the Sanest Man Go Mad . Head trip for Burnham? Time paradox? The return of [redacted for spoilers]? Awesome. This is Discovery’s version of The Next Generation’s “Cause and Effect” and damn if it doesn’t feel enough like TNG to half-expect Commander Data to report on his level-3 diagnostic. Any ST fans not won over to Discovery by this episode lost their senses of humor probably sometime during season 3 of Enterprise. (Like so many of us did.) *****

8. Si Vis Pacem, Para Bellum . Since the universal translator apparently didn’t work on this episode title, STG can tell you it’s “If you want peace, prepare for war.” In Star Trek: Discovery’s first proper away-mission episode, Burnham, Tyler and Saru are sent to investigate an apparently natural phenomenon capable of broadcasting radio waves on a massive scale. Everything goes swimmingly until “new life” is found on the planet – and Saru’s behavior becomes disturbing for reasons we don’t learn until season 2 in “The Sound of Thunder”. ***

9. Into the Forest I Go . Many (many, not all) of season 1 storylines come to a head (not necessarily resolved, mind you) in episode 9. Among the story threads at play here are Admiral Cornwell’s fate, the future use of the spore drive, the discord among Klingons and Burnham’s personal road to redemption. Lorca finally – finally – gets to unleash his inner badass in a firefight with the Klingons and Lt. Stamets comes away as more of a hero than ever.

It all ends ominously with yet another character on death’s doorstep and the Discovery itself in territory unknown – though fairly obvious to those up on their ST history…***

Star Trek: Discovery episode guide – Season 1, part 2

10. Despite Yourself. The Discovery crew rapidly surmises they’re in a parallel universe and adapts accordingly. Tilly is fascinated to find out that she’s worked/killed her way up to captain already, and she bears the nickname Captain Killy. Burnham and Lorca get aboard the ISS Shenzhou, where the plan is for Burnham to reassume his counterpart’s command of the ship, passing Lorca off as her captive. Oh, and at the very moment when Dr. Culber starts acting like a proper Starfleet doctor, Tyler ices him, either due to his EEEEvil Klingon impulses or his sheer boredom of the character. ***

11. The Wolf Inside . Burnham and Tyler undertake a mission to destroy a rebel camp; among the rebels are Mirror-Universe versions of Sarek and Voq; upon seeing Voq, the penny finally drops for Tyler and he remembers all, nearly blowing Burnham’s chances at helping the rebels. Despite Burnham’s attempts to convince them to flee, they are wiped out from the air via the starship ISS Charon commanded by the Emperor of Earth, one Philippa Georgiou. ****

12. Vaulting Ambition . Onboard the Discovery, Stamets finally recovers – but not before he has a very trippy encounter with his mirror-universe counterpart within the mycelial network. Lorca’s true identity is revealed – though, again, guessed by most fans beforehand – after a long series of carefully maneuvered-through chatter between Georgiou and Burnham, in which the latter reveals the nature of the Prime Universe. Lorca escapes and kills his jailer…***

13. What's Past is Prologue . Lorca begins freeing his Mirror-Universe compatriots, including Commander Landry (Remember her?). Lots of cat-and-mouse – then deaths – ensue, but the Emperor is nevertheless overthrown. Burnham at the last second saves Georgiou’s life and both are aboard the Enterprise as Stamets pilots the spore-driven Discovery through some incredibly risky maneuvers to get back to the home universe – only for the crew to discover (sorry) that they’ve arrived nine months after they left and the war, as Jean-Luc Picard once said, is going badly for the Federation…***

14. The War Without, the War Within . Georgiou’s reappearance causes quite a stir among the Discovery crew, as does the news of Mirror-Universe Lorca to the now-aboard Admiral Cornwall. Cornwall, Sarek, Burnham and the rest are soon back to business, however. Unfortunately, they arrive too late at 1, finding only the destroyed base marked with the insignia of a Klingon house and left with a whopping 80,000 dead. What’s more, a Klingon fleet is heading straight for Earth and conquest. An offensive is planned with the help of Georgiou: Spore jump *into* Qo’Nos, the Klingon home planet. ***

15. Will You Take My Hand? Georgiou is given command of the Discovery, and her first stop takes them to an Orion outpost. Georgiou, Burnham and Tilly hit the black market in search of drone weaponry to map the surface of Qo’Nos, while the Discovery heads for that planet itself. The three appear to procure such a weapon, but Tilly discovers that Georgiou has instead gotten a hydrobomb capable of destroying an entire planet. So Burnham gives the bomb to L’Rell, who may use it to unite the Klingons’ warring houses. The war ends, various Discovery crew members get awards for valor and/or promotions, and they’re soon out there, responding to distress calls again – the first from Captain Christopher Pike of the USS Enterprise… ****

Star Trek Discovery season 1 review: "Discovery works for today’s audience in a way Kirk and co never would"

GamesRadar+ Verdict

While hardcore Trekkies will struggle to love it, and plot holes abound towards the end, Discovery is the Star Trek we need right now.

