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BUCK65 IN CONCERT: Canadian hip hop artist Buck 65 has been blurring the lines between genres for more than two decades with his ever-evolving sound. From his early experimental outings to his more recent folk and blues-tinged work, Buck 65 has remained a compelling and passionate performer, as beloved for his live shows as he is for lyrically dense tracks like "The Centaur" and "Sebutone Def". With his 14th album dropping in 2014, the eclectic two-time Juno winner has fans eagerly awaiting his next round of tour dates. BACKGROUND SNAPSHOT: Nova Scotia-born Buck 65, a.k.a. Richard Terfry, discovered hip hop in his early teens when he climbed a tree in his backyard to intercept the fledgling signal of a local college radio station. After teaching himself to rap, DJ, and produce tracks, he began hosting his own show on that same college station while releasing material on a variety of small independent labels. He began to gain serious traction in 1996 with the albums Weirdo Magnet and Vertex, but it was the release of Man Overboard in 2001 that really put him on the map as one of avant-garde hip hop's brightest young talents. In the mid-'00s Buck's sound veered from traditional hip hop towards the folk and electronica-oriented sound heard on 2003's Talkin' Honky Blues, which won a Juno Award for Alternative Album of the Year. A self-assured and disarmingly charming performer, Buck continues to impress on his must-see tours.

I've seen Buck 65 twice before. This was definitely his best set.

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Buck 65 Concert Setlists & Tour Dates

Buck 65 at blk_space studios, toronto, on, canada.

• Kiss My Ass
• Pants on Fire
• The Centaur
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Buck 65 at Rebecca Cohn Auditorium, Halifax, NS, Canada

Buck 65 at yonge-dundas square, toronto, on, canada, buck 65 at the crocodile, seattle, wa, usa, buck 65 at the new parish, oakland, ca, usa, buck 65 at théâtre corona, montreal, qc, canada, buck 65 at neat cafe, burnstown, on, canada.

• Gates of Hell
• Je T'aime Mon Amour
• Laundromat. Boogie
• That's the Way Love Dies
• A Case For Us
• Love Will F**k You Up
• Heart of Stone
• Paper Airplane
• Baby Blanket
• Superhero In My Heart
• Danger and Play

Buck 65 at Lucky Bar, Victoria, BC, Canada

• All There Is To Say About Love
• Bandits (alternate music)
• Indestructible Sam

Buck 65 at La Maroquinerie, Paris, France

Buck 65 at vogue theatre, vancouver, bc, canada.

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• Blood of a Young Wolf ( 11 )
• Wicked and Weird ( 10 )
• All There Is To Say About Love ( 8 )
• Indestructible Sam ( 8 )

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[traditional] Bronski Beat Leonard Cohen The Velvet Underground

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164 people have seen Buck 65 live.

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North American Adonis

By buck 65, doseone, jel.

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doseone Santa Fe, New Mexico

doseone... is a poet, rapper, singer, painter, producer, sounddesigner, catowner & member of anticon, A7PHA, 13&god, cLOUDDEAD, Deep Puddle Dynamics, NEVERMEN, subtle, & themselves...

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Punk Rock B-Boy by Buck 65

supported by 92 fans who also own “North American Adonis”

I think this might be the hardest album Buck 65 has ever made. Not an ounce of fat on it. Every single thing about it is dope. But then every single thing about King of Drums and Super Dope is dope too. Still this might be my favourite of the bunch. I'm just happy Buck is back and making all this dope ass hip hop for us. Arrrgghh it makes me so happy. beatjesus

King Of Drums by Buck 65

supported by 87 fans who also own “North American Adonis”

This is the shit. walylama

Super Dope by Buck 65

supported by 82 fans who also own “North American Adonis”

Absolutely love this record, and so happy Buck is back, but is it just me or does Buck’s voice sound totally different from his mid-2000s Talkin’ Honky era stuff? Like his voice is higher and smoother, I wasn’t even sure it was him. Is this a return to his really early straight hip-hop stuff, without the country and blues influences? misanthropologist

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14 KT Gold by Buck 65

supported by 67 fans who also own “North American Adonis”

Super Dope was amazing, and I just came across this outtake EP, and, by God, I'm so glad I did! I didn't want Super Dope to end, and now it doesn't have to! Love this! swart2

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Sage Francis, Buck 65, Alias Launch Tour

Like wordplay-obsessed wolves, indie rappers travel in packs, or at least that's what we gather from the lineup of Sage Francis' "Death Dance Tour" in support of his recently released new album, Human the Death Dance.

