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Warped Tour: 2004 Compilation

Various artists.

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Warped Tour 2004 Setlists

Date Sunday, August 1, 2004

So far, there are setlists of 23 gigs in one venue .

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• Jacksonville Fairgrounds, Jacksonville, FL, USA

Sunday, August 1, 2004

1 attendees

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2 festival people went.

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Warped Tour Timeline

2004 marks the 7th festival ( 13 total). Incorrect?

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Here's What Really Caused The Downfall of Warped Tour

Founder Kevin Lyman explains how the scene that built Warped Tour ripped the festival apart from within.

It's always sad when a big yearly festival or event comes to an end, and such was certainly the case with Vans Warped Tour , the massive traveling punk rock event that took the world by storm for 25 years. Sadly, 2018 was the year's last as a touring festival, with this year's three fests across the country acting as its memorial. When the fest ended, rumors circulated about what ended the festival -- most notably financial losses. But now, the man behind Warped Tour has stated that it was something much more human behind the festival's downfall -- the loss of punk rock community.

In the latest episode of Inside Track -- our podcast in which the true stories behind rock's most important moments are told by the people who lived them -- Warped Tour founder Kevin Lyman explains what led to him winding down the traveling festival after 25 years.

"Ultimately, when I started to think about winding this down after 25 years, it was, ‘I think we’ve lost the sense of community,'" says Kevin. "It took a community to make Warped Tour go. Some of that was self-inflicted… I thought you addressed the fans that complain on Twitter! I was addressing everyone and tried to keep that conversation going, but you realize that you can’t really negotiate, debate, or educate on social media!"

Not only did Kevin find that the unity that built Warped Tour was no longer present, but preconceived notions about bands resulted in great musicians turning down the gig, lest they come off as a "Warped" act.

"This is what kind of pissed me off," says Kevin. "Because in 1997, ‘98, Pennywise couldn’t judge a band until you met ‘em in the parking lot. You’d be in line at catering because of this community setting with no dressing rooms. You’d meet these people, and they were musicians too. Then I started watching this community tear itself apart from within, with this band — not even meeting these people, just disagreeing with them or with how they look — bashing that band online.

"People would come up to me on Warped Tour, and say, ‘Well, I don’t want to be on Warped Tour because Attila are on Warped Tour,’" he continues. "Have you met the guys in Attila? We’re not here to judge each other’s music. The fans will judge each other’s music.’ Atilla brings people. Do I personally run around screaming ‘Suck my fuck?’ No. Do you? No. But they’re good musicians and they’re not bad people. I’ve never seen them do a bad thing to someone."

"Every year, I’d send offers, and just — ‘We don’t want to tour with those bands. We don’t wanna be a Warped-esque bands,'" sighs Lyman. And it’s like, dude, Warped-esque bands — you mean Bad Religion . A Day To Remember . Paramore … it got very frustrating."

Listen to the full episode below:

And don’t forget to SUBSCRIBE to Inside Track to hear more of the insane, wonderful, highly-unlikely and totally true stories behind some of the greatest moments in rock history:

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READ THIS: How Less Than Jake pranked Warped Tour with a "police escort" of strippers

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Warped Tour founder Kevin Lyman and members of Sum 41 and Less Than Jake explain the rise, fall, and legacy of the festival in our new episode of Inside Track.

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Sum 41 goes out on top at sold-out Milwaukee stop of farewell tour at the Rave

Is anyone actually buying the “farewell” that Sum 41 is selling?

OK, sure, a lot of people are literally buying it. The Canadian pop-punk veterans’ “Tour of the Setting Sum” farewell run came to the Rave’s Eagles Ballroom Saturday for one of the first stops, and the 3,500-person capacity venue was a sellout.

But let’s do the math. No one in Sum 41 is over 50. The Mötley Crüe guys are headlining Summerfest this June after bringing a “farewell tour” to the Big Gig a decade ago, and an 81-year-old Barry Manilow will play a final Milwaukee show at Fiserv Forum in August nine years after he seemingly played a final Milwaukee show.

It's hard to accept that Sum 41 is really leaving all of this behind, especially right now. Pop-punk is fueling a new generation of rising stars. Blink-182's classic lineup is back (and playing Fiserv Forum August 7), Green Day is headlining stadiums (including American Family Field Aug. 24), and Milwaukee will host not one but two Warped Tour-style festivals this summer: Sad Summer Festival at the Rave, and the Not Just a Phase Fest at Franklin Field.