Why you can trust GamesRadar+ Our experts review games, movies and tech over countless hours, so you can choose the best for you. Find out more about our reviews policy.

In recent years we’ve come to expect almost everything we’ve ever loved being rebooted in some form or another. So the announcement that a new Star Trek series was being developed way back in 2015 wasn't that shocking. It had been a decade since Enterprise had finished and the (then) upcoming 50th anniversary of the show had everyone thinking it was maybe time to boldly go again. Years (and many delays) later, Star Trek Discovery warped onto our screens in September 2017 with a fresh outlook on the future which was almost unrecognisable but, after 15 episodes with the USS Discovery and it’s crew, it’s clear that there’s a place for a darker Trek in our viewing schedules. While it’s not without its flaws, and hardcore Trekkies continue to struggle with how different it is from the original, Discovery proves that it’s possible to merge a beloved sci-fi classic with everything that works about modern television. 

No sooner had the series premiered than the proclamation ‘This is not Star Trek!’ echoed around the internet. And so started a fan war of disagreements, which was perhaps only surpassed by the whole Star Wars: The Last Jedi ‘debate’ at the end of last year. The truth is that Discovery is just a very different Trek series to past iterations, and if you’re looking for more of the Original Series or The Next Generation... well, you’re better off rewatching those series than giving Discovery a go because you won’t find many monster-of-the-week or space anomaly style adventures here. However, if you’re open to the idea of the franchise changing for a completely new era of television, and perhaps even - shock, horror - introducing a new audience to the world of the Federation, then Discovery fills that role perfectly. While hardcore Trekkies may never see the value of the series (and that’s fine - we don’t all have to like the same thing), Discovery found its audience mostly in people who had never watched a Star Trek TV show before in their lives. With its darker version of the future and lack of traditional space exploration hijinks, Discovery is the Trek series we need in this day and age, and it’s brought a beloved, yet outdated, series into the present golden age of television. 

8 questions we have after watching Star Trek Discovery season 1

Unlike previous Treks, the action centres on First Officer Michael Burnham (although she doesn’t remain First Officer for long) who, while human, was raised Vulcan by Spock’s parents. Through her misguided logic she inadvertently starts a war with the Klingons who aren’t yet the united Empire we know from the Original Series, and so we see the Federation as we’ve never seen it before; not as explorers but as soldiers at war. It’s not hard to see why this doesn’t sit well with some fans, but the television landscape (and the world) has changed a lot since Gene Roddenberry first imagined Star Trek and Discovery works for today’s audience in a way Kirk and co never would. Burnham joins the crew of the Discovery under the leadership of Captain Lorca who is desperate to make a new form of transport work to give the Federation the edge in a war they are clearly losing, all the while Klingons Voq and L’Rell attempt to unite the 24 great Klingon Houses under one rule. From Burnham’s mutiny and the development of the DASH drive, to getting lost in Terran space and Lorca’s true identity, it really is incredible how much is packed into the first season of Discovery and while it can sometimes feel a little over-stuffed (especially towards the end), almost every episode is standout television. Expertly combining the rich and varied world of Star Trek and modern audience’s love of fan theories and twists, Discovery’s plot keeps you glued to the screen from episode-to-episode, despite a few annoying plot holes which crop up from time to time. It also doesn't rely too heavily on its well-known background and although there are plenty of Easter eggs and fan pleasing moments, they remain just that, never creeping too far into the narrative and taking over. 