The tour kicks off tonight, May 23 in Cambridge, Massachusetts and features Buck 65, Alias (whose MySpace page claims he has a "new solo instrumental record in the works"), and Buddy Wakefield by Sage's side. Sage Francis will perform with a live band on the tour, and he will also perform at all three dates of the traveling Rock the Bells festival after the tour winds down.

Buck 65 has one non-"Death Dance" date of his own. It's not until October (at the Iceland Airwaves Festival in Reykjavík), and by that time, his new album, Situation, should be available in stores. He is also working with Greetings From Tuskan's Joëlle Phuong Minh Lê on a project called Bike for Three! Their forthcoming album is called More Heart Than Brains.

"Death Dance" dates (all dates with Sage Francis, Buck 65, Alias, and Buddy Wakefield):

05-23 Cambridge, MA - Middle East 05-24 Cambridge, MA - Middle East 05-25 New York, NY - Bowery Ballroom 05-26 New York, NY - Bowery Ballroom 05-27 Farmingdale, NY - Crazy Donkey 05-29 Philadelphia, PA - Trocadero 05-30 Baltimore, MD - Ottobar 05-31 Washington, DC - Rock and Roll Hotel 06-01 Chapel Hill, NC - Cat's Cradle 06-02 Atlanta, GA - Masquerade 06-04 Orlando, FL - Firestone 06-06 New Orleans, LA - House of Blues 06-07 Houston, TX - Warehouse Live 06-08 Dallas, TX - Granada 06-09 Austin, TX - Emo's 06-11 Albuquerque, NM - Launch Pad 06-12 Phoenix, AZ - Clubhouse 06-13 Tucson, AZ - Congress Hotel 06-15 Los Angeles, CA - Henry Fonda Theater 06-16 Pomona, CA - Glasshouse 06-17 San Diego, CA - Soma 06-19 San Francisco, CA - Fillmore 06-20 San Francisco, CA - Fillmore 06-22 Portland, OR - Roseland 06-23 Seattle, WA - Showbox 06-24 Bellingham, WA - Night Light Theatre 06-25 Bend, OR - Pavilion 06-27 Boise, ID - The Venue 06-28 Salt Lake City, UT - In the Venue 06-29 Denver, CO - Gothic Theatre 06-30 Denver, CO - Gothic Theatre 07-02 Omaha, NE - Sokol Hall 07-03 Columbia, MO - Blue Note 07-05 Minneapolis, MN - First Ave. 07-06 Chicago, IL - Abbey Pub 07-07 Chicago, IL - Abbey Pub 07-09 Grand Rapids, MI - Intersection 07-10 Detroit, MI - Magic Stick 07-11 Cleveland Heights, OH - Grog Shop 07-12 Pittsburgh, PA - Mr. Small's 07-13 Providence, RI - Lupo's

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Tiny Mix Tapes

Buck 65 bring on the major leagues.

By Wolfman https://www.tinymixtapes.com//writer/wolfman · January 29, 2006 2006-01-29T14:46:00-05:00

After the recent success of his new album Talkin' Honky Blues , Buck 65 , a.k.a. Rich Tefry , takes a moment during his busy Canadian leg of his tour to speak about his new album, his love for baseball , and the fear of cheese. Here's a look at Buck 65, a man so talented that after one meeting with him, your own life becomes a little ‘Rich'er.

Tiny Mix Tapes: Tell us a little bit about yourself and your music?

Buck 65: Well, I grew up in a really small town where there's a post office and that's about it. It was a dirt road that I grew up on and it was basically surrounded by folk music. It was kind of in the air, I don't know where I learned it (music) , but I remember running around the woods with my friends singing these folks song as a kid. There weren't a whole lot of kids my age , and there certainly wasn't any hip-hop music around. I just grew up playing in the dirt and trees, riding my bike and playing baseball. Take all of those things into consideration that says a lot about my music as well. I do like to talk about my childhood and where I come from a lot , and obviously I'm making what you loosely define as hip-hop music , but folk music and country music is a big influence , and I just try to be really honest about who I am and where I come from . And I make no bones about the fact that I'm not a kid anymore. I'm in my 30s , and I'm a white guy, all that kind of stuff. Hip-hop music in particular hasn't been the friendliest place for people over 30. It's largely teenage music in a kind of way but I certainly take that on as a challenge to try to do what I can to refine it a little bit or allow it to age and mature. So that's where I'm at.