But if the Eagles Ballroom show was really Milwaukee's last chance to see Sum 41, they showed they're going out at the top of their game.

This amped-up capacity crowd hardly needed any motivation, but Sum 41 kicked off their hour-and-45-minute set with "Motivation" anyway, the first song off first album "All Killer No Filler" from 2001, with wired frontman Deryck Whibley cruising the stage while lasers and lighting worked overtime. In a delightful detour from the recording, guitarists Dave Baksh and Tom Thacker, drummer Frank Zummo and bassist Jason McCaslin offered a dense and tense instrumental thrash break, the band's distinctive, metal-flexing tendencies later getting a full workout for 2004's "We're All To Blame."

From "Motivation" Sum 41 segued into "The Hell Song" from 2002 sophomore album "Does This Look Infected?," with Whibley heating up the crowd with a breathless, 15-second vocal note, followed by Baksh's gnarly guitar solo, adding gas to the flames. The momentum continued with another "Infected" track, "Over My Head (Better Off Dead)" — the crowdsurfing and circle pits intensifying as smoke and confetti were added to the effects arsenal — followed by 2004's "No Reason," where Zummo really let his drum assaults rip.

The 2007 anthem "Underclass Hero" came right after, with oversized balloons bouncing atop jumping bodies in the pit — and Whibley popping a few with the tail end of his handheld mic. The band's cacophonous sound silenced so the fans could triumphantly belt out the final chorus alone: "'Cause we won't give you control/And we don't need anything from you."

During "Hero" Whibley rightly suggested this night wasn't just a celebration of Sum 41's nearly 30-year run but also "a celebration of yourselves." The crowd's passion matched the band's Saturday and was more powerful than all of the production's bells and whistles.

When the band started 2007's "Walking Disaster," the lights on the phones were so bright, the stage lights stayed off and the band was still fully illuminated. Even after Whibley suggested everyone needed to take a breather after an intense first 23 minutes, followed by the comparatively slower 2004 song "Some Say," some fans still couldn't resist moshing before the end. And "Dopamine," "Landmines" and "Rise Up" from the four-week-old "Heaven :x: Hell" album received boisterous singalongs typically reserved for longtime setlist standards. (It helps that those tracks are as invigorating as anything from across Sum 41's catalogue.)

When the most prized setlist standards did actually come near the end — "Fat Lip" accompanied by a storm of confetti, an equally electric "Still Waiting" initially sans any fancy stage enhancements — the crowd really went wild. Their biggest hit "In Too Deep" was a deeply satisfying finale — except it turned out it really wasn't the end.

Two minutes after the house lights came on, the outro music played on the speakers and about half of the crowd had left, Whibley and Thacker came back on stage — prompting fans at the staircases to sprint back to the ballroom floor. And as Thacker gently played keys, Whibley offered a sweet and calm farewell in the form of 2007's "So Long Goodbye" — with Baksh, McCaslin and Zummo coming out after a few minutes to give the song an adrenaline-pumping speed punk finish.

It was probably the best moment from a night full of memorable ones. But there was one moment fans definitely didn’t like: when Whibley referred to “Heaven :x: Hell” as the band’s final album, prompting a roar of booing.

“Ladies and gentlemen," Whibley replied cooly, "I can’t get enough of your boos."

Call it denial if you want, but a comment like that, combined with a show like this one, makes me firmly believe that Sum 41's "farewell" isn't going to stick. And the fans, clearly, would be just fine with that.

5 takeaways from Sum 41's Milwaukee concert, including openers the Interrupters and Joey Valence & Brae