Every member of the cast holds their own, including lead Sonequa Martin-Green (despite the difficulties of her character which I’ll get to in a moment), but there are a handful of performances that really are spectacular. It’s a joy to see actor Doug Jones getting the recognition he deserves after years of playing characters with heavy prosthetics. His role as Saru in Discovery is no different, but the industry is finally sitting up a noticing how much work goes into playing a character like this and his performance as the mild-mannered yet highly intelligent Kelpien is far from the one-dimensional Star Trek aliens of the past. Shazad Latif could be praised simply for playing two characters on the show (Voq and Tyler) and keeping it a secret until the big reveal, but he does so much more than that. Both performances are strong and well-rounded but it’s when they come together and merge as Tyler discovers his true identity that you realise how much work goes into portraying someone with dual personalities. However, it’s Jason Isaacs who steals the show as Gabriel Lorca - a Captain with depth and mystery, and one that plays everyone from the beginning. There is always something a bit off about his character, but it isn’t until his true motivations are revealed that you notice how much Isaacs has subtly been planting the seeds for his arc the whole time. 

Houston, we have a problem

Sadly, the main problem with Discovery is that its least interesting and endearing character is also - unfortunately - its main character: Michael Burnham. While most fans were intrigued by the idea that Discovery would be the first Star Trek series whose main character wouldn’t be the Captain of the title ship, the series failed to produce a strong enough substitute. This is mainly down to the fact that Burnham is human, but raised Vulcan which makes for an incredibly tricky character for actress Sonequa Martin-Green to get a handle on. Due to the dispassionate nature of Vulcans, they’re never a viable series lead, and while we may love Spock and the occasional Vulcan-focused episode is a joy, we can’t root for a race which is so emotionally different to our own. It’s as if the showrunners wanted to created a character that services fans without alienating them too much (Vulcan + Human = Burnham), but instead ended up making someone who’s emotionless and boring one moment and reckless and naive the next. In essence, Burnham is just too inconsistent as a lead and the series suffers for it despite its many other compelling characters. 

Discovery’s other problem is another issue of inconsistency, this time, in the form of pacing. It’s easy to dismiss or forget how important pacing of a show (or movie) can be, but you sure as hell notice it when it’s off. While Discovery started off at a gentle trot (Burnham didn’t even make it onto the USS Discovery until episode 3 and the long promised Mirror Universe plot made its debut in the mid-season finale), by the time we got to the end of the season, everything had gone a bit Game of Thrones season 6 with characters teleporting all over the place and major deaths getting little reaction time. While teleportation is actually a thing in the Trek universe (unlike Westeros), we still needed more time to adjust to a lot of what happened in the second half, especially when the first half had allowed us to do just that. The showrunners clearly use the first half to set everything up and let us get accustomed to this new Trek, but then there just isn't enough time to do justice to everything they’d promised in the second half. Lorca only gets to be the baddie/true Terran for one full episode before being killed off, the Tyler/Voq storyline still doesn’t feel like it ever got it’s well-deserved payoff, and even minor characters - such as Mudd, who made some of the best moments from the beginning of the series - were never heard of again. After putting in so much time and effort to set up some truly compelling plot points, fan theories, and interesting twists, it’s disappointing that ultimately most of them don't get the screen time they deserve.

Star Trek Discovery - every Easter egg and secret reference hidden in season 1

No doubt, Discovery redefines what Star Trek is for a new audience, and not everyone is going to like that. The good news is that if you love the traditional Star Trek of yesteryear, there’s still plenty of that for you to rewatch and enjoy, but if you want a new science fiction show which is a bit more gritty, amps up the action, and actually gives the Federation something to complain about, Discovery pretty much nails it. While it probably shouldn't have made it’s main character Vulcan-like, and could have benefitted from a bit more breathing room for some of its storylines, the series stands out in an age of exceptional television to become one of the best shows of recent times. This is a Star Trek series which knows its past, but isn’t beholden to it… basically, a near perfect reboot then. 

Lauren O'Callaghan is the former Entertainment Editor of GamesRadar+. You'd typically find Lauren writing features and reviews about the latest and greatest in pop culture and entertainment, and assisting the teams at Total Film and SFX to bring their excellent content onto GamesRadar+. Lauren is now the digital marketing manager at the National Trust.

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STAR TREK: DISCOVERY follows the voyages of Starfleet on their missions to discover new worlds and new life forms, and one Starfleet officer who must learn that to truly understand all things alien, you must first understand yourself. The series features a new ship and new characters while embracing the same ideology and hope for the future that inspired a generation of dreamers and doers. Bonus Features Discovering Discovery: The Concepts and Casting of Star Trek: Discovery The Star Trek Theme Creature Comforts Designing Discovery Creating Space Prop Me Up Feeding Frenzy A Female Touch Dress for Success Star Trek Discovery: The Voyage of Season One Deleted and Extended Scenes

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• ASIN ‏ : ‎ B07KRLB6DR
• #2,039 in Science Fiction Blu-ray Discs

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Star Trek: Discovery - 1. sezon 1 . bölüm

Bölüm özeti: Uzaya hoşgeldiniz. Her ne kadar huzurlu ve boş gibi görünse de, işler daha ilk bölümden kızışacak ve isyanla vatanseverlik birbirine karışacak.