Tiny Mix Tapes: Taking that into consideration, how the feedback been about your new album Talkin' Honky Blues?

Buck 65: It's been almost entirely really positive. The reviews are really good. I didn't know what to expect and I'm certainly happy that they've been good , but I know that the album has surprised some people because it is different from my old albums. Like it or not, there's people out there that expect me or hope that I would make the same album over and over again for the rest of my life. I can understand that because I know that I want The White Stripes and Portishead and some other bands like that I like to keep making the same album over and over again as well. I just have to keep challenging myself and keep moving forward. I really want to take my effort seriously as a musician, not just as a hip-hop artist. So I've been thinking a lot lately about theory and educating myself on classical music, melody , and writing songs and music. I'm aware that I may lose some people along the way. I get a little bit of strange reactions from some people , but all in all it's been really positive.

Tiny Mix Tapes: And based on that difference, how different were the recording sessions for this album?

Buck 65: They were very different because about everything I had done in the past I had done in my bedroom by myself. This album was recorded in a studio, nothing to o incredibly fancy but passed as a proper studio. With other people around, I worked with some other guys that built this album a little bit more from the ground up with member of my band. Like I said, I wrote a lot of this music for the first time instead of relying on sampling and borrowing other people ' s ideas. I worked on it for a year. The max in the past was two weeks for the most I'd ever worked on an album before , and there's a lot of attention to detail on the album, which is key. It was also mastered at one of the best mastering facility in the world so sonically, it sounds incredible. It sounds very wide and heavy. I don't think it really qualified as lo-fi anymore , whatsoever ; so that's a big difference , too.

" People are willing to accept something that doesn't follow the obvious formula. "

Tiny Mix Tapes: And do you think the move to Warner music was a big influence on that?

Buck 65: Well I certainly wouldn't have been able to afford to go to the top mastering facility in the world without a few extra bucks to go around , but all in all as far as the creative process goes, nothing changed.  Any differences you may see were completely just motivated by me getting older and sinking myself deeper in folk music and stuff like that.

Tiny Mix Tapes: Regarding the re-releases of your older material on Warner, how has been the response regarding those?

Buck 65: Really good because I mean…

Tiny Mix Tapes: Are you catching new fans that you might have missed in the first round?

Buck 65: I think I am.  And those albums were always really hard to get in the past and had very limited manufacturing and distribution. It 's satisfying to me to see new life breathed into those albums and the response is good. I know a lot of people are excited about the fact that they are made available again and all that good kind of stuff. We've been able to sell them at a really good price and having repacked them, the whole language arts series, having a nice uniform look and everything makes a nice satisfying look. The response has been really good and that's a lot of work that I'm really proud of , so I'm glad to get the change to get it out there a little bit more.

Tiny Mix Tapes: Regarding those older albums, which one do your look back on and say ‘this is my favourite' of mine?  My ultimate Buck 65 album at my peak?

Buck 65: I do think that the new album is my crowning achievement so far just because I pushed myself so much further , but my sentimental favourite has always been Vertex . I really love all my records, even the one's that came before the Language Arts series. A lot of people despise their old work , but I love it all.

Vertex just captured some kind of energy, which is a great thing if a record can do that. It's really difficult to do. You just got to get lucky with that I suppose. That's an album that I worked on under frantic circumstances. I just kind of burned on a straight 48 hours mission and that's a big part of what I was able to do with that record. So yeah, it's my baby in a lot of ways.

Tiny Mix Tapes: A lot of people think of that one as one of your crowning achievements as well? Buck 65: Yeah , I'm starting to hear the word like ‘classic' in relations to that record, which is great. I think that when that album came out, not many people had heard anything quite like that before and since then I've really established kind of what I do as ‘my thing'. I even see influences of it on other things here and there, which is kind of interesting. All of that is real flattering for sure.