• As people walked into the show they were given yellow pieces of paper that read “No Moshing.” Naturally this crowd didn’t comply, especially with Whibley demanding a mosh circle open up just two songs into the set. But shortly after that he also told people to be safe and look after each other, and by the look of things from the balcony, the crowd complied in that regard.
• At one point Whibley said he was bringing out a special guest, which turned out to be a guitar he's named "White Gold." It's a guitar that recently joined his collection, but it was actually used in the recording of one of his favorite albums by one of his favorite bands, 1996's "White Light, White Heat, White Trash" by Social Distortion. In their honor, Whibley played White Gold for a cover of "Ring of Fire" in the mode of Social Distortion's signature cover. (Social Distortion, by the way, is heading to the Rave's Eagles Ballroom with Bad Religion on May 14.)
• Sum 41 offered one other cover Saturday, of Queen's "We Will Rock You," initially distinguished by Thacker's speedy showboating on guitar — until Whibley guided the crowd to get quiet and crouch down before the climax, with the band's sound and fans (literally) rising up together for a mosh-friendly finale.
• Primary opener the Interrupters were essentially motivational speakers set to ska music, with the always-moving Aimee Allen, with a Joan Jett-style snarl, singing about not being pushed aside for “Take Back The Power,” living “like a warrior” on “Title Holder,” and being “easy on yourself” for “Easy on You.” She even offered gratitude for her heartbreak on “Afterthought.” The energy and uplift easily won over the Sum 41 fans, but just to make sure they had their full support, the Interrupters also offered a trombone-blaring cover of Billie Eilish’s “Bad Guy” and a bit of “Blister in the Sun” in honor of Milwaukee rock heroes the Violent Femmes.
• Joey Valence & Brae kicked off the night with a blast from the past, with originals like “Crank It Up,” “Drop!!” and “Punk Tactics” that are blatant rip-offs of Beastie Boys, but still pretty fun live. And the duo’s more hyperpop-leaning “Gumdrop” illustrated where they could take their act next.

Sum 41's Eagles Ballroom setlist

• "Motivation"
• "The Hell Song"
• "Over My Head (Better Off Dead)"
• "No Reason"
• "Underclass Hero"
• "Landmines"
• "We're All To Blame"
• "Walking Disaster"
• "Makes No Difference"
• "My Direction"/"No Brains"/"All Messed Up"
• "Preparasi a salire"
• "We Will Rock You" (Queen cover)
• "Ring of Fire" (cover of song popularized by Johnny Cash)
• "Still Waiting"
• "Waiting On a Twist of Fate"
• "In Too Deep"
• "So Long Goodbye"

Contact Piet at (414) 223-5162 or  [email protected] . Follow him on X at  @pietlevy  or Facebook at  facebook.com/PietLevyMJS .

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Kim Zolciak defends Kroy Biermann ‘R.I.P.’ post after daughter reacts, compares divorce to ‘death’

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Kim Zolciak is hitting back at criticism of her clickbait post.

The “Real Housewives of Atlanta” alum wrote via Warped Speed Thursday that she did not “claim” or “allude to” her estranged husband Kroy Biermann’s death by posting a black-and-white photo of them captioned, “R.I.P.”

Although the since-deleted social media upload gave her daughter Ariana, 22, a “damn near … heart attack” on Tuesday, Zolciak told her followers she has “more tact and class and compassion than that.”

The Bravolebrity, 45, defended herself by posting another black-and-white snap with Biermann, 38.

“I am TIRED OF ALL THE LIES and ACCUSATIONS,” she wrote. “EVERY DAY it’s always something new. I’m tired of so much BS being thrown my way. So you want to know ‘what died?’ Here’s the truth.”

The lengthy post Zolciak linked to explained, “I used a picture of BOTH of us and said #RIP — and, frankly, the end of my relationship was like a death of sorts so #RIP to that.

“The story was a tribute to many we’ve lost this past year ,” she continued. “And yes my relationship was lost too so it seemed fitting.”

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She told haters offended by the upload to “get serious” and not “jump to conclusions.”

The former reality star asked, “Do you actually think if Kroy died — even with all of the issues we’ve had — my first instinct would be to go to my Instagram and post #LinkInBio with his pic and #RIP attached?

“To reiterate — Kroy is alive and well and did NOT DIE nor did I ever say he has died,” she concluded. “And that’s that.”

Zolciak did not directly address Ariana’s TikTok reaction .

On Tuesday, the influencer asked her followers what “the f–k” they would do in her “situation,” saying, “I physically don’t have any f–king words.”

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She appeared near tears in the video while telling her mom, “I love you, but I just, like. … My heart, like, tugging. Like, no.”

The clickbait post was not Zolciak’s first, as she previously implied daughter Brielle, 27, was pregnant in November 2023.

The “Don’t Be Tardy” alum, who is also the mother of KJ, 12, Kash, 11, and twins Kaia and Kane, 10, has been battling mounting debt and multiple lawsuits in the last year while navigating her rocky relationship with Biermann.

The duo filed for divorce in May 2023, only to reconcile two months later — and then file again in August of that same year.

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