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• 1. Sezon 1. Bölüm Vulkan Selamı.
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• Özel Bölüm Özel Bölüm.
• 2. Sezon Özel Bölüm 2. Sezon Özel Bölüm.
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• 2. Sezon 13. Bölüm Ne Tatlı Bir Keder.
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• 3. Sezon 1. Bölüm That Hope Is You, Part 1.
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Screen Rant

Star trek: discovery’s biggest time travel shock is season 1 burnham.

Captain Michael Burnham faced her younger self in Star Trek: Discovery season 5, and it was shocking how much Michael has changed from season 1.

Warning: SPOILERS for Star Trek: Discovery Season 5, Episode 4 - "Face The Strange"

• Specialist Michael Burnham's shocking return in Star Trek: Discovery season 5 reveals a stark contrast to her future self, Captain Burnham.
• The time travel adventure in Discovery season 5, episode 4 sends Captain Burnham and crew on a dangerous mission to face their past and possible future.
• Captain Burnham's evolution into a compassionate leader highlights her remarkable transformation, making her the most evolved Captain in Star Trek history.

The biggest shock of Star Trek: Discovery season 5, episode 4's time travel was seeing Specialist Michael Burnham (Sonequa Martin-Green) from Star Trek: Discovery season 1 again, and how much Michael has changed. Written by Sean Cochran and directed by Lee Rose, Star Trek: Discovery season 5, episode 4, "Face the Strange," was a thrilling time travel adventure that sent Captain Michael Burnham (Sonequa Martin-Green), Commander Rayner (Callum Keith Rennie), and Commander Paul Stamets (Anthony Rapp) into key moments of the USS Discovery's past and possible future. And what Burnham dreaded came to pass: facing her younger self.

In Star Trek: Discovery season 5, episode 4, "Face the Strange," the villainous Moll (Eve Harlow) and L'ak (Elias Toufexis) smuggled a Krenim Chronophage, or a Time Bug, aboard the USS Discovery. The Time Bug trapped Discovery in a series of loops, sending the starship uncontrollably hurtling through time. However, Captain Burnham and Commander Rayner were able to operate independently in the time loops, and Stamets was also spared because his tardigrade DNA allows him to live outside of space-time. The Discovery trio went about destroying the Time Bug, but Burnham had to reveal herself to Discovery's bridge crew to save the ship. Further, Michael had to literally contend with herself from Star Trek: Discovery season 1.

Star Trek: Discovery Season 5 Returning Cast & New Character Guide

Why michael burnham was shockingly different in star trek: discovery season 1, discovery season 1 michael was defined by her biggest mistake..

Captain Burnham confronting Specialist Michael Burnham from Star Trek: Discovery season 1 was as shocking for her as it was for the viewers at home. The contrast between both Michaels, who were 5 years of age and 935 years apart after the USS Discovery time traveled to the 32nd century, was stunning. Captain Burnham is physically different from Specialist Burnham, not just because her hair is longer, and she wears a Starfleet Captain's uniform. There is a warmth and compassion to Captain Burnham that is absent from her younger self , who was just weeks removed from the biggest mistake of her life.

Specialist Michael Burnham thought Captain Burnham was a changeling imposter, as she couldn't fathom herself as a Starfleet Captain.

At the point in Star Trek: Discovery season 1 that Captain Burnham arrived at, Specialist Michael Burnham was still mired in guilt and sorrow for her mutiny that ignited the Klingon War and led to the death of her mentor, Captain Philippa Georgiou (Michelle Yeoh). Michael was resigned to spend the rest of her life in prison, and Discovery season 1's Burnham does not believe she deserves to be in Starfleet. The younger Michael's appearance is harsher than Captain Burnham's , and she is more prone to judgment and not looking before leaping into action. Captain Burnham beat Specialist Burnham in hand-to-hand combat because she was more centered and in control of herself, but also filled with empathy for the younger Michael.

Michael Burnham Is Star Trek's Best Captain Evolution

No captain has changed for the better as much as burnham..