Tiny Mix Tapes: Switching albums, Square seemed to be your transition into the limelight.  What do you think made Square so accessible compared to your previous work?

Buck 65: I don't know because I think Square was just as weird or weirder then anything else, like the four fifteen minute pieces and whatever else. I can't explain it really , but I think it rode off of a lot of momentum from Man Overboard because Man Overboard did so well critically and a lot of people were curious about me and what I might do next and they gravitated towards the record. Man, that's a weird record so I don't even really know.

Tiny Mix Tapes: Square was nominated for a Juno (Canadian Grammy), how do you feel about that?

Buck 65: I was really surprised. I didn't expect anything like that or do I have any expectation for anything like that with any of my stuff I do. I can't explain it , but I'm certainly proud of the work and I can easily talk myself into believing that it really deserves it. It's nice to be recognized. Admittedly, it's a challenging record ; it's different from the other stuff out there so it makes me feel good in an ‘outside looking in' kind of way to see that people are willing to try out something different right now and take some chances. To me, it restores your faith in humanity a little bit. People are willing to accept something that doesn't follow the obvious formula.

Tiny Mix Tapes: I got to catch your live show at the NAC.  The concept of the live band really blew me away.  Is this a permanent move to the live band concept?

Buck 65: Yes and no. I still haven't built it to the point where I can afford to have the live band on all the time. I'd like to get to the point where I can afford having them around whenever I like , but like many other singer-songwriter type, sometimes they play solo and sometimes they play with a band , and that's how it will be for me , too. I love playing on my own as well and makes for a different experience and a different show altogether. Some nights I'll do a set by myself or with the band , and it's nice to have them there and it brings in a whole new dynamic to what I'm doing. It's interesting, great , and fun to me to reinterpret songs and do a different version of them and so on. It's always a really cool feeling , too. What interesting is even people who are familiar with the material see it interpreted in a new way and see a band pull it off. I got some pretty great musicians in my band. I found with my personal experience is that with hip-hop, when you get yourself in a live band situation, it tends to be pretty cheesy at some times, but my band is not cheesy ; in fact , my band hates cheese. In fact, there's one guy in my band who's afraid of cheese (laugh). Has never eaten cheese (laugh). So I've got some guys that are really tapped into what I like and my aesthetics and like the dark side. It's nice.

"S ometimes I feel like I'd give anything to get out and play catch with somebody ."

Tiny Mix Tapes: What's your favourite song to perform live?

Buck 65: There is a lot to choose from.  I guess I have to say to this point that I've got to go back to “Pants on Fire” from Man Overboard because that song caught on and a lot of people know that song.  There was a video for it, which helped it get out there but there's a chorus that you can sing along to and invariably almost every night we perform that song, it turns into a sing-along.  It's nice to see that response from the crowd and it illicit a strong response because you get that level of participation without even asking for it and that's a real satisfying feeling.

Tiny Mix Tapes: V ery crowd pleasing when you perform it .

Buck 65: Yeah, which is nice but it's also a strongly emotionally driven song so it kind of draws out a good performance out of me as well. I have fun with it.

Tiny Mix Tapes: Are you still living in France?

Buck 65: Technically, I don't live anywhere. I still more in France then anywhere else in the world but right now, I have no fixed address. I'm just kind of on the road permanently.

Tiny Mix Tapes: Living in France, How much of an influence did that have on your writing and your songs?

Buck 65: It had a big affect on me like it would anyone in my position. I lived in the same place for 30 years, uprooted myself and planted myself in a place drastically different from where I come from so change gives people ideas and inspired them, or freaks them out ;

anyways, it gives you something. Paris in particular is such a beautiful and inspiring place that again, it would do it to anyone. Look at the legacy that it's left. Artists have been flocking to Paris as long as there's been art. It's been a big influence but also gave me new perspectives on where I come from , too , and is inspiring in its own, almost ironic way. I wrote most of the new record in Paris but a lot of time was spent reminiscing about my old hometown.

Tiny Mix Tapes: Are you involved in any current side projects with anyone?  Are you collaborating for the future?