Star Trek: Discovery season 5, episode 4 is a powerful reminder that Michael Burnham is the most evolved Captain ever in Star Trek . By comparison to some of her peers, Captain James T. Kirk (William Shatner) did not change very much as he aged, except for facing his own regrets. Admiral Kathryn Janeway (Kate Mulgrew) in Star Trek: Prodigy is essentially the same as when she was the USS Voyager's Captain, just with a higher rank. Admiral Jean-Luc Picard (Patrick Stewart) isn't as stern as he was when he was Captain of the USS Enterprise-D, but Jean-Luc never had to overcome the obstacles to the Captain's chair that Michael Burnham did.

It was incredibly touching for Michael to see how much she changed for the better.

Seeing Star Trek: Discovery season 1's Specialist Michael Burnham again is a stark reminder of how far Burnham has come. By Star Trek: Discovery season 5, Captain Burnham is confidently at peace with herself, has reconciled her gravest mistakes, and has proven her worth by saving the galaxy multiple times. Burnham has also known true love with Cleveland Booker (David Ajala), and she has the friendship and support of her found family, the crew of the USS Discovery. Specialist Michael Burnham is only at the start of her long, hard road to redemption , and becoming Captain Michael Burnham is her destiny in Star Trek: Discovery. It was incredibly touching for Michael to see how much she has changed for the better.

New episodes of Star Trek: Discovery season 5 stream Thursdays on Paramount+

Star Trek: Discovery Just Brought A Legendary Original Series Episode Back Into The Mix

Let's fly ... away from spoilers . Read no further if you haven't watched the latest episode of "Star Trek: Discovery."

Mirror, mirror on the wall, who's the strangest of them all? In "Star Trek," that title goes to one of the zaniest concepts ever introduced into the canon: The Mirror Universe. The idea of our alternate selves living completely different lives somewhere out there is no longer the sole domain of perhaps the nerdiest franchise in all of sci-fi (although shows like "For All Mankind," "Foundation," and "3 Body Problem" are creating some stiff competition), the Marvel Cinematic Universe, or the best episode of "Community" ever made . Fans might be surprised to find out that many in the scientific community believe the theory is worth discussion these days . But "Trek" put its own unmistakable fingerprints on the multiverse by emphasizing one in particular that stands at odds with the usual Prime Universe — one that poses a fundamentally moral dilemma between the paragons of Starfleet we know and love, and the absolute worst versions of themselves.

It doesn't come as a huge surprise that "Star Trek: Discovery" would use its final season to travel full circle and return to the Mirror Universe that played such a significant role back in season 1 (even if, ironically, there might be a parallel universe out there where we were able to see  former showrunner Bryan Fuller's more complex and nuanced take on it ). But what's sure to shock and delight longtime fans in episode 5, aptly titled "Mirrors," is a deep-cut reference to arguably one of the most influential hours of "Trek" ever made, and the one that introduced the Mirror Universe in the first place.

A different kind of black mirror

There might not be any sinister goatees or chest-baring V-necks in sight throughout this episode of "Discovery," but the lasting effects of "The Original Series" episode "Mirror, Mirror" are plain to see. Upon entering the wormhole that took scavengers Moll (Eve Harlow) and L'ak (Elias Toufexis) into multidimensional space, Captain Michael Burnham (Sonequa Martin-Green) and Book (David Ajala) discover the wrecked remains of their ship ... alongside the still-functioning husk of a familiar-looking Starfleet vessel, emblazoned with the name, "ISS Enterprise." For those who haven't brushed up on their 1967 "Trek" lore (and, quite frankly, shame on you if that's the case), Burnham helpfully points out that this isn't exactly the same starship captained by the fabled James T. Kirk thousands of years ago. It's one that has somehow found its way from the depths of the Mirror Universe (the exact specifics are oddly brushed aside) and remained stranded ever since.

But then "Discovery" goes a step further and hearkens back to "Mirror, Mirror" more thematically. While exploring the derelict ship, Burnham and Book stumble upon information about the previous occupants of the ISS Enterprise and specifically that of a certain Kelpian who rose from a slave to a leader in his own right. That, of course, refers to none other than the Mirror version of Saru (Doug Jones) seen in season 3, whom Emperor Georgiou (Michelle Yeoh) saved from certain death and pointed towards his proper path. Where the ending of "Mirror, Mirror" suggests that Mirror Spock is still "a man of integrity" despite the ruthlessness of the Empire he serves, "Discovery" reconfirms that even the comically rampant evil of the Mirror Universe is no match for the stubborn idealism of "Trek."

New episodes of "Star Trek: Discovery" stream on Paramount+ every Thursday.