Buck 65: Yeah, I've got a handful of things in the works. There's a hip-hop group from the UK, Bristol, called Aspects, and I'm about to do some recording with them and there down with Portishead, at Portishead's studio that I'm going into to do the work. I recently recorded an album with DJ Signify and Sage Francis that will be out soon on the Lex label. There's talk of all sorts of things and a whole bunch of stuff in the works , but until its done or confirmed, I shouldn't say too much . B ut what's exciting to me is that I'm looking at doing some collaborative work outside the realm of hip-hop that I think could be really, really interesting. Something to watch out for. 

Tiny Mix Tapes: I wasn't gonna ask you about this but, baseball, you miss it?

Buck 65: Yeah, I miss it bad. Last year when I was recording the album, I was in one place for a long time so I actually got to play. But this year, being in Europe most of the time and travelling so much, it's become impossible, so I just haven't played in a long time. It's even hard to follow what's going on in the major leagues when you're always travelling in Europe in particular.  You don't get any coverage on television or anything like that, so the best you can do is get the International Herald Tribute which has a few box scores sometimes or go to the major league baseball website and get your updates. But you're not getting any highlights so you check the standings. It's heartbreaking. Not only do I miss following what's going on but just to play . Sometimes I feel like I'd give anything to get out and play catch with somebody .

Tiny Mix Tapes: Is your baseball passion converting to your music passion?

Buck 65: Baseball inspires my music a lot and it's always entered in it in one way or another. If you look at the new album, the first song on there is called " Leftfielder. " There's a song on there called " 463, " which is about a double play, second baseman to short to first base. There's reference to just different things all over the place. Actually, I can tie in something in regard to your last question, I did a song recently with a producer in L.A. called OD, who's best known for putting together the Beneath The Surface compilation a few years ago with a lot of the Project Blowed type people. So I made a contribution to his new album, which is out on Mush and it was selected as the single from the album and the song on there is about living in Paris and missing baseball. It's another baseball song.

Tiny Mix Tapes: Who's your favourite baseball player?

Buck 65: Ted Williams. When I was a kid as far as active players because he was retired before I was born, I grew up idolizing Gary Carter who was inducted in the Baseball Hall of Fame recently.

Tiny Mix Tapes: Were you an Expos fan?

Buck 65: Yeah I was. Being a kid in Canada, you just can't help it. But Ted Williams is my idol.

Tiny Mix Tapes: I heard The Hockey Song you did, was it recorded live or is it an actual studio song?

Buck 65: I was never recorded. It was just done live on television during the NHL awards. I wrote it at the end of the season but I had to hold out finishing it until the Stanley Cup was decided and then the awards were just a few days later. And then I had to make changes the day of the awards after getting the thing nick-picked over by people from the NHL, the TV stations and all that stuff. It was pretty much done by the seat of my pants the day of and done live with no opportunities to mess up. I pretty much nailed it and was a lot of fun to do.

Tiny Mix Tapes: Are you passionate about hockey as well?

Buck 65: I'm generally a big sports fan and I pretty much follow anything. I'm not as big into hockey as I an baseball. When I was a kid I actually liked hockey before I liked baseball. I was really passionate as a kid and I thought I wanted to go out as a hockey player like a lot of Canadian kids. I follow it as closely about as closely as I follow everything else. Just as a sports fan.

Tiny Mix Tapes: I hear you're also a fan of David Lynch films. Can you elaborate?

Buck 65: He's one of the few artists out there that can basically do no wrong in my eyes. He's the money in the bank, if you will. His vision and his sense of humour and the things he seems to be attracted to just line up perfectly with all my interests as well. I was just instantly drawn to him upon my first exposure and I have all his films in my collection and he inspires a lot of my music. I had a real interesting opportunity lately where I was given permission to do a performance in London where I did a live score to the Eraserhead film. That was one of the most challenging things I'd ever done but really satisfying and rewarding. It went off without a hitch and it was so much fun and I wanted to be as true to the spirit of the original film as possible and do something that David Lynch wouldn't hate. He's another guy that I would love to meet and talk to, ask questions someday. Haven't met him yet. I've tried to send him some music and I don't know if it's gotten into his hands or not. He's one of my number one influences for sure.

Tiny Mix Tapes: If you could make your ultimate mix tape, what would be the first song you would choose?

Buck 65: Like what would be the opening track?.. .

Tiny Mix Tapes: Opening track on “I'm listening to this mixtape to inspire me”?

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BUCK65 IN CONCERT: Canadian hip hop artist Buck 65 has been blurring the lines between genres for more than two decades with his ever-evolving sound. From his early experimental outings to his more recent folk and blues-tinged work, Buck 65 has remained a compelling and passionate performer, as beloved for his live shows as he is for lyrically dense tracks like "The Centaur" and "Sebutone Def". With his 14th album dropping in 2014, the eclectic two-time Juno winner has fans eagerly awaiting his next round of tour dates. BACKGROUND SNAPSHOT: Nova Scotia-born Buck 65, a.k.a. Richard Terfry, discovered hip hop in his early teens when he climbed a tree in his backyard to intercept the fledgling signal of a local college radio station. After teaching himself to rap, DJ, and produce tracks, he began hosting his own show on that same college station while releasing material on a variety of small independent labels. He began to gain serious traction in 1996 with the albums Weirdo Magnet and Vertex, but it was the release of Man Overboard in 2001 that really put him on the map as one of avant-garde hip hop's brightest young talents. In the mid-'00s Buck's sound veered from traditional hip hop towards the folk and electronica-oriented sound heard on 2003's Talkin' Honky Blues, which won a Juno Award for Alternative Album of the Year. A self-assured and disarmingly charming performer, Buck continues to impress on his must-see tours.

Buck 65 is worth a whole lot more!

Freaking awesome show - I wouldn't hesitate to pick up tickets to see Buck 65 again and encourage everyone to try out a show, regardless of what kind of music they would typically pick to spend money on. As I sat there, I couldn't help but imagine myself in a Las Vegas club watching - I'm positive he'd draw a crowd when word got out, wherever he decided to tour to. Can't wait to see him again :)

Love Buck 65. Wish I could have been dancing, felt weird to stay seated. He rallied and put on a wicked performance.

Nothing can stop the Buck

Buck 65 put on a fun show despite his cold and the weird vibe in the audience. Because I was part of that audience, I have to say that it is difficult to give off a good vibe when sitting in a stadium-like auditorium. Undeterred, Buck went through his set with gusto and humour. A great and original artist.

Buck 65 is genius

When you consider how rich an experience one performer can give - Mr. Terfry has set the bar pretty high. I have never known a rapper to constantly link so many rhymes together that actually have deep meaning - while all the while having fun with it. His BEATS and samples are sonic, crunchy and brilliant. His Swedish sweety added a very nice vibe to the proceedings. Fantastic stage presence and dancing - including the lounge/Murphy/Bowie/Iggy/hand-jive schtick. Wicked and weird ! - PN

What an Amazing Person

I'm new to the rap/mc/spoken word scene but Rich Terfry (Buck 65) is a charmer. The whole set was smooth and fun. He doesn't take himself too seriously but when he needs to he does it so profoundly. I'm glad he tours Canada so frequently cause I will see him again.

SC MIRA blew me away! Terrific way to start off the night and, of course, Buck 65 was amazing, as usual! Loved when they all played together at the end of the show!! :D :D

Buck 65, Legendary for a Reason.

What a performer! Not only his songs are fantastic, but his show is an experience worth repeating. A great storyteller. Witty and funny, Buck 65 shares his unbelievable talent and passion with every word he says. Add to that the mesmerizing voice of Marnie Herald and you'll not only be entertained, but your spirit lifted. Buck 65 is legendary for a reason. I liked him before, but after seeing his show, I just love him now.

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Premiere: Stream Buck 65’s “Dirtbike 4” Mixtape

It’s an hour-long expedition into the depths of Rich Terfry’s remarkable brain.

Legendary Nova Scotia emcee Buck 65 is back with a self-described “exercise in extreme self-indulgence.” Dirtbike 4 is an hour-long expedition into the depths of Rich Terfry’s remarkable brain — delving into subjects ranging from the Toronto Tunnel Guy to Marcel Duchamp — all anchored by boom-bap instrumentals and a pervasive punk aesthetic.

Whether he’s throwing out the first pitch at a Cubs game, or scoring an x-rated French film , Buck 65 always finds a way to surprise us. Dirtbike 4 is no exception.

From Buck 65:

“’Dirtbike 4’ was recorded in my living room. Legendary Halifax producer Jorun Bombay contributed a beat. Otherwise, everything was done by me — vocals, beats, cuts. This album — like the other Dirtbike albums — is a return to the approach I took when making albums like ‘Vertex’ and ‘Man Overboard’ in the late ‘90s. The album features a tribute to Elton McDonald, the Toronto tunnel-digger guy; a tribute to Booger from the Revenge of the Nerds movies; a tribute to the Lykov family, who lived in the Siberian taiga, cut off from all human contact for 40 years; a song about my distaste for the band The Police; a song about my cat, Kevin; and a lot more. The centerpiece of the album is a simultaneous tribute to Marcel Duchamp, the spirit of Dadaism and John Lennon's song "Imagine." Mostly, ‘Dirtbike 4’ is an exercise in extreme self-indulgence by a white boy from Nova Scotia who was in high school between '86 and '89, the era of Ultramagnetic, M.C. Shan, Eric B. & Rakim, The Jungle Brothers, Mantronix, Run-DMC and UTFO. It's dirty.”

Stream Dirtbike 4 below, and keep scrolling for Buck 65’s upcoming tour dates:

4/23 at Bluebird Theater in Denver, CO 4/24 at The Grain Station in Albuquerque, NM 4/25 at Last Exit in Phoenix, AZ 4/27 at The Bunkhouse in Las Vegas, NV 4/28 at The Casbah in San Diego, CA 4/29 at The Roxy in Los Angeles, CA 4/30 at The New Parish in Oakland, CA 5/1 at Star Theater in Portland, OR 5/2 at The Crocodile in Seattle, WA

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Tommy and Richie present "Billy" by Controller 7 & Buck 65

supported by 138 fans who also own “King Of Drums”

"Billy" is a breath of fresh air. A collaboration between two equally capable artists, showcasing perfect intercompatibility. I hope to hear more from Tom and Rich! They make a great team. linqsikks

North American Adonis by Buck 65, doseone, Jel

supported by 87 fans who also own “King Of Drums”

I've missed old school anticon (and affiliated), such an influential part of my late teens and early 20s. My old record store had a section dedicated to leftfield hip-hop when I was growing up, this is exactly what I've been missing, and would've gone straight in there. I only hope we get more of Dose, Buck, and Jel together. El Bleak

Buck 65 "Laundromat Boogie" (Produced by Jorun Bombay) by Buck 65 (Produced By Jorun Bombay)

supported by 83 fans who also own “King Of Drums”

Skidmark free in 2023! walylama

learn 2 swim by redveil

The 18-year-old Maryland rapper’s newest album combines coming-of-age themes with refreshing, expansive production. Bandcamp New & Notable Apr 22, 2022

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Inventive flows, abstract arrangements, and clever lyrics make 16-year-old Maryland rapper redveil an artist worth watching. Bandcamp New & Notable Sep 2, 2020

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Left Handed Straw by Controller 7

supported by 69 fans who also own “King Of Drums”

When I say this record reached out from my tiny iPhone and grabbed my medulla oblangata, squeezed it until hyper-lysergic goo spritzed across the room, I am engaging in hyperbole. When I say this album is the best beat tape I’ve heard in years, I am spitting facts. Love love love!! Jay Hodgson

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Buck 65  

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Richard Tefry, aka Buck 65, is the renaissance man of hip hop. Many rappers will compare their work to that of a storyteller or poet, but few will take time out of their sets to actually treat you to any straight up poetry or storytelling. The music Terfy samples in his vastly stylistically broad catalogue of songs can range from anything from gentle acoustic folk to Fugazi’s "Waiting Room." In fact, at times it’s hardly comparable to watching a hip hop show at all, especially when Buck 65 is not just one sharply dressed man and a laptop but a full band, allowing Tefry to channel his inner Tom Waits and unleash splashes of glitter from his hands all over an adoring first few rows. Possessing such variety to his craft is exactly what makes the prospect of a Buck 65 gig exciting. Deep cuts from early, backpacker-approved underground hip hop classics or brand new material? Something that borders more on stand up that it does on anything musical? Anything seems to be an option. It’s quite possible that Tefry has very little clue what’s about to happen either, but there’s a classiness to an evening in his company that hints at genius all the same.

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